Cleo Moore
Actor · Died October 25, 1973, aged 48 · Galvez, Prairieville, Louisiana, USA
Cleouna Moore (October 31, 1924 – October 25, 1973) was an American actress, usually featured in the role of a blonde bombshell in Hollywood films of the 1950s, including seven films with Hugo Haas. She also became a well-known pin-up girl.
Biography from TMDB.
- October 31, 1924
- October 25, 1973 (aged 48)
- Galvez, Prairieville, Louisiana, USA
- Actor
- 8 on MovieCove · 22 credits in all
What are Cleo Moore's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
Grounded 3 · Stylized 1 · Heightened 0
Gentle 0 · Charged 2 · Intense 2
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 1
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 2 · Open-ended 2 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Cleo Moore's films?
As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Cleo Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 8 with a MovieCove page.
Hit and Run(1957)
Midcredits score: 47th percentile of all films
Over-Exposed (not in the MovieCove catalog yet)(1956)
Hold Back Tomorrow (not in the MovieCove catalog yet)(1955)
Women's Prison(1955)
Midcredits score: 60th percentile of all films
The Other Woman (not in the MovieCove catalog yet)(1954)
Bait (not in the MovieCove catalog yet)(1954)
Thy Neighbor's Wife (not in the MovieCove catalog yet)(1953)
One Girl's Confession (not in the MovieCove catalog yet)(1953)
The Ford Television Theatre (not in the MovieCove catalog yet)(1952)
Strange Fascination (not in the MovieCove catalog yet)(1952)
The Pace That Thrills(1952)
Midcredits score: 13th percentile of all films
On Dangerous Ground(1951)
Midcredits score: 86th percentile of all films
Gambling House (not in the MovieCove catalog yet)(1950)
Hunt the Man Down(1950)
Midcredits score: 59th percentile of all films
Rio Grande Patrol (not in the MovieCove catalog yet)(1950)
The Great Jewel Robber(1950)
Midcredits score: 66th percentile of all films
711 Ocean Drive(1950)
Midcredits score: 71st percentile of all films
Bright Leaf(1950)
Midcredits score: 67th percentile of all films
Dynamite Pass (not in the MovieCove catalog yet)(1950)
So You Want to Throw a Party (not in the MovieCove catalog yet)(1950)
So You Want to Be an Actor (not in the MovieCove catalog yet)(1949)
Congo Bill (not in the MovieCove catalog yet)(1948)
Career shape
Star power in the 29th percentile of 239,109 people with a billed film role, over a full career of 22 titles from 1948 to 1957.
Film career
- 1951Screen debut· On Dangerous Ground
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Cleo Moore's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 8; across a limited sample of 4 films with reception data, the typical film sits in the 52nd percentile for acclaim.
- 75th and up1
- 50th to 74th5
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 8 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Mixed1
Reviewers score the acting 60/100 in their films, across 4 reviewed titles; fans 72, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Cleo Moore work with?
People who share at least 2 of Cleo Moore's MovieCove titles, grouped by what they did on them; DeVallon Scott shares the most, 2.
Writers
- DeVallon ScottShared titles: The Pace That Thrills (1952), Hunt the Man Down (1950)See all 2 shared titles with DeVallon Scott
Actors
- Carla BalendaShared titles: The Pace That Thrills (1952), Hunt the Man Down (1950)See all 2 shared titles with Carla Balenda
Composers and editors
- Paul SawtellShared titles: The Pace That Thrills (1952), Hunt the Man Down (1950)See all 2 shared titles with Paul Sawtell
- Samuel E. BeetleyShared titles: The Pace That Thrills (1952), Hunt the Man Down (1950)See all 2 shared titles with Samuel E. Beetley
Producers
- Lewis J. RachmilShared titles: The Pace That Thrills (1952), Hunt the Man Down (1950)See all 2 shared titles with Lewis J. Rachmil