
Ursula Meier (born 24 June 1971) is a French-Swiss film director and screenwriter.
Biography from TMDB.
- June 24, 1971 (55)
- Besançon, Doubs, France
- Director, writer, producer and actor
- 7 on MovieCove · 21 credits in all
Known for
What are Ursula Meier's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 1 · Serious 2 · Dark 4
Grounded 5 · Stylized 1 · Heightened 1
Gentle 2 · Charged 4 · Intense 1
Steady 3 · Shifting 3 · Whiplash 1
Straight-faced 7 · Some laughs 0 · Funny 0
Slow burn 6 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 3 · Full focus 1
Easy watch 2 · Affecting 3 · Heavy 2
A split, not a type: Resolved 2 · Open-ended 2 · Ambiguous 3
Moods and endings
- Bittersweet3
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ursula Meier's films?
As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ursula Meier's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 7 with a MovieCove page.

The Line(2022)
Midcredits score: 40th percentile of all films
Cascadeuses(2022)
Midcredits score: 74th percentile of all films (provisional, few ratings)
Sacha (not in the MovieCove catalog yet)(2021)

Particles(2019)
Midcredits score: 18th percentile of all films
Ondes de choc (not in the MovieCove catalog yet)(2018)

Diary of My Mind (not in the MovieCove catalog yet)(2018)

The Paris Opera(2017)
Midcredits score: 75th percentile of all films
Kacey Mottet Klein, Birth of an Actor (not in the MovieCove catalog yet)(2015)

The Bridges of Sarajevo (not in the MovieCove catalog yet)(2014)

Longwave (not in the MovieCove catalog yet)(2013)

Sister(2012)
Midcredits score: 82nd percentile of all films
Another Man (not in the MovieCove catalog yet)(2009)

Home(2008)
Midcredits score: 81st percentile of all films
Garçon stupide(2004)
Midcredits score: 40th percentile of all films
Strong Shoulders (not in the MovieCove catalog yet)(2003)

Masculin/Féminin (not in the MovieCove catalog yet)(2003)

Pas les flics, pas les noirs, pas les blancs (not in the MovieCove catalog yet)(2002)

Table Manners (not in the MovieCove catalog yet)(2001)

Autour de Pinget (not in the MovieCove catalog yet)(2000)

Sleepless (not in the MovieCove catalog yet)(1998)
Quiet Land (not in the MovieCove catalog yet)
Career shape
A full career of 21 titles, 20 of them dated from 1998 to 2023.
Film career
- 2004Screen debut· Stupid Boy
How do Ursula Meier's films land?
Their typical MovieCove film has a Midcredits score in the 74th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
4 of their 7 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser4
- Mixed2
Reviewers score the atmosphere 69/100 and the pacing 40/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ursula Meier work with?
People who share at least 2 of Ursula Meier's MovieCove titles, grouped by what they did on them; Antoine Jaccoud shares the most, 3.
Writers
- Antoine JaccoudShared titles: The Line (2022), Sister (2012), Home (2008)See all 3 shared titles with Antoine Jaccoud

- Gilles TaurandShared titles: Sister (2012), Home (2008)See all 2 shared titles with Gilles Taurand

Actors
- Jean-François StéveninShared titles: The Line (2022), Sister (2012), Home (2008)See all 3 shared titles with Jean-François Stévenin

- Kacey Mottet KleinShared titles: Sister (2012), Home (2008)See all 2 shared titles with Kacey Mottet Klein

Cinematographers and editors
- Agnès GodardShared titles: The Line (2022), Sister (2012), Home (2008)See all 3 shared titles with Agnès Godard

- Nelly QuettierShared titles: The Line (2022), Sister (2012), Home (2008)See all 3 shared titles with Nelly Quettier

Producers
- Lionel BaierShared titles: Particles (2019), The Paris Opera (2017), Garçon stupide (2004)See all 3 shared titles with Lionel Baier

- Frédéric MermoudShared titles: Particles (2019), The Paris Opera (2017)See all 2 shared titles with Frédéric Mermoud
- Denis FreydShared titles: Sister (2012), Home (2008)See all 2 shared titles with Denis Freyd

Mixed roles
- Jean-Stéphane BronShared titles: Particles (2019), The Paris Opera (2017), Garçon stupide (2004)See all 3 shared titles with Jean-Stéphane Bron

- Blaise HarrisonShared titles: Particles (2019), The Paris Opera (2017)See all 2 shared titles with Blaise Harrison