
André Morell
Actor · Died November 28, 1978, aged 69 · Saint Pancras, London, England, UK
From Wikipedia, the free encyclopedia André Morell (20 August 1909 – 28 November 1978; sometimes credited as Andre Morell) was a British actor. He appeared frequently in theatre, film and on television from the 1930s to the 1970s. His best known screen roles were as Professor Bernard Quatermass in the BBC Television serial Quatermass and the Pit (1958–59), and as Doctor Watson in the Hammer Film Productions version of The Hound of the Baskervilles (1959). He also appeared in the Academy Award-winning films The Bridge on the River Kwai (1957) and Ben-Hur (1959), in several of Hammer's well-known horror films throughout the 1960s and in the acclaimed ITV historical drama The Caesars (1968). His obituary in The Times newspaper described him as possessing a "commanding presence with a rich, responsive voice... whether in the classical or modern theatre he was authoritative and dependable." Description above from the Wikipedia article André Morell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- August 20, 1909
- November 28, 1978 (aged 69)
- Saint Pancras, London, England, UK
- Actor
- 39 on Motif · 97 credits in all
What are André Morell's films like?
Across their 27 Motif titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 27
Light 6 · Serious 11 · Dark 10
Grounded 11 · Stylized 13 · Heightened 3
Gentle 2 · Charged 14 · Intense 11
Steady 12 · Shifting 14 · Whiplash 1
Straight-faced 18 · Some laughs 8 · Funny 1
Slow burn 7 · Even-paced 17 · Relentless 3
Casual 9 · Engaged 17 · Full focus 1
A split, not a type: Easy watch 10 · Affecting 9 · Heavy 8
Resolved 20 · Open-ended 4 · Ambiguous 3
Roles they play
Usually the Mentor: 8 of 15 analyzed roles.
Show the 15 rolesHide the roles
- Mentoras Defending Counsel in Madeleine (1950)
- Heroas Superintendent Folland in Seven Days to Noon (1950)
- Mentoras Alfred Tetins in His Majesty O'Keefe (1954)
- Mentoras Sir Ontzlake in The Black Knight (1954)
- Shadowas Robert Pitt in They Can't Hang Me (1955)
- Mentoras Sheik Salem ben Yussef in The Black Tent (1956)
- Heroas Lambert in The Camp on Blood Island (1958)
- Mentoras Dr. Watson in The Hound of the Baskervilles (1959)
- Mentoras Prof. James Bickford in The Giant Behemoth (1959)
- Shadowas Colonel Gore Hepburn in Cash on Demand (1961)
- Heraldas Haumeid in She (1965)
- Heroas Sir James Forbes in The Plague of the Zombies (1966)
- Mentoras Sir Basil Walden in The Mummy's Shroud (1967)
- Threshold guardianas Kassim in The Vengeance of She (1968)
- Mentoras Abu-Talib in The Message (1976)
Moods and endings
- Happy12
- Bittersweet11
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch André Morell's films?
As of October 24, 2026, 17 of their 39 Motif titles stream on a subscription or free service, most on Tubi (8).
- Ben-Hur (1959) · actor · free
- The Slipper and the Rose: The Story of Cinderella (1976) · actor · free
- The Hound of the Baskervilles (1959) · actor · free
- The Great Train Robbery (1978) · actor · free
- Madeleine (1950) · actor · free
- Dark of the Sun (1968) · actor · free
- One Step Beyond (1959) · actor · free
- Julius Caesar (1970) · actor · free
Subscription and free streaming for André Morell's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
97 credits, 39 with a Motif page; 2 appearances as themselves are hidden until asked for.


The Great Train Robbery(1978)
Midcredits score: 78th percentile of all films
The Lord of the Rings(1978)
Midcredits score: 54th percentile of all films
Will Shakespeare (not in the Motif catalog yet)(1978)
The Last Romantic (not in the Motif catalog yet)(1978)

The Professionals (not in the Motif catalog yet)(1977)
The Velvet Glove (not in the Motif catalog yet)(1977)
Midcredits score: 80th percentile of all films
The Message(1976)
Midcredits score: 97th percentile of all films
Barry Lyndon(1975)
Midcredits score: 98th percentile of all films
Edward the King(1975)
Midcredits score: 86th percentile of all shows
Armchair Cinema (not in the Motif catalog yet)(1974)

The Prison (not in the Motif catalog yet)(1974)

The Adventurer (not in the Motif catalog yet)(1972)

Pope Joan (not in the Motif catalog yet)(1972)
The Man and the Snake (not in the Motif catalog yet)(1972)

10 Rillington Place(1971)
Midcredits score: 94th percentile of all films
Hell's Angel (not in the Motif catalog yet)(1971)

Play for Today (not in the Motif catalog yet)(1970)
Big Brother (not in the Motif catalog yet)(1970)

Julius Caesar(1970)
Midcredits score: 39th percentile of all filmsW. Somerset Maugham (not in the Motif catalog yet)(1969)

The Caesars (not in the Motif catalog yet)(1968)

The Expert (not in the Motif catalog yet)(1968)

The Vengeance of She(1968)
Midcredits score: 9th percentile of all films
Dark of the Sun(1968)
Midcredits score: 76th percentile of all films
ITV Playhouse (not in the Motif catalog yet)(1967)

The Mummy's Shroud(1967)
Midcredits score: 22nd percentile of all films
The Wrong Box(1966)
Midcredits score: 69th percentile of all films
Doctor Who: The Massacre of St Bartholomew's Eve (not in the Motif catalog yet)(1966)

Judith (not in the Motif catalog yet)(1966)
Midcredits score: 65th percentile of all films
The Siege of Manchester (not in the Motif catalog yet)(1965)

BBC Play of the Month (not in the Motif catalog yet)(1965)

She(1965)
Midcredits score: 31st percentile of all films
Public Eye (not in the Motif catalog yet)(1965)

The Moon-Spinners(1964)
Midcredits score: 61st percentile of all films
Theatre 625 (not in the Motif catalog yet)(1964)

Woman of Straw(1964)
Midcredits score: 66th percentile of all filmsFestival (not in the Motif catalog yet)(1963)

The Human Jungle (not in the Motif catalog yet)(1963)

The Saint (not in the Motif catalog yet)(1962)

Cash on Demand(1961)
Midcredits score: 94th percentile of all films
The Shadow of the Cat(1961)
Midcredits score: 54th percentile of all films
The Avengers (not in the Motif catalog yet)(1961)

Danger Man(1960)
Midcredits score: 83rd percentile of all showsTheatre '70 (not in the Motif catalog yet)(1960)

The Trial of Oscar Wilde (not in the Motif catalog yet)(1960)

On Trial (not in the Motif catalog yet)(1960)

Cone of Silence (not in the Motif catalog yet)(1960)
International Detective (not in the Motif catalog yet)(1959)

Ben-Hur(1959)
Midcredits score: 98th percentile of all films
Midcredits score: 79th percentile of all films
The Giant Behemoth(1959)
Midcredits score: 27th percentile of all films
One Step Beyond(1959)
Midcredits score: 71st percentile of all shows
Quatermass and the Pit (not in the Motif catalog yet)(1958)

The Camp on Blood Island(1958)
Midcredits score: 63rd percentile of all films
Paris Holiday (not in the Motif catalog yet)(1958)

Diamond Safari (not in the Motif catalog yet)(1958)
Midcredits score: 99th percentile of all filmsOverseas Press Club - Exclusive! (not in the Motif catalog yet)(1957)

Pickup Alley(1957)
Midcredits score: 41st percentile of all films
Zarak(1956)
Midcredits score: 22nd percentile of all films
The Buccaneers (not in the Motif catalog yet)(1956)

Armchair Theatre (not in the Motif catalog yet)(1956)
Midcredits score: 22nd percentile of all films
The Black Tent(1956)
Midcredits score: 21st percentile of all films
The Man Who Never Was(1956)
Midcredits score: 92nd percentile of all films
They Can't Hang Me(1955)
Midcredits score: 23rd percentile of all films
Summertime(1955)
Midcredits score: 84th percentile of all films
The Secret (not in the Motif catalog yet)(1955)

Three Cases of Murder (not in the Motif catalog yet)(1955)

Nineteen Eighty-Four (not in the Motif catalog yet)(1954)
The Golden Link (not in the Motif catalog yet)(1954)

The Black Knight(1954)
Midcredits score: 24th percentile of all films
His Majesty O'Keefe(1954)
Midcredits score: 47th percentile of all filmsIt Is Midnight, Dr. Schweitzer (not in the Motif catalog yet)(1953)

Stolen Face (not in the Motif catalog yet)(1952)

Tall Headlines (not in the Motif catalog yet)(1952)

High Treason (not in the Motif catalog yet)(1951)

Flesh and Blood (not in the Motif catalog yet)(1951)

The Clouded Yellow (not in the Motif catalog yet)(1950)

Seven Days to Noon(1950)
Midcredits score: 78th percentile of all films
Trio (not in the Motif catalog yet)(1950)

So Long at the Fair(1950)
Midcredits score: 82nd percentile of all films
Stage Fright(1950)
Midcredits score: 79th percentile of all films
Madeleine(1950)
Midcredits score: 77th percentile of all films
No Place for Jennifer (not in the Motif catalog yet)(1950)

Sunday Night Theatre (not in the Motif catalog yet)(1950)

Wuthering Heights (not in the Motif catalog yet)(1948)
Health in Our Time (not in the Motif catalog yet)(1948)
The Queen's Husband (not in the Motif catalog yet)(1946)

Unpublished Story (not in the Motif catalog yet)(1942)

Three Silent Men (not in the Motif catalog yet)(1940)

Ten Days in Paris (not in the Motif catalog yet)(1940)
Cyrano de Bergerac (not in the Motif catalog yet)(1938)

Pride and Prejudice (not in the Motif catalog yet)(1938)
Career shape
Star power in the 98th percentile of 239,109 people with a billed film role, over a full career of 96 titles from 1938 to 1978; peak year 1967.

Biggest box office
The Bridge on the River Kwai (1957)

Highest rated
The Bridge on the River Kwai (1957)
Film career
Peak 1967 · back in prominent film roles after a quiet stretch. Top draw in 6 Motif titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1950Screen debut· Madeleine
- 1961First top-billed film· The Shadow of the Cat
- 1966Career best· The Plague of the Zombies
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do André Morell's films land?
Their typical Motif film has a Midcredits score in the 66th percentile, the median of the 35 of 36 with a score; across their 27 films with reception data, the typical film sits in the 58th percentile for acclaim.
- 75th and up18
- 50th to 74th8
- 25th to 49th5
- Below 25th7
Shape of the crowd
None of their 38 titles divides audiences: 19 are Crowd Pleasers.
- Universally Loved6
- Crowd Pleaser19
- Broadly Agreed10
- Mixed3
Reviewers score the acting 66/100 in their films, across 26 reviewed titles; fans 74, detractors 45. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is André Morell's work okay for kids?
Across up to 7 Motif titles with content scores, sex & nudity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does André Morell work with?
People who share at least 2 of André Morell's Motif titles, grouped by what they did on them; James Needs shares the most, 8.
Directors
- John GillingShared titles: The Mummy's Shroud (1967), The Plague of the Zombies (1966), The Shadow of the Cat (1961), Pickup Alley (1957)See all 4 shared titles with John Gilling

- Terence FisherShared titles: The Hound of the Baskervilles (1959), So Long at the Fair (1950)See all 2 shared titles with Terence Fisher

- Val GuestShared titles: The Camp on Blood Island (1958), They Can't Hang Me (1955)See all 2 shared titles with Val Guest

- David LeanShared titles: The Bridge on the River Kwai (1957), Madeleine (1950)See all 2 shared titles with David Lean

Writers
- Bryan ForbesShared titles: The Baby and the Battleship (1956), The Black Tent (1956), The Black Knight (1954)See all 3 shared titles with Bryan Forbes

- H. Rider HaggardShared titles: The Vengeance of She (1968), She (1965)See all 2 shared titles with H. Rider Haggard
- Peter BryanShared titles: The Plague of the Zombies (1966), The Hound of the Baskervilles (1959)See all 2 shared titles with Peter Bryan
- David T. ChantlerShared titles: She (1965), Cash on Demand (1961)See all 2 shared titles with David T. Chantler
Actors
- Peter CushingShared titles: Sherlock Holmes: The True Story (2003), She (1965), Cash on Demand (1961), The Hound of the Baskervilles (1959), The Black Knight (1954)See all 5 shared titles with Peter Cushing

- John Le MesurierShared titles: The Moon-Spinners (1964), The Hound of the Baskervilles (1959), The Baby and the Battleship (1956)See all 3 shared titles with John Le Mesurier

- Irene PapasShared titles: The Message (1976), The Moon-Spinners (1964)See all 2 shared titles with Irene Papas

- Johnny SekkaShared titles: The Message (1976), Woman of Straw (1964)See all 2 shared titles with Johnny Sekka

Composers, cinematographers and editors
- James NeedsShared titles: The Vengeance of She (1968), The Mummy's Shroud (1967), The Plague of the Zombies (1966), She (1965), Cash on Demand (1961), The Shadow of the Cat (1961), The Hound of the Baskervilles (1959), The Camp on Blood Island (1958)See all 8 shared titles with James Needs
- Arthur GrantShared titles: The Mummy's Shroud (1967), The Plague of the Zombies (1966), Cash on Demand (1961), The Shadow of the Cat (1961)See all 4 shared titles with Arthur Grant
- James BernardShared titles: The Plague of the Zombies (1966), She (1965), The Hound of the Baskervilles (1959), Seven Days to Noon (1950)See all 4 shared titles with James Bernard

- William AlwynShared titles: The Black Tent (1956), Zarak (1956), Madeleine (1950)See all 3 shared titles with William Alwyn

Producers
- Anthony Nelson KeysShared titles: The Mummy's Shroud (1967), The Plague of the Zombies (1966), Cash on Demand (1961), The Hound of the Baskervilles (1959), The Camp on Blood Island (1958)See all 5 shared titles with Anthony Nelson Keys

- Michael CarrerasShared titles: She (1965), Cash on Demand (1961), The Hound of the Baskervilles (1959), The Camp on Blood Island (1958)See all 4 shared titles with Michael Carreras

- Albert R. BroccoliShared titles: Pickup Alley (1957), Zarak (1956), The Black Knight (1954)See all 3 shared titles with Albert R. Broccoli

- Irving AllenShared titles: Pickup Alley (1957), Zarak (1956), The Black Knight (1954)See all 3 shared titles with Irving Allen

Mixed roles
- Antony DarnboroughShared titles: The Baby and the Battleship (1956), So Long at the Fair (1950)See all 2 shared titles with Antony Darnborough


