
Sean McClory
Actor · Died December 10, 2003, aged 79 · Dublin, Ireland
Sean McClory was born in Dublin, Ireland, but spent his early life in Galway. He was the son of Hugh Patrick, an architect and civil engineer, and Mary Margaret Ball, who had been a model. Sean decided to become an actor and joined Dublin's renowned Abbey Theater (also known as the National Theater of Ireland, opened in 1904). He rose through the ranks playing in productions of the works of such authors as William Butler Yeats and George Bernard Shaw, and soon began to play leads mostly in comedies (popular through most of the 1940s and into the 1950s). When comedies began to fade from the theater after World War II, McClory turned an eye toward film. In early 1947 he decided to make the jump to America and break into Hollywood. His first roles were that of a staple in American films: the Irish cop, which he played in two of the Dick Tracy series in 1947. In 1949 he signed a short contract with 20th Century-Fox. By 1950 he was showing up in more notable films - though uncredited, particularly in The Glass Menagerie (1950). Within a year McClory's talents were being showcased in various small feature roles. John Ford finally began casting - a painstaking process for the finicky director - for his long conceived The Quiet Man (1952) and chose McClory for a small but showy part, in which he was seen throughout the film feature with Charles B. Fitzsimons, the younger brother of the film's star, Maureen O'Hara, playing an Irish villager. Although some of the cast were familiar members of the "John Ford Stock Company", many roles were filled by actual Irish villagers (the film was shot on location) and included a generous helping of Abbey Theater alumni: the Shields brothers (Barry Fitzgerald and Arthur Shields) and Jack MacGowran, in addition to O'Hara McClory. Ford wanted him for roles in several of his subsequent films, however McClory's busy film and TV schedule only allowed him to accept roles in two other Ford films, The Long Gray Line and Cheyenne Autumn. McClory had a cultured, neutral Irish brogue that fit well in small- or big-screen performances, unlike such Irish actors as Barry Fitzgerald who, though very effective and beloved, had a thick brogue that kept him forever cast as an Irishman. As a result, McClory was much more at home in American TV and had many memorable roles from 1953 onward, appearing in a gamut of episodic TV in addition to his feature film work. However, it was his frequent appearances on the small screen that enabled McClory to stand out in viewers' memories, especially in a range of western and adventure series (in which he played a good sprinkling of Irish characters) well into the 1970s. Though not as busy in the 1980s as he was in the '70s, one role in which he truly stood out was in an adaptation by John Huston of Irish writer James Joyce's famous 1907 short story "The Dead" made in 1987 (The Dead (1987)), his final film appearance. McClory's role as Mr. Grace was not a character in the original story but was created by Huston and his son Tony Huston to provide McClory with a reading of the medieval Irish poem "Young Donal", which was very effective to the mood of this look at Irish family remembrance.
Read moreShow less
Biography from TMDB.
- March 8, 1924
- December 10, 2003 (aged 79)
- Dublin, Ireland
- Actor
- 48 on Motif · 99 credits in all
What are Sean McClory's films like?
Across their 18 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 17
Light 7 · Serious 8 · Dark 2
Grounded 6 · Stylized 7 · Heightened 4
Gentle 4 · Charged 10 · Intense 3
A split, not a type: Steady 8 · Shifting 9 · Whiplash 0
Straight-faced 12 · Some laughs 4 · Funny 1
Slow burn 4 · Even-paced 12 · Relentless 1
Casual 11 · Engaged 6 · Full focus 0
Easy watch 12 · Affecting 4 · Heavy 1
Resolved 15 · Open-ended 1 · Ambiguous 1
Roles they play
Usually the Ally: 5 of 9 analyzed roles.
Show the 9 rolesHide the roles
- Allyas Jefferson in Plunder of the Sun (1953)
- Allyas Maj. Kibbee in Them! (1954)
- Heroas John O'Hara in I Cover the Underworld (1955)
- Shadowas Gunner O'Hara in I Cover the Underworld (1955)
- Allyas Elzevir Block in Moonfleet (1955)
- Allyas Jack McGivern in The Californians (1957)
- Shadowas Emmett Kettle in The Guns of Fort Petticoat (1957)
- Shadowas Horatio Quaxton in The Gnome-Mobile (1967)
- Allyas O'Brien in My Chauffeur (1986)
Moods and endings
- Happy7
- Bittersweet10
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Sean McClory's films?
As of October 24, 2026, 27 of their 48 Motif titles stream on a subscription or free service, most on Tubi (21).
- Alfred Hitchcock Presents (1955) · actor · free
- The Rifleman (1958) · actor · free
- The Outer Limits (1963) · actor · free
- The Long Gray Line (1955) · actor · free
- Them! (1954) · actor · free
- The Dead (1987) · actor · free
- One Step Beyond (1959) · actor · free
- Bonanza (1959) · actor · free
- Four Star Playhouse (1952) · actor · free
- The Beverly Hillbillies (1962) · actor · free
- Family Affair (1966) · actor · free
- Body Bags (1993) · actor · free
- +9 more
- Alfred Hitchcock Presents (1955) · actor · free
- The Rifleman (1958) · actor · free
- The Outer Limits (1963) · actor · free
- One Step Beyond (1959) · actor · free
- Bonanza (1959) · actor · free
- Four Star Playhouse (1952) · actor · free
- The Beverly Hillbillies (1962) · actor · free
- Family Affair (1966) · actor · free
- Body Bags (1993) · actor · free
- The New Daughters of Joshua Cabe (1976) · actor · free
- S.W.A.T. (1975) · actor · free
- The Californians (1957) · actor · free
- +2 more
- Alfred Hitchcock Presents (1955) · actor
- Perry Mason (1957) · actor
- The Rifleman (1958) · actor
- Mannix (1967) · actor
- The Beverly Hillbillies (1962) · actor
- Family Affair (1966) · actor
- Body Bags (1993) · actor
- Dick Tracy Meets Gruesome (1947) · actor
- Man in the Attic (1953) · actor
- The New Daughters of Joshua Cabe (1976) · actor
- The Adventures of Jim Bowie (1956) · actor
- The Californians (1957) · actor
- +1 more
- Perry Mason (1957) · actor · free
- The Quiet Man (1952) · actor · free
- The Rifleman (1958) · actor · free
- Mannix (1967) · actor · free
- Four Star Playhouse (1952) · actor · free
- The Beverly Hillbillies (1962) · actor · free
- Family Affair (1966) · actor · free
- Body Bags (1993) · actor · free
- Dick Tracy Meets Gruesome (1947) · actor · free
- Dick Tracy's Dilemma (1947) · actor · free
- The Californians (1957) · actor · free
- Great American Pure Flix, show their 5 titles on Great American Pure Flix
- Shout! TV, show their 5 titles on Shout! TV
- Cineverse, show their 4 titles on Cineverse
- Howdy, show their 4 titles on Howdy
- Best TV Ever, show their 3 titles on Best TV Ever
- Dove Channel, show their 3 titles on Dove Channel
- Best Westerns Ever, show their 2 titles on Best Westerns Ever
- IndieFlix, show their title on IndieFlix
- Lionsgate+, show their title on Lionsgate+
- Screambox, show their title on Screambox
Subscription and free streaming for Sean McClory's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
99 credits, 48 with a Motif page.

Body Bags(1993)
Midcredits score: 47th percentile of all films
The Dead(1987)
Midcredits score: 84th percentile of all films
Young Harry Houdini (not in the Motif catalog yet)(1987)

My Chauffeur(1986)
Midcredits score: 34th percentile of all films
Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Bring 'Em Back Alive (not in the Motif catalog yet)(1982)

Falcon Crest(1981)
Midcredits score: 17th percentile of all shows
Roller Boogie(1979)
Midcredits score: 22nd percentile of all films
Battlestar Galactica (not in the Motif catalog yet)(1978)
Midcredits score: 42nd percentile of all films
Kate McShane (not in the Motif catalog yet)(1975)

Kate McShane (not in the Motif catalog yet)(1975)

S.W.A.T.(1975)
Midcredits score: 41st percentile of all shows
The Day of the Wolves(1971)
Midcredits score: 37th percentile of all films
Columbo (not in the Motif catalog yet)(1971)

Lancer (not in the Motif catalog yet)(1968)

The Outcasts (not in the Motif catalog yet)(1968)

Bandolero!(1968)
Midcredits score: 64th percentile of all films
The Happiest Millionaire(1967)
Midcredits score: 65th percentile of all films
Mannix(1967)
Midcredits score: 71st percentile of all shows
The High Chaparral (not in the Motif catalog yet)(1967)

The Guns of Will Sonnett (not in the Motif catalog yet)(1967)

The King's Pirate(1967)
Midcredits score: 32nd percentile of all films
The Gnome-Mobile(1967)
Midcredits score: 61st percentile of all films
Follow Me, Boys!(1966)
Midcredits score: 80th percentile of all films
Family Affair(1966)
Midcredits score: 52nd percentile of all shows
Tarzan (not in the Motif catalog yet)(1966)
Convoy (not in the Motif catalog yet)(1965)

Honey West (not in the Motif catalog yet)(1965)

Lost in Space(1965)
Midcredits score: 63rd percentile of all shows
Cheyenne Autumn(1964)
Midcredits score: 71st percentile of all films
Daniel Boone (not in the Motif catalog yet)(1964)
Bob Hope Presents the Chrysler Theatre (not in the Motif catalog yet)(1963)

The Great Adventure (not in the Motif catalog yet)(1963)

The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
The Dakotas (not in the Motif catalog yet)(1963)

General Electric True (not in the Motif catalog yet)(1962)

The Beverly Hillbillies(1962)
Midcredits score: 58th percentile of all shows
The Virginian (not in the Motif catalog yet)(1962)

Valley of the Dragons (not in the Motif catalog yet)(1961)

Surfside 6 (not in the Motif catalog yet)(1960)

The Islanders (not in the Motif catalog yet)(1960)

Checkmate (not in the Motif catalog yet)(1960)

Thriller (not in the Motif catalog yet)(1960)

The Swamp Fox (not in the Motif catalog yet)(1959)

The Detectives (not in the Motif catalog yet)(1959)

Adventures in Paradise (not in the Motif catalog yet)(1959)

The DuPont Show with June Allyson (not in the Motif catalog yet)(1959)

Bonanza(1959)
Midcredits score: 69th percentile of all shows
One Step Beyond(1959)
Midcredits score: 71st percentile of all shows
Rawhide (not in the Motif catalog yet)(1959)

The Rifleman(1958)
Midcredits score: 93rd percentile of all shows
Bronco (not in the Motif catalog yet)(1958)

Wanted: Dead or Alive (not in the Motif catalog yet)(1958)

The Californians(1957)
Midcredits score: 29th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Have Gun, Will Travel (not in the Motif catalog yet)(1957)

Richard Diamond, Private Detective (not in the Motif catalog yet)(1957)
Midcredits score: 58th percentile of all films
Tales of the 77th Bengal Lancers (not in the Motif catalog yet)(1956)

Dick Powell's Zane Grey Theatre (not in the Motif catalog yet)(1956)
Midcredits score: 33rd percentile of all shows
Telephone Time (not in the Motif catalog yet)(1956)

Diane(1956)
Midcredits score: 42nd percentile of all films
Matinee Theater (not in the Motif catalog yet)(1955)

The 20th Century Fox Hour (not in the Motif catalog yet)(1955)
Midcredits score: 96th percentile of all shows
Frontier (not in the Motif catalog yet)(1955)

Gunsmoke (not in the Motif catalog yet)(1955)

The Life and Legend of Wyatt Earp (not in the Motif catalog yet)(1955)

The King's Thief(1955)
Midcredits score: 26th percentile of all films
Moonfleet(1955)
Midcredits score: 70th percentile of all films
I Cover the Underworld(1955)
Midcredits score: 38th percentile of all films (provisional, few ratings)
The Long Gray Line(1955)
Midcredits score: 87th percentile of all films
Climax! (not in the Motif catalog yet)(1954)

Lassie(1954)
Midcredits score: 28th percentile of all shows
Ring of Fear(1954)
Midcredits score: 9th percentile of all films
Them!(1954)
Midcredits score: 85th percentile of all filmsThe Child (not in the Motif catalog yet)(1954)

Man in the Attic(1953)
Midcredits score: 42nd percentile of all films
Charade (not in the Motif catalog yet)(1953)

Island in the Sky(1953)
Midcredits score: 72nd percentile of all films
Plunder of the Sun(1953)
Midcredits score: 60th percentile of all films
General Electric Theater (not in the Motif catalog yet)(1953)

Niagara(1953)
Midcredits score: 81st percentile of all films
Cavalcade of America (not in the Motif catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
Les Miserables(1952)
Midcredits score: 65th percentile of all films
The Quiet Man(1952)
Midcredits score: 94th percentile of all films
Anne of the Indies(1951)
Midcredits score: 69th percentile of all films
Midcredits score: 77th percentile of all films
Lorna Doone (not in the Motif catalog yet)(1951)

Storm Warning(1950)
Midcredits score: 83rd percentile of all filmsLux Video Theatre (not in the Motif catalog yet)(1950)

The Daughter of Rosie O'Grady (not in the Motif catalog yet)(1950)

Roughshod (not in the Motif catalog yet)(1949)

Beyond Glory (not in the Motif catalog yet)(1948)
Midcredits score: 46th percentile of all films
Dick Tracy's Dilemma(1947)
Midcredits score: 41st percentile of all films
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 99 titles from 1947 to 1993; peak year 1967.

Biggest box office
Roller Boogie (1979)

Highest rated
Them! (1954)

Most popular right now
The Californians (1957)
Film career
Peak 1967 · fewer prominent film roles lately. Top draw in 1 Motif title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1947Screen debut· Dick Tracy's Dilemma
- 1954Career best· Them!
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Sean McClory's films land?
Their typical Motif film has a Midcredits score in the 61st percentile, the median of all 31; across their 17 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up12
- 50th to 74th18
- 25th to 49th15
- Below 25th3
Shape of the crowd
27 of their 48 titles are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser27
- Broadly Agreed3
- Mixed13
Reviewers score the acting 62/100 in their films, across 15 reviewed titles; fans 71, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Sean McClory work with?
People who share at least 2 of Sean McClory's Motif titles, grouped by what they did on them; Miklós Rózsa shares the most, 3.
Directors
- Hugo FregoneseShared titles: The King's Thief (1955), Man in the Attic (1953)See all 2 shared titles with Hugo Fregonese

- William A. WellmanShared titles: Ring of Fear (1954), Island in the Sky (1953)See all 2 shared titles with William A. Wellman

Actors
- Jeanette NolanShared titles: The New Daughters of Joshua Cabe (1976), The Guns of Fort Petticoat (1957)See all 2 shared titles with Jeanette Nolan

- John DehnerShared titles: The New Daughters of Joshua Cabe (1976), The King's Thief (1955)See all 2 shared titles with John Dehner

- John LuptonShared titles: The Day of the Wolves (1971), Diane (1956)See all 2 shared titles with John Lupton

- Roger MooreShared titles: Diane (1956), The King's Thief (1955)See all 2 shared titles with Roger Moore

Composers, cinematographers and editors
- Miklós RózsaShared titles: Diane (1956), Moonfleet (1955), The King's Thief (1955)See all 3 shared titles with Miklós Rózsa

- Robert H. PlanckShared titles: Diane (1956), Moonfleet (1955), The King's Thief (1955)See all 3 shared titles with Robert H. Planck
- John McSweeney Jr.Shared titles: Diane (1956), The King's Thief (1955)See all 2 shared titles with John McSweeney Jr.
- Emil NewmanShared titles: Ring of Fear (1954), Island in the Sky (1953)See all 2 shared titles with Emil Newman
Producers
- John WayneShared titles: Ring of Fear (1954), Island in the Sky (1953), Plunder of the Sun (1953)See all 3 shared titles with John Wayne

- Robert FellowsShared titles: Ring of Fear (1954), Island in the Sky (1953), Plunder of the Sun (1953)See all 3 shared titles with Robert Fellows
- Walt DisneyShared titles: The Gnome-Mobile (1967), Follow Me, Boys! (1966)See all 2 shared titles with Walt Disney

- Edwin H. KnopfShared titles: Diane (1956), The King's Thief (1955)See all 2 shared titles with Edwin H. Knopf






