Fernando Mendoza
Actor · Born December 26, 1914 (111) · Morelia, Michoacán, Mexico
Fernando Mendoza was born on 26 December 1914 in Morelia, Michoacán, Mexico. He was an actor, known for Santo in the Treasure of Dracula (1969), El medallón del crimen (El 13 de oro) (1956) and Corona de lágrimas (1965). He died on 11 January 1981 in Mexico, D.F., Mexico.
Biography from IMDb.
- December 26, 1914 (111)
- Morelia, Michoacán, Mexico
- Actor
- 3 on MovieCove
What are Fernando Mendoza's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 0
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 3 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Fernando Mendoza's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Fernando Mendoza's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Pecado de juventud(1962)
Midcredits score: 38th percentile of all films (provisional, few ratings)
Cada quién su vida(1960)
Midcredits score: 55th percentile of all films (provisional, few ratings)
María la Voz(1955)
Midcredits score: 54th percentile of all films (provisional, few ratings)
Career shape
Across a limited sample of 3 MovieCove titles from 1955 to 1962.
How do Fernando Mendoza's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 41st percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Cult Classics.
- Cult Classic2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Fernando Mendoza work with?
People who share at least 2 of Fernando Mendoza's MovieCove titles; Julio Bracho shares the most, 2.
- Julio BrachoShared titles: Cada quién su vida (1960), María la Voz (1955)See all 2 shared titles with Julio Bracho
- Jorge BustosShared titles: Cada quién su vida (1960), María la Voz (1955)See all 2 shared titles with Jorge Bustos