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MovieCove
Works as
Cinematographer
Titles
3 on MovieCove · 5 credits in all

What are Jim May's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
38%
Power
25%
Bonds
19%
Society
11%
Morality
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 1 · Stylized 1 · Heightened 1

A split, not a type: Gentle 1 · Charged 2 · Intense 0

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 0 · Some laughs 0 · Funny 3

Slow burn 0 · Even-paced 3 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Joyful
2
Warm
2
Tense
2
Manic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jim May's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jim May's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

5 credits, 3 with a MovieCove page.

Career shape

A full career of 5 titles from 1983 to 1999.

By role

only this rolewith another role
Cinematography5 of 5: 5 only cinematography, 0 with another role

By decade

1980s4 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Jim May's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 3

Approval · how many liked their films

35thpercentile
Typical film, the median of 3

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Jim May work with?

People who share at least 2 of Jim May's MovieCove titles, grouped by what they did on them; John R. Cherry III shares the most, 3.

Directors

Writers

Actors

Composers and editors