Oscar Millard
Writer · Died December 7, 1990, aged 82
- March 1, 1908
- December 7, 1990 (aged 82)
- Writer
- 9 on MovieCove · 19 credits in all
What are Oscar Millard's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 8
Light 2 · Serious 4 · Dark 2
A split, not a type: Grounded 4 · Stylized 3 · Heightened 1
Gentle 1 · Charged 4 · Intense 3
Steady 3 · Shifting 5 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 0
Slow burn 6 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 4 · Full focus 0
Easy watch 2 · Affecting 5 · Heavy 1
Resolved 7 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Oscar Millard's films?
As of October 24, 2026, 2 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Oscar Millard's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 9 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Perilous Voyage (not in the MovieCove catalog yet)(1976)
The Salzburg Connection (not in the MovieCove catalog yet)(1972)
Journey to the Unknown (not in the MovieCove catalog yet)(1968)
Journey Into Darkness (not in the MovieCove catalog yet)(1968)
The F.B.I. (not in the MovieCove catalog yet)(1965)
The Reward (not in the MovieCove catalog yet)(1965)
12 O'Clock High (not in the MovieCove catalog yet)(1964)
Dead Ringer(1963)
Midcredits score: 90th percentile of all films
Midcredits score: 97th percentile of all shows
Song Without End(1960)
Midcredits score: 40th percentile of all films
The Conqueror(1956)
Midcredits score: 3rd percentile of all films
The 20th Century Fox Hour (not in the MovieCove catalog yet)(1955)
Studio 57 (not in the MovieCove catalog yet)(1954)
Second Chance(1953)
Midcredits score: 36th percentile of all films
Angel Face(1952)
Midcredits score: 88th percentile of all films
No Highway in the Sky(1951)
Midcredits score: 85th percentile of all films
The Frogmen(1951)
Midcredits score: 61st percentile of all films
Come to the Stable(1949)
Midcredits score: 81st percentile of all films
Uncensored (not in the MovieCove catalog yet)(1942)
Career shape
A full career of 19 titles from 1942 to 1976.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Oscar Millard's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up5
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser4
- Broadly Agreed1
- Mixed2
Reviewers score the dialogue 47/100 and the plot and story 48/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Oscar Millard work with?
People who share at least 2 of Oscar Millard's MovieCove titles, grouped by what they did on them; Henry Koster shares the most, 2.
Directors
- Henry KosterShared titles: No Highway in the Sky (1951), Come to the Stable (1949)See all 2 shared titles with Henry Koster
Actors
- Thomas GomezShared titles: The Conqueror (1956), Come to the Stable (1949)See all 2 shared titles with Thomas Gomez
- Robert MitchumShared titles: Second Chance (1953), Angel Face (1952)See all 2 shared titles with Robert Mitchum
Composers, cinematographers and editors
- Joseph LaShelleShared titles: The Conqueror (1956), Come to the Stable (1949)See all 2 shared titles with Joseph LaShelle
- Robert FordShared titles: The Conqueror (1956), Second Chance (1953)See all 2 shared titles with Robert Ford
- William E. SnyderShared titles: The Conqueror (1956), Second Chance (1953)See all 2 shared titles with William E. Snyder
- Cyril J. MockridgeShared titles: The Frogmen (1951), Come to the Stable (1949)See all 2 shared titles with Cyril J. Mockridge
Producers
- Howard HughesShared titles: The Conqueror (1956), Second Chance (1953)See all 2 shared titles with Howard Hughes
- Samuel G. EngelShared titles: The Frogmen (1951), Come to the Stable (1949)See all 2 shared titles with Samuel G. Engel