Mark Mervis
- Cinematographer
- 11 on MovieCove · 19 credits in all
What are Mark Mervis' films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 9
Light 5 · Serious 5 · Dark 0
A split, not a type: Grounded 7 · Stylized 3 · Heightened 0
A split, not a type: Gentle 6 · Charged 3 · Intense 1
Steady 8 · Shifting 2 · Whiplash 0
Straight-faced 3 · Some laughs 6 · Funny 1
Slow burn 8 · Even-paced 1 · Relentless 1
Casual 10 · Engaged 0 · Full focus 0
Easy watch 6 · Affecting 4 · Heavy 0
Resolved 10 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet4
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mark Mervis' films?
As of October 24, 2026, 8 of their 11 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mark Mervis' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 11 with a MovieCove page.
Disconnected (not in the MovieCove catalog yet)(2026)
The Hollywood Rabbi(2026)
Midcredits score: 84th percentile of all films (provisional, few ratings)
When We Last Spoke(2019)
Midcredits score: 79th percentile of all films
After Auschwitz (not in the MovieCove catalog yet)(2017)
Midcredits score: 17th percentile of all films
Midcredits score: 92nd percentile of all films
Raising Izzie(2012)
Midcredits score: 79th percentile of all films
Trinity Goodheart(2011)
Midcredits score: 40th percentile of all films
Black Widow(2008)
Midcredits score: 14th percentile of all films
Swimming in Auschwitz (not in the MovieCove catalog yet)(2007)
Alice Upside Down(2007)
Midcredits score: 30th percentile of all films
Hellbent(2004)
Midcredits score: 36th percentile of all films
Torn Apart (not in the MovieCove catalog yet)(2004)
Heart of the Storm(2004)
Midcredits score: 16th percentile of all films
Amy's Orgasm (not in the MovieCove catalog yet)(2001)
Standing on Fishes (not in the MovieCove catalog yet)(1999)
Kill the Man (not in the MovieCove catalog yet)(1999)
Midcredits score: 67th percentile of all films
Skulhedface (not in the MovieCove catalog yet)(1994)
Career shape
A full career of 15 titles from 1994 to 2026.
Biggest box office
Billy's Hollywood Screen Kiss (1998)
Highest rated
Billy's Hollywood Screen Kiss (1998)
Most popular right now
Trinity Goodheart (2011)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Mark Mervis' films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up4
- 50th to 74th1
- 25th to 49th3
- Below 25th3
Shape of the crowd
7 of their 11 titles are Mixed.
- Divisive2
- Cult Classic1
- Crowd Pleaser1
- Mixed7
Reviewers score the cinematography 59/100 in their films, across 4 reviewed titles; fans 77, detractors 45. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Mark Mervis work with?
People who share at least 2 of Mark Mervis' MovieCove titles, grouped by what they did on them; Joanne Hock shares the most, 2.
Directors
- Joanne HockShared titles: When We Last Spoke (2019), Trinity Goodheart (2011)See all 2 shared titles with Joanne Hock
Actors
- Melissa GilbertShared titles: When We Last Spoke (2019), Heart of the Storm (2004)See all 2 shared titles with Melissa Gilbert
Composers
- Rob PottorfShared titles: When We Last Spoke (2019), Trinity Goodheart (2011)See all 2 shared titles with Rob Pottorf
Producers
- Rick EldridgeShared titles: When We Last Spoke (2019), Trinity Goodheart (2011)See all 2 shared titles with Rick Eldridge
- Steven J. WolfeShared titles: The Secret Lives of Dorks (2013), Hellbent (2004)See all 2 shared titles with Steven J. Wolfe
