Les Millbrook
- Editor
- 5 on Motif · 27 credits in all
What are Les Millbrook's films like?
Across their 5 Motif titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 4 · Serious 0 · Dark 1
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
Gentle 3 · Charged 1 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 1
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Les Millbrook's films?
As of October 24, 2026, none of Les Millbrook's 5 Motif titles is streaming on a subscription or free service.
Subscription and free streaming for Les Millbrook's titles on Motif; rent and buy are not counted.
Filmography
27 credits, 5 with a Motif page.

Stagecoach Kid (not in the Motif catalog yet)(1949)

Gun Smugglers (not in the Motif catalog yet)(1948)

Indian Agent (not in the Motif catalog yet)(1948)

Rachel and the Stranger(1948)
Midcredits score: 79th percentile of all films
Variety Time (not in the Motif catalog yet)(1948)

The Judge Steps Out(1948)
Midcredits score: 73rd percentile of all films
Banjo (not in the Motif catalog yet)(1947)

Born to Kill(1947)
Midcredits score: 86th percentile of all films
Vacation in Reno (not in the Motif catalog yet)(1946)

The Bamboo Blonde(1946)
Midcredits score: 32nd percentile of all films
Ding Dong Williams (not in the Motif catalog yet)(1946)

Johnny Angel (not in the Motif catalog yet)(1945)

The Brighton Strangler (not in the Motif catalog yet)(1945)

Bride by Mistake (not in the Motif catalog yet)(1944)

A Night of Adventure (not in the Motif catalog yet)(1944)

Gildersleeve's Ghost (not in the Motif catalog yet)(1944)

Gildersleeve on Broadway (not in the Motif catalog yet)(1943)

Gildersleeve's Bad Day(1943)
Midcredits score: 54th percentile of all filmsDuck Soup (not in the Motif catalog yet)(1942)

Red River Robin Hood (not in the Motif catalog yet)(1942)

Bandit Ranger (not in the Motif catalog yet)(1942)
Cooks and Crooks (not in the Motif catalog yet)(1942)
Mad About Moonshine (not in the Motif catalog yet)(1941)
Baby Daze (not in the Motif catalog yet)(1939)
Ranch House Romeo (not in the Motif catalog yet)(1939)

Should Wives Work? (not in the Motif catalog yet)(1937)
Tramp Trouble (not in the Motif catalog yet)(1937)
Career shape
A full career of 26 titles from 1937 to 1949.
How do Les Millbrook's films land?
Their typical Motif film has a Midcredits score in the 73rd percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 5 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
Reviewers score the pacing 56/100 in their films, across 5 reviewed titles; fans 62, detractors 43. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Les Millbrook work with?
People who share at least 2 of Les Millbrook's Motif titles, grouped by what they did on them; Sid Rogell shares the most, 3.
Actors
- Regina WallaceShared titles: Rachel and the Stranger (1948), The Bamboo Blonde (1946)See all 2 shared titles with Regina Wallace

- Russell WadeShared titles: The Bamboo Blonde (1946), Gildersleeve's Bad Day (1943)See all 2 shared titles with Russell Wade

Composers and cinematographers
- Robert De GrasseShared titles: The Judge Steps Out (1948), Born to Kill (1947)See all 2 shared titles with Robert De Grasse
- Paul SawtellShared titles: Born to Kill (1947), The Bamboo Blonde (1946)See all 2 shared titles with Paul Sawtell
Producers
- Sid RogellShared titles: The Judge Steps Out (1948), Born to Kill (1947), The Bamboo Blonde (1946)See all 3 shared titles with Sid Rogell
- Herman SchlomShared titles: Born to Kill (1947), The Bamboo Blonde (1946), Gildersleeve's Bad Day (1943)See all 3 shared titles with Herman Schlom