Tony Mau
- Cinematographer
- 3 on MovieCove
What are Tony Mau's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 0 · Serious 0 · Dark 3
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tony Mau's films?
As of October 29, 2026, none of Tony Mau's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Tony Mau's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Street Angels(1996)
Midcredits score: 24th percentile of all films
Brother of Darkness(1994)
Midcredits score: 23rd percentile of all films
Red to Kill(1994)
Midcredits score: 54th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1994 to 1996.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Tony Mau's films land?
Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 50th to 74th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the cinematography 55/100 in their films, across 3 reviewed titles; fans 75, detractors 20. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tony Mau work with?
People who share at least 2 of Tony Mau's MovieCove titles, grouped by what they did on them; Billy Hin-Shing Tang shares the most, 3.
Directors
- Billy Hin-Shing TangShared titles: Street Angels (1996), Brother of Darkness (1994), Red to Kill (1994)See all 3 shared titles with Billy Hin-Shing Tang
Actors
- Lily ChungShared titles: Brother of Darkness (1994), Red to Kill (1994)See all 2 shared titles with Lily Chung
- Money LoShared titles: Brother of Darkness (1994), Red to Kill (1994)See all 2 shared titles with Money Lo
Producers
- Kimmy ShuenShared titles: Brother of Darkness (1994), Red to Kill (1994)See all 2 shared titles with Kimmy Shuen