
Michael D. Moore (born Dennis Michael Sheffield, October 14, 1914 – March 4, 2013) was a Canadian-born American film director, second unit director, and child actor, when he was credited as Mickey Moore (or Micky Moore). He was credited as Michael Moore on all the films and TV shows he directed, and on most of the films on which he was second unit director. Born Michael Sheffield in Victoria, British Columbia, both he and his brother Patrick were Hollywood child actors. At the age of five he appeared in his first film under the stage name "Mickey Moore". He appeared in two dozen films until 1927 when he was 13. In the early 1950s, Moore began working as an Assistant Film Director and would fill that role or as a Second unit director on more than sixty films. He played a key part in a number of major motion pictures including The Ten Commandments, Gunfight at the O.K. Corral, Butch Cassidy and the Sundance Kid, Patton, and The Man Who Would Be King in 1975. He also worked as an assistant director on several Elvis Presley musical films and directed Presley in the 1966 film, Paradise, Hawaiian Style for Paramount Pictures. Because of that, plus his experience directing a western film, MGM hired him to direct rock singer Roy Orbison in 1967's The Fastest Guitar Alive. He was the associate producer in charge of action & animal scenes for Quest for Fire. In the 1980s, Steven Spielberg hired Moore as assistant director for both the second and third Indiana Jones films. Moore worked as second unit director on Raiders of the Lost Ark. His association with Spielberg also led him to direct one episode ("Alamo Jobe") in the acclaimed TV series Amazing Stories. Well into his eighties, Moore was still active, his most recent work being as the second unit director for Disney's 2000 film, 102 Dalmatians. Description above from the Wikipedia article Michael D. Moore, licensed under CC-BY-SA, full list of contributors on Wikipedia
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Biography from TMDB.
- October 14, 1914
- March 4, 2013 (aged 98)
- Victoria, British Columbia, Canada
- Director and producer
- 82 on MovieCove · 111 credits in all
What are Michael D. Moore's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
Light 4 · Serious 1 · Dark 2
Grounded 3 · Stylized 4 · Heightened 0
Gentle 2 · Charged 5 · Intense 0
Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 3 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michael D. Moore's films?
As of October 24, 2026, 39 of their 82 MovieCove titles stream on a subscription or free service, most on Paramount+ (12).
- Raiders of the Lost Ark (1981) · second unit director
- Indiana Jones and the Last Crusade (1989) · second unit director
- The Ten Commandments (1956) · assistant director
- Indiana Jones and the Temple of Doom (1984) · second unit director
- The Tin Star (1957) · assistant director
- King Creole (1958) · assistant director
- G.I. Blues (1960) · assistant director
- Blue Hawaii (1961) · assistant director
- Roustabout (1964) · assistant director
- Fun in Acapulco (1963) · assistant director
- Girls! Girls! Girls! (1962) · assistant director
- Paradise, Hawaiian Style (1966) · director
- Raiders of the Lost Ark (1981) · second unit director · free
- Indiana Jones and the Last Crusade (1989) · second unit director · free
- Indiana Jones and the Temple of Doom (1984) · second unit director · free
- Gunfight at the O.K. Corral (1957) · assistant director · free
- King Creole (1958) · assistant director · free
- Houseboat (1958) · assistant director · free
- The Missouri Breaks (1976) · second unit director · free
- Don't Give Up the Ship (1959) · assistant director · second unit director · free
- The Caddy (1953) · assistant director · free
- The Return of a Man Called Horse (1976) · second unit director · free
- Roustabout (1964) · assistant director · free
- The Man Who Would Be King (1975) · second unit director · free
- The King of Kings (1927) · actor · free
- Toy Soldiers (1991) · second unit director · free
- The Missouri Breaks (1976) · second unit director · free
- Little Giants (1994) · second unit director · free
- Wrongfully Accused (1998) · second unit director · free
- Funny Farm (1988) · second unit director · free
- An Eye for an Eye (1966) · director · free
- The Return of a Man Called Horse (1976) · second unit director · free
- Raise the Titanic (1980) · second unit director · free
- Raiders of the Lost Ark (1981) · second unit director
- Indiana Jones and the Last Crusade (1989) · second unit director
- Quest for Fire (1981) · producer
- Willow (1988) · second unit director
- Toy Soldiers (1991) · second unit director
- Never Say Never Again (1983) · second unit director
- Raise the Titanic (1980) · second unit director
- Kill a Dragon (1967) · director · free
- The King of Kings (1927) · actor · free
- Toy Soldiers (1991) · second unit director · free
- The Missouri Breaks (1976) · second unit director · free
- Wrongfully Accused (1998) · second unit director · free
- Sylvester (1985) · second unit director · free
- An Eye for an Eye (1966) · director · free
- The Return of a Man Called Horse (1976) · second unit director · free
- Raise the Titanic (1980) · second unit director · free
- Chaplin (1992) · second unit director
- The Tin Star (1957) · assistant director
- The Sons of Katie Elder (1965) · assistant director
- The Missouri Breaks (1976) · second unit director
- G.I. Blues (1960) · assistant director
- The Return of a Man Called Horse (1976) · second unit director
- Kill a Dragon (1967) · director
Subscription and free streaming for Michael D. Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
111 credits, 82 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Danger Rangers (not in the MovieCove catalog yet)(2005)

102 Dalmatians(2000)
Midcredits score: 13th percentile of all films
Wrongfully Accused(1998)
Midcredits score: 51st percentile of all films
101 Dalmatians(1996)
Midcredits score: 35th percentile of all films
Little Giants(1994)
Midcredits score: 62nd percentile of all films
The Three Musketeers(1993)
Midcredits score: 55th percentile of all films
Cool Runnings(1993)
Midcredits score: 83rd percentile of all films
Chaplin(1992)
Midcredits score: 90th percentile of all films
The Mighty Ducks(1992)
Midcredits score: 65th percentile of all films
Toy Soldiers(1991)
Midcredits score: 65th percentile of all films
Ghostbusters II(1989)
Midcredits score: 66th percentile of all films
Midcredits score: 99th percentile of all films
Funny Farm(1988)
Midcredits score: 49th percentile of all films
Willow(1988)
Midcredits score: 86th percentile of all films
Ishtar(1987)
Midcredits score: 22nd percentile of all films
Outrageous Fortune(1987)
Midcredits score: 49th percentile of all films
Amazing Stories(1985)
Midcredits score: 69th percentile of all shows
Midcredits score: 46th percentile of all films
Sylvester(1985)
Midcredits score: 50th percentile of all films
The Little Drummer Girl(1984)
Midcredits score: 45th percentile of all films
Midcredits score: 92nd percentile of all films
Never Say Never Again(1983)
Midcredits score: 43rd percentile of all films
Six Pack(1982)
Midcredits score: 53rd percentile of all films
Zorro: The Gay Blade(1981)
Midcredits score: 59th percentile of all films
Raiders of the Lost Ark(1981)
Midcredits score: 99th percentile of all films
Quest for Fire(1981)
Midcredits score: 88th percentile of all films
Raise the Titanic(1980)
Midcredits score: 22nd percentile of all films
The Electric Horseman(1979)
Midcredits score: 61st percentile of all films
Damnation Alley(1977)
Midcredits score: 20th percentile of all films
Airport '77(1977)
Midcredits score: 31st percentile of all films
Mister Deathman (not in the MovieCove catalog yet)(1977)
Midcredits score: 44th percentile of all films
The Missouri Breaks(1976)
Midcredits score: 64th percentile of all films
Midcredits score: 96th percentile of all films
Rooster Cogburn(1975)
Midcredits score: 72nd percentile of all films
The Yakuza(1974)
Midcredits score: 88th percentile of all films
Mame(1974)
Midcredits score: 46th percentile of all films
Badge 373(1973)
Midcredits score: 33rd percentile of all films
Emperor of the North(1973)
Midcredits score: 87th percentile of all films
Midcredits score: 46th percentile of all films
Portnoy's Complaint (not in the MovieCove catalog yet)(1972)

Sometimes a Great Notion(1971)
Midcredits score: 81st percentile of all films
Patton(1970)
Midcredits score: 97th percentile of all films
Midcredits score: 98th percentile of all films
How to Commit Marriage (not in the MovieCove catalog yet)(1969)

Buckskin(1968)
Midcredits score: 21st percentile of all films
Kill a Dragon(1967)
Midcredits score: 5th percentile of all films
Hondo (not in the MovieCove catalog yet)(1967)

The Fastest Guitar Alive(1967)
Midcredits score: 10th percentile of all films
An Eye for an Eye(1966)
Midcredits score: 48th percentile of all films
Paradise, Hawaiian Style(1966)
Midcredits score: 24th percentile of all films
The Sons of Katie Elder(1965)
Midcredits score: 86th percentile of all films
Roustabout(1964)
Midcredits score: 44th percentile of all films
The Carpetbaggers(1964)
Midcredits score: 57th percentile of all films
Fun in Acapulco(1963)
Midcredits score: 38th percentile of all films
A New Kind of Love(1963)
Midcredits score: 35th percentile of all films
Girls! Girls! Girls!(1962)
Midcredits score: 31st percentile of all films
Blue Hawaii(1961)
Midcredits score: 48th percentile of all films
Summer and Smoke(1961)
Midcredits score: 73rd percentile of all films
G.I. Blues(1960)
Midcredits score: 53rd percentile of all films
Visit to a Small Planet(1960)
Midcredits score: 36th percentile of all films
Don't Give Up the Ship(1959)
Midcredits score: 58th percentile of all films
The Trap(1959)
Midcredits score: 67th percentile of all films
Houseboat(1958)
Midcredits score: 67th percentile of all films
King Creole(1958)
Midcredits score: 81st percentile of all films
Hot Spell (not in the MovieCove catalog yet)(1958)

Wild Is the Wind(1957)
Midcredits score: 69th percentile of all films
The Tin Star(1957)
Midcredits score: 90th percentile of all films
Beau James (not in the MovieCove catalog yet)(1957)
Midcredits score: 84th percentile of all films
The Ten Commandments(1956)
Midcredits score: 97th percentile of all films
Pardners(1956)
Midcredits score: 53rd percentile of all films
The Seven Little Foys(1955)
Midcredits score: 68th percentile of all films
You're Never Too Young(1955)
Midcredits score: 65th percentile of all films
Hell's Island (not in the MovieCove catalog yet)(1955)

Living It Up(1954)
Midcredits score: 65th percentile of all films
Casanova's Big Night(1954)
Midcredits score: 66th percentile of all films
Money from Home(1953)
Midcredits score: 49th percentile of all films
The Caddy(1953)
Midcredits score: 58th percentile of all films
The War of the Worlds(1953)
Midcredits score: 81st percentile of all films
The Turning Point(1952)
Midcredits score: 73rd percentile of all films
When Worlds Collide(1951)
Midcredits score: 64th percentile of all films
The Furies(1950)
Midcredits score: 88th percentile of all films
Fancy Pants(1950)
Midcredits score: 58th percentile of all films
The Great Gatsby(1949)
Midcredits score: 58th percentile of all films
Streets of Laredo(1949)
Midcredits score: 66th percentile of all films
The Paleface(1948)
Midcredits score: 67th percentile of all films
California(1947)
Midcredits score: 51st percentile of all films
Cleopatra(1934)
Midcredits score: 70th percentile of all films
Good as Gold (not in the MovieCove catalog yet)(1927)

The King of Kings(1927)
Midcredits score: 81st percentile of all films
No Man's Gold (not in the MovieCove catalog yet)(1926)
The Test of Donald Norton (not in the MovieCove catalog yet)(1926)

The Man from Red Gulch (not in the MovieCove catalog yet)(1925)

Cytherea (not in the MovieCove catalog yet)(1924)
Mine to Keep (not in the MovieCove catalog yet)(1923)

Truxton King (not in the MovieCove catalog yet)(1923)

The Impossible Mrs. Bellew (not in the MovieCove catalog yet)(1922)

Manslaughter (not in the MovieCove catalog yet)(1922)

Exit the Vamp (not in the MovieCove catalog yet)(1921)

The Love Charm (not in the MovieCove catalog yet)(1921)

Shame (not in the MovieCove catalog yet)(1921)

The Mask (not in the MovieCove catalog yet)(1921)

The Lost Romance (not in the MovieCove catalog yet)(1921)

I Am Guilty (not in the MovieCove catalog yet)(1921)

All Souls' Eve (not in the MovieCove catalog yet)(1921)

Something to Think About (not in the MovieCove catalog yet)(1920)

The Price of Redemption (not in the MovieCove catalog yet)(1920)

Polly of the Storm Country (not in the MovieCove catalog yet)(1920)

Parted Curtains (not in the MovieCove catalog yet)(1920)

The Unpainted Woman (not in the MovieCove catalog yet)(1919)
Career shape
A full career of 110 titles from 1919 to 2005.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Michael D. Moore's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 81; across their 7 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up21
- 50th to 74th34
- 25th to 49th19
- Below 25th8
Shape of the crowd
49 of their 82 titles are Crowd Pleasers.
- Universally Loved8
- Cult Classic1
- Crowd Pleaser49
- Broadly Agreed9
- Mixed15
Reviewers score the atmosphere 59/100 and the pacing 39/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Michael D. Moore work with?
People who share at least 2 of Michael D. Moore's MovieCove titles; W. Wallace Kelley shares the most, 3.
- W. Wallace KelleyShared titles: Buckskin (1968), The Fastest Guitar Alive (1967), Paradise, Hawaiian Style (1966)See all 3 shared titles with W. Wallace Kelley


