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Mark McDonald

Cinematographer

Works as
Cinematographer
Titles
4 on MovieCove

What are Mark McDonald's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 2 · Stylized 2 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 0 · Some laughs 1 · Funny 3

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Joyful
2
Absurd
1
Hopeful
1
Romantic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark McDonald's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mark McDonald's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

  • Naughty Wives(1973)

    Cinematographer

    Midcredits score: 4th percentile of all films
  • Kadoyng(1972)

    Cinematographer

    Midcredits score: 24th percentile of all films (provisional, few ratings)
  • Mutiny on the Buses(1972)

    Cinematographer

    Midcredits score: 50th percentile of all films
  • On the Buses(1971)

    Cinematographer

    Midcredits score: 51st percentile of all films

Career shape

Across a limited sample of 4 MovieCove titles from 1971 to 1973.

By role

only this rolewith another role
Cinematography4 of 4: 4 only cinematography, 0 with another role

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Mark McDonald's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 4

Approval · how many liked their films

37thpercentile
Typical film, the median of 4

Reach · how many have seen their films

36thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • Below 25th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mark McDonald work with?

People who share at least 2 of Mark McDonald's MovieCove titles, grouped by what they did on them; Harry Booth shares the most, 2.

Directors

Writers

Actors

Editors