Mairéad McIvor
- Editor
- 8 on Motif
What are Mairéad McIvor's films like?
Across their 8 Motif titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 3 · Serious 0 · Dark 4
A split, not a type: Grounded 4 · Stylized 3 · Heightened 0
A split, not a type: Gentle 4 · Charged 0 · Intense 3
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 5 · Even-paced 2 · Relentless 0
A split, not a type: Casual 3 · Engaged 2 · Full focus 2
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 3
Resolved 4 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy3
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mairéad McIvor's films?
As of October 24, 2026, 7 of their 8 Motif titles stream on a subscription or free service.
- Curiosity Stream
Subscription and free streaming for Mairéad McIvor's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a Motif page.

Love of the Irish(2025)
Midcredits score: 60th percentile of all films
Royal-ish(2025)
Midcredits score: 58th percentile of all films
Scary Tales of New York(2023)
Midcredits score: 75th percentile of all shows (provisional, few ratings)
The Cellar(2022)
Midcredits score: 18th percentile of all films
A Girl from Mogadishu(2019)
Midcredits score: 67th percentile of all films
She's Missing(2019)
Midcredits score: 8th percentile of all films
Aerial Ireland(2017)
Midcredits score: 97th percentile of all films
Pilgrimage(2017)
Midcredits score: 40th percentile of all films
Career shape
Across their 8 Motif titles from 2017 to 2025.
How do Mairéad McIvor's films land?
Their typical Motif film has a Midcredits score in the 58th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up2
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 8 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Broadly Agreed2
- Mixed2
Reviewers score the pacing 38/100 in their films, across 5 reviewed titles; fans 50, detractors 26. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mairéad McIvor's work okay for kids?
Across a limited sample of up to 3 Motif titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Mairéad McIvor work with?
People who share at least 2 of Mairéad McIvor's Motif titles, grouped by what they did on them; Brendan Muldowney shares the most, 2.
Directors
- Brendan MuldowneyShared titles: The Cellar (2022), Pilgrimage (2017)See all 2 shared titles with Brendan Muldowney

Composers and cinematographers
- Stephen McKeonShared titles: The Cellar (2022), Pilgrimage (2017)See all 2 shared titles with Stephen McKeon

- Tom ComerfordShared titles: The Cellar (2022), Pilgrimage (2017)See all 2 shared titles with Tom Comerford

Producers
- Edwina ForkinShared titles: Love of the Irish (2025), Royal-ish (2025)See all 2 shared titles with Edwina Forkin
- John NortonShared titles: Love of the Irish (2025), Royal-ish (2025)See all 2 shared titles with John Norton

- Alex VerbaereShared titles: The Cellar (2022), Pilgrimage (2017)See all 2 shared titles with Alex Verbaere

- Benoit RolandShared titles: The Cellar (2022), Pilgrimage (2017)See all 2 shared titles with Benoit Roland




