André Mergenthaler
- Composer
- 4 on MovieCove · 9 credits in all
Known for
What are André Mergenthaler's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 2 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 2 · Full focus 2
Easy watch 0 · Affecting 4 · Heavy 0
A split, not a type: Resolved 1 · Open-ended 1 · Ambiguous 2
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch André Mergenthaler's films?
As of October 24, 2026, none of André Mergenthaler's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for André Mergenthaler's titles on MovieCove; rent and buy are not counted.
Filmography
9 credits, 4 with a MovieCove page.
Midcredits score: 42nd percentile of all films
Voices from Chernobyl (not in the MovieCove catalog yet)(2016)

Blind Spot(2012)
Midcredits score: 72nd percentile of all films
Hannah Arendt(2012)
Midcredits score: 81st percentile of all films
Midcredits score: 70th percentile of all films (provisional, few ratings)
X on a Map (not in the MovieCove catalog yet)(2009)

W (not in the MovieCove catalog yet)(2003)

Sniper (not in the MovieCove catalog yet)(1995)

Wedding Night - End of the Song (not in the MovieCove catalog yet)(1992)
Career shape
A full career of 8 titles from 1992 to 2023.
How do André Mergenthaler's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does André Mergenthaler work with?
People who share at least 2 of André Mergenthaler's MovieCove titles, grouped by what they did on them; Margarethe von Trotta shares the most, 2.
Directors
- Margarethe von TrottaShared titles: Ingeborg Bachmann - Journey Into the Desert (2023), Hannah Arendt (2012)See all 2 shared titles with Margarethe von Trotta

Producers
- Alexander Dumreicher-IvanceanuShared titles: Ingeborg Bachmann - Journey Into the Desert (2023), Hannah Arendt (2012)See all 2 shared titles with Alexander Dumreicher-Ivanceanu
- Bady MinckShared titles: Ingeborg Bachmann - Journey Into the Desert (2023), Hannah Arendt (2012)See all 2 shared titles with Bady Minck

- Bettina BrokemperShared titles: Ingeborg Bachmann - Journey Into the Desert (2023), Hannah Arendt (2012)See all 2 shared titles with Bettina Brokemper
