Hugo Montenegro
Composer · Died February 6, 1981, aged 55
- September 2, 1925
- February 6, 1981 (aged 55)
- Composer
- 9 on MovieCove · 12 credits in all
What are Hugo Montenegro's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 5
A split, not a type: Light 5 · Serious 2 · Dark 1
A split, not a type: Grounded 3 · Stylized 2 · Heightened 3
Gentle 1 · Charged 5 · Intense 2
A split, not a type: Steady 5 · Shifting 2 · Whiplash 1
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 3
Slow burn 3 · Even-paced 5 · Relentless 0
Casual 6 · Engaged 2 · Full focus 0
Easy watch 4 · Affecting 2 · Heavy 2
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hugo Montenegro's films?
As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Hugo Montenegro's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 9 with a MovieCove page.
The Farmer (not in the MovieCove catalog yet)(1977)
Too Hot to Handle(1977)
Midcredits score: 24th percentile of all films
Say Goodbye, Maggie Cole(1972)
Midcredits score: 80th percentile of all films
Toomorrow (not in the MovieCove catalog yet)(1970)
Viva Max! (not in the MovieCove catalog yet)(1969)
The Undefeated(1969)
Midcredits score: 65th percentile of all films
Charro!(1969)
Midcredits score: 34th percentile of all films
The Wrecking Crew(1968)
Midcredits score: 27th percentile of all films
Lady in Cement(1968)
Midcredits score: 34th percentile of all films
The Ambushers(1967)
Midcredits score: 23rd percentile of all films
Hurry Sundown(1967)
Midcredits score: 42nd percentile of all films
I Dream of Jeannie(1965)
Midcredits score: 75th percentile of all shows
Career shape
A full career of 11 titles from 1965 to 1977.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Hugo Montenegro's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th4
- Below 25th2
Shape of the crowd
None of their 9 titles divides audiences: 5 are Mixed.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed5
Reviewers score the sound and music 60/100 in their films, across 8 reviewed titles; fans 70, detractors 40. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Hugo Montenegro's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Hugo Montenegro work with?
People who share at least 2 of Hugo Montenegro's MovieCove titles, grouped by what they did on them; Donald Hamilton shares the most, 2.
Writers
- Donald HamiltonShared titles: The Wrecking Crew (1968), The Ambushers (1967)See all 2 shared titles with Donald Hamilton
Actors
- Dean MartinShared titles: The Wrecking Crew (1968), The Ambushers (1967)See all 2 shared titles with Dean Martin
- John BrasciaShared titles: The Wrecking Crew (1968), The Ambushers (1967)See all 2 shared titles with John Brascia
Editors
- Robert L. SimpsonShared titles: The Undefeated (1969), Lady in Cement (1968)See all 2 shared titles with Robert L. Simpson
Producers
- Irving AllenShared titles: The Wrecking Crew (1968), The Ambushers (1967)See all 2 shared titles with Irving Allen
Mixed roles
- Harold F. KressShared titles: The Wrecking Crew (1968), The Ambushers (1967)See all 2 shared titles with Harold F. Kress