Yoshimasa Mizuo

What are Yoshimasa Mizuo's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Yoshimasa Mizuo's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).

• Tubi3 titles, browse their movies on this service
  • Ghost in the Shell (1995) · producer · free
  • Ultraman Cosmos: The Blue Planet (2002) · producer · free
  • Ultraman Cosmos: The First Contact (2001) · producer · free
• Pluto TV2 titles, browse their movies on this service
  • Ghost in the Shell (1995) · producer · free
  • Ultraman Cosmos: The First Contact (2001) · producer · free
• Crunchyroll1 title
  • Akira (1988) · producer
• Prime Video1 title, browse their movies on this service
  • Memories (1995) · producer
• The Roku Channel1 title, browse their movies on this service
  • Ultraman Cosmos: The Blue Planet (2002) · producer · free

Subscription and free streaming for Yoshimasa Mizuo's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 8 with a MovieCove page.

• 

  Ultraman Cosmos: The Blue Planet(2002)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  Ultraman Cosmos: The First Contact(2001)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Ultraman Tiga: The Final Odyssey(2000)

  Producer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Ultraman Tiga & Ultraman Dyna & Ultraman Gaia: The Battle in Hyperspace (not in the MovieCove catalog yet)(1999)

  Producer
• 

  Ultraman Tiga & Ultraman Dyna: Warriors of the Star of Light (not in the MovieCove catalog yet)(1998)

  Producer
• 

  Kindaichi Case Files Movie 1: The Opera House Murders(1996)

  Producer

  Midcredits score: 75th percentile of all films (provisional, few ratings)~75^th
• 

  Memories(1995)

  Producer

  Midcredits score: 94th percentile of all films94^th
• 

  Ghost in the Shell(1995)

  Producer

  Midcredits score: 98th percentile of all films98^th
• 

  You're Under Arrest!(1994)

  Show 4 episodes · Producer

  Midcredits score: 42nd percentile of all shows42^nd
• 

  Akira(1988)

  Associate Producer

  Midcredits score: 98th percentile of all films98^th

Career shape

A full career of 9 titles from 1988 to 2002.

Biggest box office

Akira (1988)

$9.1M worldwide

Highest rated

Ghost in the Shell (1995)

Midcredits 98^th

How do Yoshimasa Mizuo's films land?

Their typical MovieCove film has a Midcredits score in the 83^rd percentile, the median of all 7; across their 5 films with reception data, the typical film sits in the 93^rd percentile for acclaim.

Shape of the crowd

3 of their 8 titles are Universally Loved.

332

• Universally Loved3
• Crowd Pleaser3
• Mixed2

Most divisive · producer

Ultraman Tiga: The Final Odyssey (2000)

51^st percentile spread · 10% rated it 4 or lower

Most loved · producer

Ghost in the Shell (1995)

Midcredits 98^th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Yoshimasa Mizuo's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Yoshimasa Mizuo work with?

People who share at least 2 of Yoshimasa Mizuo's MovieCove titles, grouped by what they did on them; Teruo Miyahara shares the most, 3.