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MovieCove
Works as
Cinematographer, producer, director and editor
Titles
6 on MovieCove · 16 credits in all
TMDB popularity, last 38 days to Oct 27Down 24% in 30 days

What are Anne Misawa's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 3

A split, not a type: Grounded 3 · Stylized 1 · Heightened 2

Gentle 0 · Charged 5 · Intense 1

A split, not a type: Steady 3 · Shifting 2 · Whiplash 1

A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 1

Slow burn 3 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 2

Easy watch 1 · Affecting 2 · Heavy 3

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
3
Warm
2
Dread
3
Tense
2
Bittersweet
2
Other
4

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anne Misawa's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Anne Misawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 6 with a MovieCove page.

  • Numbskull Revolution (not in the MovieCove catalog yet)(2026)

    Cinematographer

  • A Paradise Lost (not in the MovieCove catalog yet)(2025)

    Cinematographer · Producer

  • I Was a Simple Man(2021)

    Co-Producer

    Midcredits score: 52nd percentile of all films
  • Story Game(2020)

    Cinematographer

    Midcredits score: 15th percentile of all films
  • Go for Broke (not in the MovieCove catalog yet)(2017)

    Producer

  • Margarita with a Straw(2014)

    Cinematographer

    Midcredits score: 81st percentile of all films
  • Jack & Diane(2012)

    Cinematographer

    Midcredits score: 11th percentile of all films
  • Treeless Mountain (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • All for Melissa (not in the MovieCove catalog yet)(2007)

    Cinematographer

  • Time Out (not in the MovieCove catalog yet)(2004)

    Cinematographer

  • Salt (not in the MovieCove catalog yet)(2003)

    Cinematographer

  • Eden's Curve(2003)

    Director · Cinematographer

    Midcredits score: 27th percentile of all films
  • A Visit from the Incubus (not in the MovieCove catalog yet)(2001)

    Assistant Director

  • The Hypnotist (not in the MovieCove catalog yet)(2001)

    Assistant Director

  • Punks(2000)

    Editor

    Midcredits score: 70th percentile of all films
  • Last Hawaiian Sugar (not in the MovieCove catalog yet)

    Cinematographer

Career shape

A full career of 15 titles, 14 of them dated from 2000 to 2026.

By role

only this rolewith another role
Directing1 of 15: 1 only directing, 0 with another roleProducing3 of 15: 2 only producing, 1 with another roleCinematography9 of 15: 8 only cinematography, 1 with another roleEditing1 of 15: 1 only editing, 0 with another roleOther crew2 of 15: 2 only other crew, 0 with another role

By decade

2000s8 · crew2010s3 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Anne Misawa's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 6

Approval · how many liked their films

38thpercentile
Typical film, the median of 6

Reach · how many have seen their films

60thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th2

Reviewers score the cinematography 60/100 in their films, across 5 reviewed titles; fans 71, detractors 49. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.