Robert Monroe
- Producer
- 5 on MovieCove
What are Robert Monroe's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Society and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 2 · Dark 2
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
A split, not a type: Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 4 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Robert Monroe's films?
As of October 27, 2026, none of Robert Monroe's 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Robert Monroe's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Can Ellen Be Saved?(1974)
Midcredits score: 20th percentile of all films (provisional, few ratings)
A Cold Night's Death(1973)
Midcredits score: 64th percentile of all films
Midcredits score: 39th percentile of all films
Say Goodbye, Maggie Cole(1972)
Midcredits score: 80th percentile of all films
Two for the Money(1972)
Midcredits score: 47th percentile of all films (provisional, few ratings)
Career shape
Across their 5 MovieCove titles from 1972 to 1974.
Highest rated
A Cold Night's Death (1973)
Most popular right now
The Great American Beauty Contest (1973)
Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.
How do Robert Monroe's films land?
Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 5 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Robert Monroe work with?
People who share at least 2 of Robert Monroe's MovieCove titles, grouped by what they did on them; Aaron Spelling shares the most, 4.
Producers
- Aaron SpellingShared titles: A Cold Night's Death (1973), The Great American Beauty Contest (1973), Say Goodbye, Maggie Cole (1972), Two for the Money (1972)See all 4 shared titles with Aaron Spelling
- Leonard GoldbergShared titles: A Cold Night's Death (1973), The Great American Beauty Contest (1973), Say Goodbye, Maggie Cole (1972)See all 3 shared titles with Leonard Goldberg
- Everett ChambersShared titles: Can Ellen Be Saved? (1974), The Great American Beauty Contest (1973)See all 2 shared titles with Everett Chambers
