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Motif

Les Millbrook

Editor

Works as
Editor
Titles
5 on Motif · 27 credits in all
TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Les Millbrook's films like?

Across their 5 Motif titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
44%
Self
23%
Society
11%
Power
10%
Morality
6%
Survival
6%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 1

A split, not a type: Grounded 3 · Stylized 2 · Heightened 0

Gentle 3 · Charged 1 · Intense 1

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 1

Slow burn 3 · Even-paced 1 · Relentless 1

Casual 4 · Engaged 1 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
3
Hopeful
3
Romantic
2
Absurd
1
Tense
1
Other
5

How their films end

  • Happy4
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Les Millbrook's films?

As of October 24, 2026, none of Les Millbrook's 5 Motif titles is streaming on a subscription or free service.

Subscription and free streaming for Les Millbrook's titles on Motif; rent and buy are not counted.

Filmography

27 credits, 5 with a Motif page.

  • Stagecoach Kid (not in the Motif catalog yet)(1949)

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  • Gun Smugglers (not in the Motif catalog yet)(1948)

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  • Indian Agent (not in the Motif catalog yet)(1948)

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  • Midcredits score: 79th percentile of all films
  • Variety Time (not in the Motif catalog yet)(1948)

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  • Midcredits score: 73rd percentile of all films
  • Banjo (not in the Motif catalog yet)(1947)

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  • Born to Kill(1947)

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    Midcredits score: 86th percentile of all films
  • Vacation in Reno (not in the Motif catalog yet)(1946)

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  • The Bamboo Blonde(1946)

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    Midcredits score: 32nd percentile of all films
  • Ding Dong Williams (not in the Motif catalog yet)(1946)

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  • Johnny Angel (not in the Motif catalog yet)(1945)

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  • The Brighton Strangler (not in the Motif catalog yet)(1945)

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  • Bride by Mistake (not in the Motif catalog yet)(1944)

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  • A Night of Adventure (not in the Motif catalog yet)(1944)

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  • Gildersleeve's Ghost (not in the Motif catalog yet)(1944)

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  • Gildersleeve on Broadway (not in the Motif catalog yet)(1943)

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  • Midcredits score: 54th percentile of all films
  • Duck Soup (not in the Motif catalog yet)(1942)

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  • Red River Robin Hood (not in the Motif catalog yet)(1942)

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  • Bandit Ranger (not in the Motif catalog yet)(1942)

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  • Cooks and Crooks (not in the Motif catalog yet)(1942)

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  • Mad About Moonshine (not in the Motif catalog yet)(1941)

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  • Baby Daze (not in the Motif catalog yet)(1939)

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  • Ranch House Romeo (not in the Motif catalog yet)(1939)

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  • Should Wives Work? (not in the Motif catalog yet)(1937)

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  • Tramp Trouble (not in the Motif catalog yet)(1937)

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Career shape

A full career of 26 titles from 1937 to 1949.

By role

only this rolewith another role
Editing26 of 26: 26 only editing, 0 with another role

By decade

1930s4 · crew1940s22 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Les Millbrook's films land?

Their typical Motif film has a Midcredits score in the 73rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 5

Approval · how many liked their films

68thpercentile
Typical film, the median of 5

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th1

Shape of the crowd

None of their 5 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Broadly Agreed1

Reviewers score the pacing 56/100 in their films, across 5 reviewed titles; fans 62, detractors 43. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Les Millbrook work with?

People who share at least 2 of Les Millbrook's Motif titles, grouped by what they did on them; Sid Rogell shares the most, 3.

Actors

Composers and cinematographers

Producers