Anne Misawa
- Cinematographer, producer, director and editor
- 6 on MovieCove · 16 credits in all
What are Anne Misawa's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 1 · Dark 3
A split, not a type: Grounded 3 · Stylized 1 · Heightened 2
Gentle 0 · Charged 5 · Intense 1
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 3 · Full focus 2
Easy watch 1 · Affecting 2 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 3
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anne Misawa's films?
As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Anne Misawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 6 with a MovieCove page.

Numbskull Revolution (not in the MovieCove catalog yet)(2026)

A Paradise Lost (not in the MovieCove catalog yet)(2025)

I Was a Simple Man(2021)
Midcredits score: 52nd percentile of all films
Story Game(2020)
Midcredits score: 15th percentile of all films
Go for Broke (not in the MovieCove catalog yet)(2017)

Margarita with a Straw(2014)
Midcredits score: 81st percentile of all films
Jack & Diane(2012)
Midcredits score: 11th percentile of all films
Treeless Mountain (not in the MovieCove catalog yet)(2009)
All for Melissa (not in the MovieCove catalog yet)(2007)

Time Out (not in the MovieCove catalog yet)(2004)

Salt (not in the MovieCove catalog yet)(2003)

Eden's Curve(2003)
Midcredits score: 27th percentile of all films
A Visit from the Incubus (not in the MovieCove catalog yet)(2001)

The Hypnotist (not in the MovieCove catalog yet)(2001)

Punks(2000)
Midcredits score: 70th percentile of all films
Last Hawaiian Sugar (not in the MovieCove catalog yet)
Career shape
A full career of 15 titles, 14 of them dated from 2000 to 2026.

Biggest box office
Punks (2000)

Highest rated
Margarita with a Straw (2014)

Most popular right now
I Was a Simple Man (2021)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Anne Misawa's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 6 titles are Mixed.
- Cult Classic2
- Crowd Pleaser1
- Mixed3
Reviewers score the cinematography 60/100 in their films, across 5 reviewed titles; fans 71, detractors 49. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

