Piero Montanari
Composer · Italy
- Italy
- Composer
- 4 on MovieCove · 28 credits in all
What are Piero Montanari's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
A split, not a type: Ironic 0 · Wry 1 · Earnest 2
A split, not a type: Light 1 · Serious 3 · Dark 0
A split, not a type: Grounded 3 · Stylized 1 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Piero Montanari's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Piero Montanari's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 4 with a MovieCove page.

Sexy Pirates (not in the MovieCove catalog yet)(1999)

Sex Penitentiary (not in the MovieCove catalog yet)(1998)

Anal Strippers X-posed (not in the MovieCove catalog yet)(1997)

Top Girl(1997)
Midcredits score: 2nd percentile of all films
Gangland Bangers (not in the MovieCove catalog yet)(1996)

Midnight Obsession (not in the MovieCove catalog yet)(1995)

Tarzan-X: Shame of Jane (not in the MovieCove catalog yet)(1995)

Amadeus Mozart (not in the MovieCove catalog yet)(1995)

Operation Sex (not in the MovieCove catalog yet)(1995)

Paprika (not in the MovieCove catalog yet)(1995)

Some Like It Hard (not in the MovieCove catalog yet)(1995)

The House of Pleasure(1994)
Midcredits score: 14th percentile of all films
China and Sex (not in the MovieCove catalog yet)(1994)

Tales of Red Chamber (not in the MovieCove catalog yet)(1993)

Instinct (not in the MovieCove catalog yet)(1992)

Love Project (not in the MovieCove catalog yet)(1992)

Eleven Days, Eleven Nights 2 (not in the MovieCove catalog yet)(1991)

Return from Death: Frankenstein 2000 (not in the MovieCove catalog yet)(1991)

Any Time, Any Play (not in the MovieCove catalog yet)(1990)
Midcredits score: 13th percentile of all films
High Finance Woman (not in the MovieCove catalog yet)(1990)

The Hell's Gate (not in the MovieCove catalog yet)(1989)

Fiori di zucca (not in the MovieCove catalog yet)(1989)

Ghosthouse(1988)
Midcredits score: 14th percentile of all films
Top Model (not in the MovieCove catalog yet)(1988)

Eleven Days, Eleven Nights (not in the MovieCove catalog yet)(1987)

Mutant Sexual Behavior (not in the MovieCove catalog yet)(1986)

Learning to Love (not in the MovieCove catalog yet)(1985)
Career shape
A full career of 26 titles from 1985 to 1999.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Piero Montanari's films land?
Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 14th percentile for acclaim.
- Below 25th4
Shape of the crowd
4 of their 4 titles are Mixed.
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Piero Montanari work with?
People who share at least 2 of Piero Montanari's MovieCove titles; Joe D'Amato shares the most, 3.
- Joe D'AmatoShared titles: Top Girl (1997), The House of Pleasure (1994), Ghosthouse (1988)See all 3 shared titles with Joe D'Amato

- Rosanna LandiShared titles: Top Girl (1997), The House of Pleasure (1994), Ghosthouse (1988)See all 3 shared titles with Rosanna Landi