László Molnár

What are László Molnár's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch László Molnár's films?

As of October 24, 2026, none of László Molnár's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for László Molnár's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Seven Crystal Balls and the Prisoners of the Sun(1969)

  Adaptation · Editor · Sound Effects

  Midcredits score: 71st percentile of all films71^st
• 

  Asterix and Cleopatra(1968)

  Editor

  Midcredits score: 87th percentile of all films87^th
• 

  Asterix the Gaul(1967)

  Editor · Screenplay

  Midcredits score: 66th percentile of all films66^th

Career shape

A full career of 3 titles from 1967 to 1969.

Biggest box office

Asterix the Gaul (1967)

$1.3M worldwide

Highest rated

Asterix and Cleopatra (1968)

Midcredits 87^th

Most popular right now

Asterix the Gaul (1967)

How do László Molnár's films land?

Their typical MovieCove film has a Midcredits score in the 71^st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 73^rd percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 3 are Crowd Pleasers.

3

• Crowd Pleaser3

Most loved · editor

Asterix and Cleopatra (1968)

Midcredits 87^th · 76% liked

Reviewers score the pacing 48/100 in their films, across 3 reviewed titles; fans 57, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does László Molnár work with?

People who share at least 2 of László Molnár's MovieCove titles, grouped by what they did on them; Raymond Leblanc shares the most, 3.