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Mori Masaki

Director and writer

Works as
Director and writer
Titles
3 on MovieCove

What are Mori Masaki's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Ideas.

Themes

share of theme weight
Survival
66%
Ideas
17%
Society
10%
Self
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 2

A split, not a type: Grounded 0 · Stylized 1 · Heightened 2

Gentle 0 · Charged 0 · Intense 3

A split, not a type: Steady 0 · Shifting 1 · Whiplash 2

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
2
Melancholic
1
Triumphant
1
Warm
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mori Masaki's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mori Masaki's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

  • Time Stranger(1986)

    Director · Writer

    Midcredits score: 53rd percentile of all films
  • Barefoot Gen(1983)

    Director

    Midcredits score: 97th percentile of all films
  • Harmagedon(1983)

    Writer

    Midcredits score: 31st percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 1983 to 1986.

By role

only this rolewith another role
Directing2 of 3: 1 only directing, 1 with another roleWriting2 of 3: 1 only writing, 1 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Mori Masaki's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 3

Approval · how many liked their films

44thpercentile
Typical film, the median of 3

Reach · how many have seen their films

54thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mori Masaki work with?

People who share at least 2 of Mori Masaki's MovieCove titles, grouped by what they did on them; Takeshi Aono shares the most, 2.

Actors

Cinematographers and editors

Producers

Mixed roles