
Lewis Meltzer
Writer · Died February 23, 1995, aged 84 · New York City, New York, USA
- January 28, 1911
- February 23, 1995 (aged 84)
- New York City, New York, USA
- Writer
- 14 on MovieCove · 28 credits in all
What are Lewis Meltzer's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 14
A split, not a type: Light 8 · Serious 3 · Dark 3
A split, not a type: Grounded 8 · Stylized 5 · Heightened 1
A split, not a type: Gentle 7 · Charged 5 · Intense 2
Steady 8 · Shifting 6 · Whiplash 0
Straight-faced 5 · Some laughs 7 · Funny 2
Slow burn 6 · Even-paced 8 · Relentless 0
Casual 13 · Engaged 1 · Full focus 0
Easy watch 9 · Affecting 3 · Heavy 2
Resolved 14 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
- Bittersweet5
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Lewis Meltzer's films?
As of October 24, 2026, 5 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Lewis Meltzer's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 14 with a MovieCove page.

The Beat Generation (not in the MovieCove catalog yet)(1959)

Cimarron City (not in the MovieCove catalog yet)(1958)
Midcredits score: 47th percentile of all films
The Brothers Rico (not in the MovieCove catalog yet)(1957)

Autumn Leaves (not in the MovieCove catalog yet)(1956)
Midcredits score: 89th percentile of all films
New Orleans Uncensored (not in the MovieCove catalog yet)(1955)

Shark River (not in the MovieCove catalog yet)(1953)

Desert Legion (not in the MovieCove catalog yet)(1953)

The Jazz Singer(1952)
Midcredits score: 23rd percentile of all films
Hans Christian Andersen(1952)
Midcredits score: 73rd percentile of all films
Thunder in the East(1952)
Midcredits score: 39th percentile of all films
Along the Great Divide(1951)
Midcredits score: 78th percentile of all films
Comanche Territory(1950)
Midcredits score: 29th percentile of all films
The Lady Gambles(1949)
Midcredits score: 64th percentile of all films
Man-Eater of Kumaon (not in the MovieCove catalog yet)(1948)

Texas, Brooklyn & Heaven(1948)
Midcredits score: 35th percentile of all films
Ladies' Man (not in the MovieCove catalog yet)(1947)

Once Upon a Time(1944)
Midcredits score: 45th percentile of all films
Destroyer (not in the MovieCove catalog yet)(1943)

First Comes Courage (not in the MovieCove catalog yet)(1943)

The Tuttles of Tahiti(1942)
Midcredits score: 36th percentile of all films
New York Town (not in the MovieCove catalog yet)(1941)

Texas(1941)
Midcredits score: 70th percentile of all films
The Lady in Question(1940)
Midcredits score: 57th percentile of all films
Those High Grey Walls(1939)
Midcredits score: 58th percentile of all films (provisional, few ratings)
Golden Boy (not in the MovieCove catalog yet)(1939)

Blind Alley (not in the MovieCove catalog yet)(1939)
Career shape
A full career of 25 titles from 1939 to 1959.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Lewis Meltzer's films land?
Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up2
- 50th to 74th5
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 14 titles divides audiences: 6 are Crowd Pleasers.
- Crowd Pleaser6
- Broadly Agreed4
- Mixed4
Reviewers score the dialogue 52/100 and the plot and story 44/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Lewis Meltzer work with?
People who share at least 2 of Lewis Meltzer's MovieCove titles, grouped by what they did on them; Charles Vidor shares the most, 5.
Directors
- Charles VidorShared titles: Hans Christian Andersen (1952), Thunder in the East (1952), The Tuttles of Tahiti (1942), The Lady in Question (1940), Those High Grey Walls (1939)See all 5 shared titles with Charles Vidor

Writers
- Ben HechtShared titles: The Man with the Golden Arm (1955), Hans Christian Andersen (1952)See all 2 shared titles with Ben Hecht

- Oscar SaulShared titles: The Lady Gambles (1949), Once Upon a Time (1944)See all 2 shared titles with Oscar Saul
Actors
- John AbbottShared titles: Thunder in the East (1952), Once Upon a Time (1944)See all 2 shared titles with John Abbott

- Florence BatesShared titles: Texas, Brooklyn & Heaven (1948), The Tuttles of Tahiti (1942)See all 2 shared titles with Florence Bates

- Curt BoisShared titles: The Tuttles of Tahiti (1942), The Lady in Question (1940)See all 2 shared titles with Curt Bois

- Don BeddoeShared titles: Texas (1941), Those High Grey Walls (1939)See all 2 shared titles with Don Beddoe

Composers
- Frank SkinnerShared titles: Comanche Territory (1950), The Lady Gambles (1949)See all 2 shared titles with Frank Skinner

Producers
- Louis F. EdelmanShared titles: The Jazz Singer (1952), Once Upon a Time (1944)See all 2 shared titles with Louis F. Edelman
- B.B. KahaneShared titles: The Lady in Question (1940), Those High Grey Walls (1939)See all 2 shared titles with B.B. Kahane


