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Andrew Marton

Andrew Marton

Director, also producer · Died January 7, 1997, aged 92 · Budapest, Austria-Hungary (now Budapest, Hungary)

​From Wikipedia, the free encyclopedia. Andrew Marton  (born Endre Marton, 26 January 1904 Budapest, Hungary - 7 January 1992 Santa Monica, California) was a Hungarian-American director, producer and editor. In his career he directed 39 films and television programs solo, and 16 as an assistant director. Description above from the Wikipedia article Andrew Marton, licensed under CC-BY-SA, full list of contributors on Wikipedia

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Biography from TMDB.

Born
January 26, 1904
Died
January 7, 1997 (aged 92)
From
Budapest, Austria-Hungary (now Budapest, Hungary)
Works as
Director, also producer
Titles
22 on MovieCove · 55 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Official site (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 6% in 30 days

What are Andrew Marton's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Action4 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Action movies
Adventure4 titlesTypical Midcredits score: 40th percentile
: browse their Adventure movies
Drama2 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
31%
Morality
30%
Bonds
16%
Ideas
9%
Power
8%
Self
5%
Society
2%
Survival5 titles, browse their movies with this themeDuty3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeSacrifice3 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 3 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 6 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 3 · Charged 3 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 10 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 7 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Thrilling
5
Romantic
4
Warm
3
Melancholic
3
Other
6

How their films linger

Hopeful6 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet6
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Andrew Marton's films?

As of October 24, 2026, 7 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Andrew Marton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 22 with a MovieCove page.

  • The Day of the Jackal(1973)

    Second Unit Director

    Midcredits score: 97th percentile of all films

  • Catch-22(1970)

    Second Unit Director

    Midcredits score: 82nd percentile of all films

  • The Fight for Rome II - The Betrayal (not in the MovieCove catalog yet)(1969)

    Director · Second Unit Director of Photography

  • The Last Roman(1968)

    Director

    Midcredits score: 36th percentile of all films

  • Cowboy in Africa (not in the MovieCove catalog yet)(1967)

    Show 3 episodes · Director

  • Africa: Texas Style! (not in the MovieCove catalog yet)(1967)

    Director · Producer

  • Birds Do It (not in the MovieCove catalog yet)(1966)

    Director

  • Daktari (not in the MovieCove catalog yet)(1966)

    Show 7 episodes · Director

  • Around the World Under the Sea(1966)

    Director · Producer

    Midcredits score: 22nd percentile of all films

  • Clarence, the Cross-Eyed Lion(1965)

    Director

    Midcredits score: 43rd percentile of all films

  • Crack in the World(1965)

    Director

    Midcredits score: 37th percentile of all films

  • Flipper(1964)

    Show 5 episodes · Director

    Midcredits score: 20th percentile of all shows

  • The Thin Red Line(1964)

    Director

    Midcredits score: 68th percentile of all films

  • The Fall of the Roman Empire(1964)

    Second Unit Director

    Midcredits score: 69th percentile of all films

  • Best of Cinerama(1963)

    Director

    Midcredits score: 75th percentile of all films

  • Cleopatra(1963)

    Second Unit Director

    Midcredits score: 81st percentile of all films

  • 55 Days at Peking(1963)

    Second Unit Director

    Midcredits score: 72nd percentile of all films

  • The Longest Day(1962)

    Director

    Midcredits score: 96th percentile of all films

  • It Happened in Athens (not in the MovieCove catalog yet)(1962)

    Director

  • Oh Islam (not in the MovieCove catalog yet)(1961)

    Director

  • The Man and the Challenge (not in the MovieCove catalog yet)(1959)

    Show 2 episodes · Director

  • Underwater Warrior (not in the MovieCove catalog yet)(1958)

    Director

  • Sea Hunt(1958)

    Show 3 episodes · Director

    Midcredits score: 74th percentile of all shows

  • Seven Wonders of the World (not in the MovieCove catalog yet)(1956)

    Director

  • Green Fire(1954)

    Director

    Midcredits score: 37th percentile of all films

  • Men of the Fighting Lady(1954)

    Director

    Midcredits score: 55th percentile of all films

  • Prisoner of War (not in the MovieCove catalog yet)(1954)

    Director

  • Gypsy Colt (not in the MovieCove catalog yet)(1954)

    Director

  • The Devil Makes Three(1952)

    Director

    Midcredits score: 45th percentile of all films

  • Storm Over Tibet (not in the MovieCove catalog yet)(1952)

    Director

  • The Wild North(1952)

    Director

    Midcredits score: 62nd percentile of all films

  • The Red Badge of Courage(1951)

    Second Unit Director

    Midcredits score: 79th percentile of all films

  • King Solomon's Mines(1950)

    Director

    Midcredits score: 69th percentile of all films

  • Adam's Rib(1949)

    Second Unit Director

    Midcredits score: 93rd percentile of all films

  • Act of Violence(1948)

    Second Unit Director

    Midcredits score: 92nd percentile of all films

  • Gallant Bess (not in the MovieCove catalog yet)(1946)

    Director

  • Gentle Annie (not in the MovieCove catalog yet)(1944)

    Director

  • A Little Bit of Heaven (not in the MovieCove catalog yet)(1940)

    Director

  • School for Husbands (not in the MovieCove catalog yet)(1937)

    Director

  • The Secret of Stamboul (not in the MovieCove catalog yet)(1936)

    Director · Adaptation

  • Miss President (not in the MovieCove catalog yet)(1935)

    Director

  • Demon of the Himalayas (not in the MovieCove catalog yet)(1935)

    Director

  • The Prodigal Son (not in the MovieCove catalog yet)(1934)

    Editor

  • Nordpol - Ahoi! (not in the MovieCove catalog yet)(1934)

    Director

  • The Rebel (not in the MovieCove catalog yet)(1932)

    Editor

  • Five from the Jazzband (not in the MovieCove catalog yet)(1932)

    Editor

  • The Night Without Pause (not in the MovieCove catalog yet)(1931)

    Director

  • Excursion into Life (not in the MovieCove catalog yet)(1931)

    Editor

  • Shadows of the Underworld (not in the MovieCove catalog yet)(1931)

    Editor

  • I Go Out and You Stay Here (not in the MovieCove catalog yet)(1931)

    Editor

  • The Merry Wives of Vienna (not in the MovieCove catalog yet)(1931)

    Sound Editor

  • The Song Is Over (not in the MovieCove catalog yet)(1930)

    Editor

  • A Tango for You (not in the MovieCove catalog yet)(1930)

    Sound Editor

  • Dreary House (not in the MovieCove catalog yet)(1929)

    Director

  • The Student Prince in Old Heidelberg (not in the MovieCove catalog yet)(1928)

    Editor

Career shape

A full career of 55 titles from 1928 to 1973.

Biggest box office

King Solomon's Mines (1950)

$951 worldwide

Highest rated

The Longest Day (1962)

Midcredits 96th

By role

only this rolewith another role
Directing37 of 55: 33 only directing, 4 with another role · typical Midcredits score50thWriting1 of 55: 0 only writing, 1 with another roleProducing2 of 55: 0 only producing, 2 with another roleCinematography1 of 55: 0 only cinematography, 1 with another roleEditing8 of 55: 8 only editing, 0 with another roleOther crew10 of 55: 10 only other crew, 0 with another role · typical Midcredits score82nd

55 titles, 4 with more than one role.

By decade

1920s2 · crew1930s15 · crew1940s5 · crew1950s13 · crew1960s18 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Andrew Marton's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 20; across their 12 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 12

Approval · how many liked their films

50thpercentile
Typical film, the median of 12

Reach · how many have seen their films

49thpercentile
Typical film, the median of 12

Midcredits score across 22 titles, by percentile

  • 75th and up8
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

None of their 22 titles divides audiences: 13 are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser13
  • Broadly Agreed4
  • Mixed2

Most loved · director

The Longest Day (1962)

Midcredits 96th · 87% liked

Reviewers score the atmosphere 69/100 and the pacing 45/100 in their films, across 11 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Andrew Marton work with?

People who share at least 2 of Andrew Marton's MovieCove titles, grouped by what they did on them; Stewart Granger shares the most, 3.

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles