
Alan Marshal
Actor · Died July 10, 1961, aged 52 · Woollahra, Sydney, New South Wales, Australia
Alan Marshal (born Alan Marshal Willey; 29 January 1909 – 9 July 1961) was an actor who performed on stage in the United States and in Hollywood films.
Biography from TMDB.
- January 30, 1909
- July 10, 1961 (aged 52)
- Woollahra, Sydney, New South Wales, Australia
- Actor
- 19 on Motif · 34 credits in all
Known for
What are Alan Marshal's films like?
Across their 15 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 14
A split, not a type: Light 6 · Serious 5 · Dark 4
A split, not a type: Grounded 8 · Stylized 6 · Heightened 1
Gentle 4 · Charged 7 · Intense 4
A split, not a type: Steady 7 · Shifting 8 · Whiplash 0
Straight-faced 11 · Some laughs 2 · Funny 2
Slow burn 9 · Even-paced 6 · Relentless 0
Casual 6 · Engaged 8 · Full focus 1
A split, not a type: Easy watch 6 · Affecting 5 · Heavy 4
Resolved 13 · Open-ended 2 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 6 analyzed roles.
- Allyas Capt. d'Ornano in Conquest (1937)
- Allyas Justin in Night Must Fall (1937)
- Shadowas Captain William O'Shea in Parnell (1937)
- Tricksteras Michael Shaw in I Met My Love Again (1938)
- Heroas Jeffrey Clavering in Invisible Enemy (1938)
- Heraldas Sir John Ashwood in The White Cliffs of Dover (1944)
Moods and endings
- Happy5
- Bittersweet6
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alan Marshal's films?
As of October 24, 2026, 9 of their 19 Motif titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Alan Marshal's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
34 credits, 19 with a Motif page.
Motif score: 93rd percentile of all films
Surfside 6 (not in the Motif catalog yet)(1960)

Day of the Outlaw(1959)
Motif score: 89th percentile of all films
Rawhide (not in the Motif catalog yet)(1959)

House on Haunted Hill(1959)
Motif score: 73rd percentile of all films
77 Sunset Strip (not in the Motif catalog yet)(1958)

Perry Mason(1957)
Motif score: 96th percentile of all shows
Wagon Train(1957)
Motif score: 58th percentile of all shows
Sugarfoot (not in the Motif catalog yet)(1957)

The Greer Case (not in the Motif catalog yet)(1957)

The Opposite Sex(1956)
Motif score: 47th percentile of all films
Motif score: 96th percentile of all shows
Bride by Mistake (not in the Motif catalog yet)(1944)
Motif score: 80th percentile of all films
Twenty Years After (not in the Motif catalog yet)(1944)

Lydia (not in the Motif catalog yet)(1941)

Tom, Dick and Harry(1941)
Motif score: 57th percentile of all films
The Howards of Virginia(1940)
Motif score: 42nd percentile of all films
He Stayed for Breakfast (not in the Motif catalog yet)(1940)

Irene (not in the Motif catalog yet)(1940)

Married and in Love (not in the Motif catalog yet)(1940)
Motif score: 88th percentile of all films
Motif score: 94th percentile of all films
Exile Express (not in the Motif catalog yet)(1939)

Four Girls in White (not in the Motif catalog yet)(1939)

Dramatic School (not in the Motif catalog yet)(1938)

The Road to Reno (not in the Motif catalog yet)(1938)

Invisible Enemy(1938)
Motif score: 25th percentile of all films (provisional, few ratings)
I Met My Love Again(1938)
Motif score: 29th percentile of all films
Conquest(1937)
Motif score: 63rd percentile of all films
Parnell(1937)
Motif score: 19th percentile of all films
Night Must Fall(1937)
Motif score: 86th percentile of all films
After the Thin Man(1936)
Motif score: 96th percentile of all films
The Garden of Allah(1936)
Motif score: 37th percentile of all films
Career shape
Star power in the 89th percentile of 239,109 people with a billed film role, over a full career of 33 titles from 1936 to 1960.

Biggest box office
Ingrid Bergman: In Her Own Words (2015)

Highest rated
After the Thin Man (1936)

Most popular right now
House on Haunted Hill (1959)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Alan Marshal's films land?
Their typical Motif film has a Motif score in the 68th percentile, the median of all 16; across their 15 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up9
- 50th to 74th4
- 25th to 49th5
- Below 25th1
Shape of the crowd
9 of their 19 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser9
- Broadly Agreed2
- Mixed3
Reviewers score the acting 73/100 in their films, across 14 reviewed titles; fans 82, detractors 53. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alan Marshal work with?
People who share at least 2 of Alan Marshal's Motif titles, grouped by what they did on them; May Whitty shares the most, 4.
Directors
- Clarence BrownShared titles: The White Cliffs of Dover (1944), Conquest (1937)See all 2 shared titles with Clarence Brown

Writers
- John Van DrutenShared titles: Night Must Fall (1937), Parnell (1937)See all 2 shared titles with John Van Druten
- S.N. BehrmanShared titles: Conquest (1937), Parnell (1937)See all 2 shared titles with S.N. Behrman

Actors
- May WhittyShared titles: The White Cliffs of Dover (1944), I Met My Love Again (1938), Conquest (1937), Night Must Fall (1937)See all 4 shared titles with May Whitty

- C. Aubrey SmithShared titles: The White Cliffs of Dover (1944), The Garden of Allah (1936)See all 2 shared titles with C. Aubrey Smith

- Cedric HardwickeShared titles: The Howards of Virginia (1940), The Hunchback of Notre Dame (1939)See all 2 shared titles with Cedric Hardwicke

- Basil RathboneShared titles: The Adventures of Sherlock Holmes (1939), The Garden of Allah (1936)See all 2 shared titles with Basil Rathbone

Composers, cinematographers and editors
- Herbert StothartShared titles: The White Cliffs of Dover (1944), Conquest (1937), After the Thin Man (1936)See all 3 shared titles with Herbert Stothart

- Robert KernShared titles: The White Cliffs of Dover (1944), Night Must Fall (1937), After the Thin Man (1936)See all 3 shared titles with Robert Kern
- George J. FolseyShared titles: The White Cliffs of Dover (1944), Parnell (1937)See all 2 shared titles with George J. Folsey

- Edward WardShared titles: Night Must Fall (1937), After the Thin Man (1936)See all 2 shared titles with Edward Ward
Producers
- Hunt StrombergShared titles: Night Must Fall (1937), After the Thin Man (1936)See all 2 shared titles with Hunt Stromberg





