Íñigo de Martino
- Writer
- 3 on MovieCove · 15 credits in all
Known for
What are Íñigo de Martino's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 3 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Íñigo de Martino's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Íñigo de Martino's titles on MovieCove; rent and buy are not counted.
Filmography
15 credits, 3 with a MovieCove page.
Beyond All Limits (not in the MovieCove catalog yet)(1959)
Qué noche aquella (not in the MovieCove catalog yet)(1959)
Vanilla, Bronze and to Die (not in the MovieCove catalog yet)(1957)
Chilam Balam (not in the MovieCove catalog yet)(1955)
La rosa blanca (not in the MovieCove catalog yet)(1954)
El rapto(1954)
Midcredits score: 71st percentile of all films
When the Fog Lifts (not in the MovieCove catalog yet)(1952)
Acapulco (not in the MovieCove catalog yet)(1952)
Doña Perfecta (not in the MovieCove catalog yet)(1951)
The Torch (not in the MovieCove catalog yet)(1950)
El supersabio(1948)
Midcredits score: 80th percentile of all films
Enamorada(1946)
Midcredits score: 94th percentile of all films
Madre a la fuerza (not in the MovieCove catalog yet)(1940)
The Midnight Ghost (not in the MovieCove catalog yet)(1940)
Ave sin rumbo (not in the MovieCove catalog yet)(1937)
Career shape
A full career of 15 titles from 1937 to 1959.
How do Íñigo de Martino's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 82nd percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Íñigo de Martino work with?
People who share at least 2 of Íñigo de Martino's MovieCove titles, grouped by what they did on them; Emilio Fernández shares the most, 2.
Directors
- Emilio FernándezShared titles: El rapto (1954), Enamorada (1946)See all 2 shared titles with Emilio Fernández
Actors
- María FélixShared titles: El rapto (1954), Enamorada (1946)See all 2 shared titles with María Félix
Editors
- Gloria SchoemannShared titles: El rapto (1954), Enamorada (1946)See all 2 shared titles with Gloria Schoemann
