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Catherine Martin

Catherine Martin

Producer, also actor · Born January 26, 1965 (61) · Sydney, New South Wales, Australia

Catherine Martin Luhrmann AC (born 26 January 1965) is an Australian costume designer, production designer, set designer, and film producer, best known for her frequent collaborations with director Baz Luhrmann. She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award. Martin was appointed a Companion of the Order of Australia in 2025. Martin came to international prominence for providing both the costumes and production design for Strictly Ballroom (1992), Luhrmann's feature directorial debut, which later became the first instalment of the "Red Curtain Trilogy". She won both the Academy Award for Best Costume Designand the Academy Award for Best Production Design for her work on Curtain's final chapter Moulin Rouge! (2001). Martin became just the second woman to win multiple Oscars in a single year (after Edith Head) and the first to do so twice, winning the same two categories for The Great Gatsby (2013). She was also Oscar-nominated for Romeo + Juliet (1996), Australia (2008), and Elvis (2022). Having won four awards out of nine nominations, she holds the record for the most Oscar wins of any Australian. Description above from the Wikipedia article Catherine Martin (designer), licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 26, 1965 (61)
From
Sydney, New South Wales, Australia
Works as
Producer, also actor
Titles
8 on MovieCove · 12 credits in all
TMDB popularity, last 156 days to Oct 27Down 23% in 30 days

What are Catherine Martin's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 3

A split, not a type: Grounded 2 · Stylized 1 · Heightened 4

A split, not a type: Gentle 2 · Charged 2 · Intense 3

Steady 3 · Shifting 3 · Whiplash 1

Straight-faced 6 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 3 · Relentless 1

Casual 3 · Engaged 3 · Full focus 1

A split, not a type: Easy watch 3 · Affecting 0 · Heavy 4

Resolved 6 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
5
Tense
3
Joyful
3
Warm
2
Romantic
2
Other
8

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Catherine Martin's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Hulu (2).

Subscription and free streaming for Catherine Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 8 with a MovieCove page; 9 appearances as themselves are hidden until asked for.

  • Jehanne d'Arc (not in the MovieCove catalog yet)(2028)

    Costume Design · Producer · Production Design

  • Epic: Elvis Presley in Concert(2025)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • Grande Envie (not in the MovieCove catalog yet)(2025)

    Director · Story

  • Faraway Downs(2023)

    Show 6 episodes · Costume Design · Executive Producer · Production Design

    Midcredits score: 48th percentile of all shows
  • Elvis(2022)

    Costume Design · Producer · Production Design

    Midcredits score: 87th percentile of all films
  • Chanel N°5: The One That I Want (not in the MovieCove catalog yet)(2014)

    Production Design

  • The Great Gatsby(2013)

    Costume Design · Producer · Production Design

    Midcredits score: 86th percentile of all films
  • Australia(2008)

    Costume Design · Producer · Production Design

    Midcredits score: 61st percentile of all films
  • Moulin Rouge!(2001)

    Associate Producer · Costume Design · Production Design

    Midcredits score: 92nd percentile of all films
  • Romeo + Juliet(1996)

    Associate Producer · Production Design

    Midcredits score: 74th percentile of all films
  • Strictly Ballroom(1992)

    Production Design

    Midcredits score: 87th percentile of all films
  • Out of the Body (not in the MovieCove catalog yet)(1988)

    Costume Design

Career shape

A full career of 12 titles, 11 of them dated from 1988 to 2026.

By role

only this rolewith another role
Directing1 of 12: 0 only directing, 1 with another roleWriting1 of 12: 0 only writing, 1 with another roleProducing8 of 12: 1 only producing, 7 with another role · typical Midcredits score86thOther crew10 of 12: 3 only other crew, 7 with another role · typical Midcredits score86th

12 titles, 8 with more than one role — other crew and producing overlap on 7 of them.

By decade

1980s1 · crew1990s2 · crew2000s2 · crew2010s2 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Catherine Martin's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 7

Approval · how many liked their films

71stpercentile
Typical film, the median of 7

Reach · how many have seen their films

80thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 8 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser5
  • Mixed1

Reviewers score the acting 71/100 in their films, across 4 reviewed titles; fans 79, detractors 45. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Catherine Martin's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore4 titlesmedian 50 · moderateMedian of all films: 44
Sex & Nudity4 titlesmedian 43 · moderateMedian of all films: 32
Profanity4 titlesmedian 44 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 52 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 41 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Catherine Martin work with?

People who share at least 2 of Catherine Martin's MovieCove titles, grouped by what they did on them; Baz Luhrmann shares the most, 8.

Directors

Writers

Actors

Cinematographers and editors

Producers