Eddie Moran
- Writer
- 8 on MovieCove
What are Eddie Moran's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 7
Light 8 · Serious 0 · Dark 0
Grounded 2 · Stylized 6 · Heightened 0
Gentle 3 · Charged 4 · Intense 1
Steady 6 · Shifting 2 · Whiplash 0
Straight-faced 0 · Some laughs 1 · Funny 7
Slow burn 1 · Even-paced 6 · Relentless 1
Casual 8 · Engaged 0 · Full focus 0
Easy watch 8 · Affecting 0 · Heavy 0
Resolved 8 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy8
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eddie Moran's films?
As of October 24, 2026, 4 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Eddie Moran's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 8 with a MovieCove page.

Hold That Blonde!(1945)
Midcredits score: 42nd percentile of all films
Whistling in the Dark(1941)
Midcredits score: 69th percentile of all films
Broadway Melody of 1940(1940)
Midcredits score: 86th percentile of all films
Merrily We Live(1938)
Midcredits score: 87th percentile of all films
The Cowboy and the Lady(1938)
Midcredits score: 65th percentile of all films
There Goes My Heart(1938)
Midcredits score: 66th percentile of all films
Topper Takes a Trip(1938)
Midcredits score: 62nd percentile of all films
Topper(1937)
Midcredits score: 83rd percentile of all films
Career shape
Across their 8 MovieCove titles from 1937 to 1945.
How do Eddie Moran's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up3
- 50th to 74th4
- 25th to 49th1
Shape of the crowd
None of their 8 titles divides audiences: 7 are Crowd Pleasers.
- Crowd Pleaser7
- Broadly Agreed1
Reviewers score the dialogue 61/100 and the plot and story 41/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eddie Moran work with?
People who share at least 2 of Eddie Moran's MovieCove titles, grouped by what they did on them; Norman Z. McLeod shares the most, 4.
Directors
- Norman Z. McLeodShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Norman Z. McLeod

Writers
- Jack JevneShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Jack Jevne
- Walter DeLeonShared titles: Hold That Blonde! (1945), Broadway Melody of 1940 (1940)See all 2 shared titles with Walter DeLeon
- Albert MannheimerShared titles: Whistling in the Dark (1941), Broadway Melody of 1940 (1940)See all 2 shared titles with Albert Mannheimer
- Ed SullivanShared titles: Merrily We Live (1938), There Goes My Heart (1938)See all 2 shared titles with Ed Sullivan

Actors
- Alan MowbrayShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Alan Mowbray

- Billie BurkeShared titles: Merrily We Live (1938), Topper Takes a Trip (1938), Topper (1937)See all 3 shared titles with Billie Burke

- Constance BennettShared titles: Merrily We Live (1938), Topper Takes a Trip (1938), Topper (1937)See all 3 shared titles with Constance Bennett

- Patsy KellyShared titles: Merrily We Live (1938), The Cowboy and the Lady (1938), There Goes My Heart (1938)See all 3 shared titles with Patsy Kelly

Composers, cinematographers and editors
- Norbert BrodineShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Norbert Brodine

- William H. TerhuneShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with William H. Terhune
- Marvin HatleyShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper (1937)See all 3 shared titles with Marvin Hatley
- Edward B. PowellShared titles: There Goes My Heart (1938), Topper Takes a Trip (1938)See all 2 shared titles with Edward B. Powell
Producers
- Hal RoachShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Hal Roach

- Milton H. BrenShared titles: Merrily We Live (1938), There Goes My Heart (1938), Topper Takes a Trip (1938), Topper (1937)See all 4 shared titles with Milton H. Bren