Katie McClellan
- Actor
- 9 on MovieCove · 12 credits in all
What are Katie McClellan's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 0 · Serious 2 · Dark 1
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 3 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Roles they play
- Threshold guardianas Allie in The Midwife's Deception (2018)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Katie McClellan's films?
As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Katie McClellan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 9 with a MovieCove page.
Amber Alert(2024)
Midcredits score: 50th percentile of all films
21 Bridges(2019)
Midcredits score: 66th percentile of all films
Trial by Fire(2018)
Midcredits score: 84th percentile of all films
FBI(2018)
Midcredits score: 58th percentile of all shows
The Midwife's Deception(2018)
Midcredits score: 8th percentile of all films
Hooked(2017)
Midcredits score: 26th percentile of all films
Loserville(2016)
Midcredits score: 47th percentile of all films
The Ultimate Legacy(2016)
Midcredits score: 46th percentile of all films
Alistair's Wednesday (not in the MovieCove catalog yet)(2015)
Believe (not in the MovieCove catalog yet)(2014)
The Room (not in the MovieCove catalog yet)(2007)
Fifteen and Pregnant(1998)
Midcredits score: 35th percentile of all films
Career shape
Star power in the 81st percentile of 239,109 people with a billed film role, over a full career of 12 titles from 1998 to 2024; peak year 2024.
Film career
Peak 2024 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1998Screen debut· Fifteen and Pregnant
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Katie McClellan's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 8; across a limited sample of 3 films with reception data, the typical film sits in the 25th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th4
- Below 25th1
Shape of the crowd
4 of their 9 titles are Mixed.
- Cult Classic1
- Crowd Pleaser3
- Broadly Agreed1
- Mixed4
Reviewers score the acting 57/100 in their films, across 3 reviewed titles; fans 68, detractors 38. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.