Gina Marsh

Producer

Works as: Producer
Titles: 8 on MovieCove
Links: IMDb (opens in a new tab)

Known for

What are Gina Marsh's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight

Morality

30%

Survival

30%

Power

17%

Ideas

11%

Self

8%

Society

3%

Justice3 Trauma3 Survival2 Deception2 Corruption2

What they feel like to watch

their average across 6 films

ToneFeelDemandtheir average · filled zone: the category

Earnest

Tone · Sincerity

ironicearnest

Ironic 1 · Wry 0 · Earnest 5

Dark

Tone · Weight

lightdark

Light 2 · Serious 1 · Dark 3

Stylized

Tone · Style

naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 0

Charged

Feel · Intensity

gentleintense

Gentle 1 · Charged 3 · Intense 2

Shifting

Feel · Swings

steadyswings

Steady 1 · Shifting 3 · Whiplash 2

Some laughs

Feel · Humor

noneconstant

Straight-faced 2 · Some laughs 3 · Funny 1

Even-paced

Demand · Pace

slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Engaged

Demand · Attention

casualfull focus

Casual 1 · Engaged 4 · Full focus 1

Affecting

Demand · Emotional cost

easyheavy

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 3

Resolved

Demand · Resolution

resolvedambiguous

Resolved 5 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense

7

Dread

2

Melancholic

3

Warm

2

Contemplative

2

Other

5

How their films linger

Thought-provoking6 Haunting3 Fun2 Hopeful2

How their films end · 2 with a twist

Happy1
Bittersweet5
Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gina Marsh's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

A&E Crime Central1 title, show their title on A&E Crime Central
Acorn TV1 title, show their title on Acorn TV
HISTORY Vault1 title, show their title on HISTORY Vault
Sundance Now1 title, show their title on Sundance Now

Subscription and free streaming for Gina Marsh's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

Do Re Mi Fa(2016)
Producer
Midcredits score: 83rd percentile of all films
The Eichmann Show(2015)
Producer
Midcredits score: 65th percentile of all films
Murder on the Home Front(2013)
Producer
Midcredits score: 65th percentile of all films
Hidden(2011)
Show Producer
Midcredits score: 32nd percentile of all shows
Ancient Rome: The Rise and Fall of an Empire(2006)
Show Producer
Midcredits score: 87th percentile of all shows
Fooling Hitler(2004)
Producer
Midcredits score: 82nd percentile of all films (provisional, few ratings)
Touching the Void(2003)
Producer
Midcredits score: 98th percentile of all films
Surrealissimo: The Scandalous Success of Salvador Dali(2002)
Producer
Midcredits score: 57th percentile of all films

Career shape

Across their 8 MovieCove titles from 2002 to 2016.

Biggest box office

Touching the Void (2003)

$14M worldwide

Highest rated

Touching the Void (2003)

Midcredits 98^th

By role

only this rolewith another role

Producing8 of 8 · 74^th

By decade

2000s4 · crew2010s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Gina Marsh's films land?

Their typical MovieCove film has a Midcredits score in the 74^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Acclaim · how much people like their films

76^thpercentile

Typical film, the median of 6

Approval · how many liked their films

70^thpercentile

Typical film, the median of 6

Reach · how many have seen their films

45^thpercentile

Typical film, the median of 6

Midcredits score across 8 titles, by percentile

75^th and up4
50^th to 74^th3
25^th to 49^th1

Shape of the crowd

4 of their 8 titles are Crowd Pleasers.

Universally Loved1
Loved with Detractors1
Crowd Pleaser4
Mixed2

Most divisive · producer

Do Re Mi Fa (2016)

95^th percentile spread · 26% rated it 4 or lower

Most loved · producer

Touching the Void (2003)

Midcredits 98^th · 91% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gina Marsh work with?

People who share at least 2 of Gina Marsh's MovieCove titles; Rob Lane shares the most, 2.

Rob Lane2 titles See all 2 shared titles with Rob Lane
Christopher Hall2 titles See all 2 shared titles with Christopher Hall