Harold McCord
- Editor
- 5 on MovieCove · 8 credits in all
What are Harold McCord's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 2
Gentle 0 · Charged 2 · Intense 3
Steady 1 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 1
A split, not a type: Casual 2 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harold McCord's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, on Tubi (3).
Subscription and free streaming for Harold McCord's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 5 with a MovieCove page.
Noah's Ark(1928)
Midcredits score: 58th percentile of all films
The Singing Fool (not in the MovieCove catalog yet)(1928)
The Lion and the Mouse (not in the MovieCove catalog yet)(1928)
The Jazz Singer(1927)
Midcredits score: 51st percentile of all films
Old San Francisco(1927)
Midcredits score: 51st percentile of all films
When a Man Loves(1927)
Midcredits score: 78th percentile of all films
Don Juan(1926)
Midcredits score: 76th percentile of all films
Love Is an Awful Thing (not in the MovieCove catalog yet)(1922)
Career shape
A full career of 8 titles from 1922 to 1928.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Harold McCord's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up2
- 50th to 74th3
Shape of the crowd
None of their 5 titles divides audiences: 5 are Crowd Pleasers.
- Crowd Pleaser5
Reviewers score the pacing 49/100 in their films, across 5 reviewed titles; fans 56, detractors 33. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Harold McCord work with?
People who share at least 2 of Harold McCord's MovieCove titles, grouped by what they did on them; Alan Crosland shares the most, 4.
Directors
- Alan CroslandShared titles: Old San Francisco (1927), The Jazz Singer (1927), When a Man Loves (1927), Don Juan (1926)See all 4 shared titles with Alan Crosland
Writers
- Darryl F. ZanuckShared titles: Noah's Ark (1928), Old San Francisco (1927), The Jazz Singer (1927)See all 3 shared titles with Darryl F. Zanuck
- Anthony ColdewayShared titles: Noah's Ark (1928), Old San Francisco (1927)See all 2 shared titles with Anthony Coldeway
- Bess MeredythShared titles: When a Man Loves (1927), Don Juan (1926)See all 2 shared titles with Bess Meredyth
- Jack JarmuthShared titles: Old San Francisco (1927), The Jazz Singer (1927)See all 2 shared titles with Jack Jarmuth
Actors
- Warner OlandShared titles: Old San Francisco (1927), The Jazz Singer (1927), When a Man Loves (1927), Don Juan (1926)See all 4 shared titles with Warner Oland
- Dolores CostelloShared titles: Noah's Ark (1928), Old San Francisco (1927), When a Man Loves (1927)See all 3 shared titles with Dolores Costello
- Anders RandolfShared titles: Noah's Ark (1928), Old San Francisco (1927)See all 2 shared titles with Anders Randolf
- Eugenie BessererShared titles: The Jazz Singer (1927), When a Man Loves (1927)See all 2 shared titles with Eugenie Besserer
Cinematographers
- Hal MohrShared titles: Noah's Ark (1928), Old San Francisco (1927), The Jazz Singer (1927)See all 3 shared titles with Hal Mohr
- Byron HaskinShared titles: When a Man Loves (1927), Don Juan (1926)See all 2 shared titles with Byron Haskin
