Yôko Matsushita

What are Yôko Matsushita's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yôko Matsushita's films?

As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service.

• Crunchyroll2 titles
  • Kodocha (1996) · producer
  • Urusei Yatsura 6: Always My Darling (1991) · producer
• Pluto TV1 title, browse their movies on this service
  • Yu-Gi-Oh! Bonds Beyond Time (2010) · producer · free
• Tubi1 title, browse their movies on this service
  • Yu-Gi-Oh! Bonds Beyond Time (2010) · producer · free

Subscription and free streaming for Yôko Matsushita's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Crayon Shinchan Super Dimension the Storm Called My Bride(2010)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Yu-Gi-Oh! Bonds Beyond Time(2010)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Eiga Kureyon Shinchan: Otakebe! Kasukabe yasei-oukoku(2009)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Crayon Shin-chan: Fierceness That Invites Storm! The Hero of Kinpoko(2008)

  Producer

  Midcredits score: 50th percentile of all films50^th
• 

  The Piano Forest(2007)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Gekijô-ban Tennis no Ôjisama Futari no Samurai Za Fâsuto Gêmu(2005)

  Producer

  Midcredits score: 41st percentile of all films41^st
• 

  Kodocha(1996)

  Show Producer

  Midcredits score: 72nd percentile of all shows72^nd
• 

  Ranma ½: The Movie 2, Nihao My Concubine(1992)

  Producer

  Midcredits score: 86th percentile of all films86^th
• 

  Ranma ½: The Movie, Big Trouble in Nekonron, China(1991)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Urusei Yatsura 6: Always My Darling(1991)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  Urusei Yatsura 5: The Final Chapter(1988)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Urusei Yatsura 4: Lum the Forever(1986)

  Producer

  Midcredits score: 60th percentile of all films60^th

Career shape

Across their 12 MovieCove titles from 1986 to 2010.

Biggest box office

Eiga Kureyon Shinchan: Otakebe! Kasukabe yasei-oukoku (2009)

$20M worldwide

Highest rated

The Piano Forest (2007)

Midcredits 86^th

Most popular right now

Kodocha (1996)

How do Yôko Matsushita's films land?

Their typical MovieCove film has a Midcredits score in the 65^th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

6 of their 12 titles are Crowd Pleasers.

66

• Crowd Pleaser6
• Mixed6

Most divisive · producer

Gekijô-ban Tennis no Ôjisama Futari no Samurai Za Fâsuto Gêmu (2005)

68^th percentile spread · 24% rated it 4 or lower

Most loved · producer

The Piano Forest (2007)

Midcredits 86^th · 72% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Yôko Matsushita work with?

People who share at least 2 of Yôko Matsushita's MovieCove titles, grouped by what they did on them; Rumiko Takahashi shares the most, 5.