Skip to content
MovieCove

Patrick Moore

Editor

Works as
Editor
Titles
12 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 2% in 30 days

What are Patrick Moore's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy3 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 43rd percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
38%
Self
33%
Survival
12%
Morality
9%
Ideas
9%
Ambition4 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 2 · Dark 0

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 3 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Contemplative
2
Bittersweet
1
Romantic
1
Other
7

How their films linger

Thought-provoking3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Patrick Moore's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Also on these channels

Subscription and free streaming for Patrick Moore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 12 with a MovieCove page.

  • A for Andromeda(2006)

    Editor

    Midcredits score: 23rd percentile of all films

  • The Number One Girl(2006)

    Editor

    Midcredits score: 1st percentile of all films

  • The Rotters' Club (not in the MovieCove catalog yet)(2005)

    Show 1 episode · Editor

  • The Planman (not in the MovieCove catalog yet)(2003)

    Editor

  • MI-5(2002)

    Show 2 episodes · Editor

    Midcredits score: 94th percentile of all shows

  • Women Talking Dirty(1999)

    Editor

    Midcredits score: 48th percentile of all films

  • Goodbye Charlie Bright (not in the MovieCove catalog yet)(2001)

    Editor

  • Human Traffic(1999)

    Editor

    Midcredits score: 83rd percentile of all films

  • G:MT Greenwich Mean Time(1999)

    Editor

    Midcredits score: 62nd percentile of all films

  • Loop (not in the MovieCove catalog yet)(1997)

    Editor

  • Canvas (not in the MovieCove catalog yet)(1992)

    Editor

  • Deadsy (not in the MovieCove catalog yet)(1990)

    Editor

  • Lady Jane(1986)

    Music Editor

    Midcredits score: 82nd percentile of all films

  • Oxford Blues(1984)

    Editor

    Midcredits score: 17th percentile of all films

  • Greystoke: The Legend of Tarzan, Lord of the Apes(1984)

    Assistant Editor

    Midcredits score: 56th percentile of all films

  • The Elephant Man(1980)

    Assistant Editor

    Midcredits score: 99th percentile of all films

  • Hustle(1975)

    Music Editor

    Midcredits score: 51st percentile of all films

  • Jory(1973)

    Music Editor

    Midcredits score: 30th percentile of all films

Career shape

A full career of 16 titles from 1973 to 2006.

Biggest box office

Oxford Blues (1984)

$8.8M worldwide

Highest rated

Human Traffic (1999)

Midcredits 83rd

By role

only this rolewith another role
Editing11 of 16: 11 only editing, 0 with another role · typical Midcredits score48thOther crew5 of 16: 5 only other crew, 0 with another role · typical Midcredits score56th

By decade

1970s2 · crew1980s4 · crew1990s4 · crew2000s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Patrick Moore's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 11; across their 6 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 6

Approval · how many liked their films

34thpercentile
Typical film, the median of 6

Reach · how many have seen their films

50thpercentile
Typical film, the median of 6

Midcredits score across 12 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

4 of their 12 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed4

Most divisive · editor

The Number One Girl (2006)

66th percentile spread · 86% rated it 4 or lower

Most loved · editor

MI-5 (2002)

Midcredits 94th · 90% liked

Reviewers score the pacing 41/100 in their films, across 6 reviewed titles; fans 60, detractors 26. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Patrick Moore work with?

People who share at least 2 of Patrick Moore's MovieCove titles; John Strickland shares the most, 2.