Francis Martin
- Writer
- 9 on MovieCove · 29 credits in all
What are Francis Martin's films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 7
Light 8 · Serious 1 · Dark 0
Grounded 5 · Stylized 4 · Heightened 0
Gentle 6 · Charged 3 · Intense 0
Steady 6 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 3 · Funny 5
Slow burn 5 · Even-paced 4 · Relentless 0
Casual 8 · Engaged 1 · Full focus 0
Easy watch 8 · Affecting 1 · Heavy 0
Resolved 8 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy7
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Francis Martin's films?
As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Francis Martin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
29 credits, 9 with a MovieCove page.
Midcredits score: 20th percentile of all films
Shut My Big Mouth(1942)
Midcredits score: 48th percentile of all films
Tillie the Toiler (not in the MovieCove catalog yet)(1941)
One Night in the Tropics(1940)
Midcredits score: 58th percentile of all films
College Swing (not in the MovieCove catalog yet)(1938)
Midcredits score: 50th percentile of all films
Artists & Models (not in the MovieCove catalog yet)(1937)
Waikiki Wedding(1937)
Midcredits score: 32nd percentile of all films
Swing High, Swing Low(1937)
Midcredits score: 44th percentile of all films
The Big Broadcast of 1937 (not in the MovieCove catalog yet)(1936)
Rhythm on the Range(1936)
Midcredits score: 57th percentile of all films
Midcredits score: 66th percentile of all films
Strike Me Pink (not in the MovieCove catalog yet)(1936)
Collegiate (not in the MovieCove catalog yet)(1935)
Two-Fisted (not in the MovieCove catalog yet)(1935)
The Big Broadcast of 1936 (not in the MovieCove catalog yet)(1935)
Mississippi (not in the MovieCove catalog yet)(1935)
College Rhythm (not in the MovieCove catalog yet)(1934)
We're Not Dressing (not in the MovieCove catalog yet)(1934)
Tillie and Gus (not in the MovieCove catalog yet)(1933)
Her Bodyguard(1933)
Midcredits score: 20th percentile of all films (provisional, few ratings)
Disgraced! (not in the MovieCove catalog yet)(1933)
International House (not in the MovieCove catalog yet)(1933)
Those of 1830 (not in the MovieCove catalog yet)(1930)
Pep Up (not in the MovieCove catalog yet)(1929)
Gabrielle Petit (not in the MovieCove catalog yet)(1928)
A Man About Town (not in the MovieCove catalog yet)(1927)
East of the Water Plug (not in the MovieCove catalog yet)(1924)
Âme belge (not in the MovieCove catalog yet)(1921)
Career shape
A full career of 27 titles from 1921 to 1956.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Francis Martin's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 50th to 74th4
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 9 titles are Mixed.
- Crowd Pleaser3
- Broadly Agreed2
- Mixed4
Reviewers score the dialogue 48/100 and the plot and story 36/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Francis Martin work with?
People who share at least 2 of Francis Martin's MovieCove titles, grouped by what they did on them; Walter DeLeon shares the most, 6.
Directors
- Mitchell LeisenShared titles: The Big Broadcast of 1938 (1938), Swing High, Swing Low (1937)See all 2 shared titles with Mitchell Leisen
Writers
- Walter DeLeonShared titles: The Big Broadcast of 1938 (1938), Swing High, Swing Low (1937), Waikiki Wedding (1937), Rhythm on the Range (1936), The Princess Comes Across (1936), Her Bodyguard (1933)See all 6 shared titles with Walter DeLeon
- Don HartmanShared titles: Waikiki Wedding (1937), The Princess Comes Across (1936)See all 2 shared titles with Don Hartman
- Frank ButlerShared titles: Waikiki Wedding (1937), The Princess Comes Across (1936)See all 2 shared titles with Frank Butler
Actors
- Martha RayeShared titles: The Big Broadcast of 1938 (1938), Waikiki Wedding (1937), Rhythm on the Range (1936)See all 3 shared titles with Martha Raye
- William FrawleyShared titles: One Night in the Tropics (1940), The Princess Comes Across (1936)See all 2 shared titles with William Frawley
- Dorothy LamourShared titles: The Big Broadcast of 1938 (1938), Swing High, Swing Low (1937)See all 2 shared titles with Dorothy Lamour
- Leif EricksonShared titles: The Big Broadcast of 1938 (1938), Waikiki Wedding (1937)See all 2 shared titles with Leif Erickson
Composers, cinematographers and editors
- John LeipoldShared titles: Shut My Big Mouth (1942), Rhythm on the Range (1936), The Princess Comes Across (1936)See all 3 shared titles with John Leipold
- Harry FischbeckShared titles: The Big Broadcast of 1938 (1938), Her Bodyguard (1933)See all 2 shared titles with Harry Fischbeck
- Karl StrussShared titles: Waikiki Wedding (1937), Rhythm on the Range (1936)See all 2 shared titles with Karl Struss
- Paul WeatherwaxShared titles: Waikiki Wedding (1937), The Princess Comes Across (1936)See all 2 shared titles with Paul Weatherwax
Producers
- Arthur Hornblow Jr.Shared titles: Swing High, Swing Low (1937), Waikiki Wedding (1937), The Princess Comes Across (1936)See all 3 shared titles with Arthur Hornblow Jr.
