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Motif

Mitsuzô Miyata

Editor

Works as
Editor
Titles
3 on Motif · 48 credits in all
TMDB popularity, last 39 days to Oct 28Up 2% in 30 days

What are Mitsuzô Miyata's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
33%
Bonds
22%
Power
22%
Morality
15%
Self
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 0 · Stylized 2 · Heightened 1

Gentle 0 · Charged 1 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 1 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
3
Dread
2
Tense
1
Bittersweet
1
Absurd
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mitsuzô Miyata's films?

As of October 24, 2026, all 3 Motif titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Mitsuzô Miyata's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

48 credits, 3 with a Motif page.

  • Sleepy Eyes of Death 6: Sword of Satan (not in the Motif catalog yet)(1965)

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  • Shinobi no Mono 2: Vengeance (not in the Motif catalog yet)(1963)

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  • The Third Shadow Warrior (not in the Motif catalog yet)(1963)

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  • Assassins for sale (not in the Motif catalog yet)(1963)

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  • The Lightning Sword (not in the Motif catalog yet)(1962)

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  • Ninja, A Band of Assassins (not in the Motif catalog yet)(1962)

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  • Yamaotoko no Uta (not in the Motif catalog yet)(1962)

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  • The Temple of Wild Geese (not in the Motif catalog yet)(1962)

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  • The Actress and the Three Rascals (not in the Motif catalog yet)(1962)

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  • Mito Komon’s Journey to Ezo (not in the Motif catalog yet)(1961)

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  • 風来物語 あばれ飛車 (not in the Motif catalog yet)(1960)

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  • お嬢さん三度笠 (not in the Motif catalog yet)(1960)

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  • 風来物語任侠篇 (not in the Motif catalog yet)(1959)

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  • Sudden Attack of the Christian Lord (not in the Motif catalog yet)(1959)

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  • The Woman and the Pirate (not in the Motif catalog yet)(1959)

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  • The Gay Masquerade (not in the Motif catalog yet)(1958)

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  • The Red Bat (not in the Motif catalog yet)(1958)

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  • The Swishing Sword (not in the Motif catalog yet)(1958)

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  • Akado Suzunosuke vs. the Birdman with 3 Eyes (not in the Motif catalog yet)(1958)

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  • The Magnificent Five (not in the Motif catalog yet)(1958)

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  • Blooms of Hell (not in the Motif catalog yet)(1957)

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  • Love of the Princess (not in the Motif catalog yet)(1957)

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  • Family Affairs — Book of the Saizansus (not in the Motif catalog yet)(1954)

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  • Sansho the Bailiff(1954)

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    Midcredits score: 99th percentile of all films
  • An Inlet of Muddy Water (not in the Motif catalog yet)(1953)

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  • Princess Finds Her Prince (not in the Motif catalog yet)(1953)

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  • A Geisha (not in the Motif catalog yet)(1953)

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  • Anatahan(1953)

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    Midcredits score: 78th percentile of all films
  • Ugetsu(1953)

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    Midcredits score: 98th percentile of all films
  • This Way, That Way (not in the Motif catalog yet)(1952)

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  • Tsukigata Hanpeita (not in the Motif catalog yet)(1952)

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  • Five Men of Edo (not in the Motif catalog yet)(1951)

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  • Jūrokumon karasudō: Sennin higan (not in the Motif catalog yet)(1951)

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  • Miss Oyu (not in the Motif catalog yet)(1951)

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  • Weeping Doll (not in the Motif catalog yet)(1951)

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  • The Inner Palace Conspiracy (not in the Motif catalog yet)(1951)

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  • The Emperor's Hat (not in the Motif catalog yet)(1950)

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  • The Grand Master (not in the Motif catalog yet)(1948)

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  • Haru ranman tanuki matsuri (not in the Motif catalog yet)(1948)

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  • Duel at Moonrise (not in the Motif catalog yet)(1947)

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  • Love Shamisen (not in the Motif catalog yet)(1946)

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  • Yari-odori gojūsantsugi (not in the Motif catalog yet)(1946)

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  • Kenpu Renpeikan (not in the Motif catalog yet)(1944)

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  • Miyamoto Musashi - Battle at Han'nya Hill (not in the Motif catalog yet)(1943)

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  • Initiation of the Two-Sword Style (not in the Motif catalog yet)(1943)

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  • Oedo no asagiri (not in the Motif catalog yet)(1942)

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  • Nagurareta o tonosama (not in the Motif catalog yet)

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  • Tobu uta (not in the Motif catalog yet)

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Career shape

A full career of 48 titles, 46 of them dated from 1942 to 1965.

By role

only this rolewith another role
Editing48 of 48: 48 only editing, 0 with another role

By decade

1940s9 · crew1950s25 · crew1960s12 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mitsuzô Miyata's films land?

Their typical Motif film has a Midcredits score in the 98th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 98th percentile for acclaim.

Acclaim · how much people like their films

98thpercentile
Typical film, the median of 3

Approval · how many liked their films

96thpercentile
Typical film, the median of 3

Reach · how many have seen their films

89thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

  • Universally Loved2
  • Crowd Pleaser1

Reviewers score the pacing 52/100 in their films, across 3 reviewed titles; fans 59, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mitsuzô Miyata work with?

People who share at least 2 of Mitsuzô Miyata's Motif titles, grouped by what they did on them; Kenji Mizoguchi shares the most, 2.

Directors

Writers

Actors

Composers and cinematographers

Producers