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Simon Moseley

Simon Moseley

Producer · Born October 25, 1955 (71) · Paddington, London, England, UK

As a producer on the highly regarded and multi-award winning Left Bank-BBC TV series 'Wallander' as well as on features such as 'Sleuth', 'As You Like It' and 'The Magic Flute', Simon's route into producing has come after close to fifty stints as 1st (and previously 2nd) AD on an enormous variety of features and television drama. From 'Last Orders' to 'Love's Labours Lost' and 'Still Crazy' to 'In The Name Of The Father', his experience covers over twenty-five years of continuous employment, and with the widest possible selection of directors and producers.

Read more

Biography from IMDb.

Born
October 25, 1955 (71)
From
Paddington, London, England, UK
Works as
Producer
Titles
32 on Motif · 37 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Down 29% in 30 days

What are Simon Moseley's films like?

Across their 18 Motif titles with a thematic analysis, their films lean Bonds and Self.

Genres

Drama5 titlesTypical Midcredits score: 45th percentile, at or above their average across these genres
: browse their Drama movies
Action2 titlesTypical Midcredits score: 10th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 62nd percentile, at or above their average across these genres
: browse their Biography movies
Crime2 titlesTypical Midcredits score: 44th percentile, at or above their average across these genres
: browse their Crime movies
Mystery2 titlesTypical Midcredits score: 23rd percentile
: browse their Mystery movies

Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
28%
Self
22%
Morality
18%
Survival
11%
Power
10%
Society
6%
Ideas
3%
Romantic love5 titles, browse their movies with this themePurpose3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeGuilt2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 3 · Serious 5 · Dark 6

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 7 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 6 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 7 · Shifting 7 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 9 · Some laughs 4 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 8 · Even-paced 5 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 8 · Full focus 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 4 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Melancholic
9
Contemplative
6
Romantic
4
Dread
4
Other
18

How their films linger

Bittersweet7 titles, browse their movies with this aftertasteHopeful6 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy2
  • Bittersweet11
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Simon Moseley's films?

As of October 24, 2026, 22 of their 32 Motif titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Simon Moseley's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 32 with a Motif page.

  • The Man in My Basement(2025)

    Line Producer

    Midcredits score: 9th percentile of all films

  • Culprits(2023)

    Show Producer

    Midcredits score: 39th percentile of all shows

  • Freud's Last Session(2023)

    Producer

    Midcredits score: 45th percentile of all films

  • King the Land(2023)

    Show Producer

    Midcredits score: 16th percentile of all shows

  • Daliland(2022)

    Co-Producer

    Midcredits score: 37th percentile of all films

  • The Lost Girls(2022)

    Producer

    Midcredits score: 1st percentile of all films

  • Travesuras de la Niña Mala(2022)

    Show Producer

    Midcredits score: 36th percentile of all shows

  • The Corrupted(2019)

    Producer

    Midcredits score: 32nd percentile of all films

  • Wild Bill(2019)

    Show Producer

    Midcredits score: 46th percentile of all shows

  • In Darkness(2018)

    Line Producer

    Midcredits score: 36th percentile of all films

  • All the Devil's Men(2018)

    Producer

    Midcredits score: 16th percentile of all films

  • Interlude in Prague(2017)

    Co-Producer

    Midcredits score: 54th percentile of all films

  • Gun Shy(2017)

    Producer

    Midcredits score: 4th percentile of all films

  • The Man Who Knew Infinity(2015)

    Line Producer

    Midcredits score: 87th percentile of all films

  • The Price of Desire (not in the Motif catalog yet)(2015)

    Assistant Director · Co-Producer

  • Blackwood(2014)

    Producer

    Midcredits score: 30th percentile of all films

  • Wallander(2008)

    Show 12 episodes · Producer

    Midcredits score: 85th percentile of all shows

  • Sleuth(2007)

    Producer

    Midcredits score: 55th percentile of all films

  • The Magic Flute(2006)

    Producer

    Midcredits score: 57th percentile of all films

  • As You Like It(2006)

    Producer

    Midcredits score: 43rd percentile of all films

  • Secret Passage (not in the Motif catalog yet)(2004)

    Assistant Director

  • Listening (not in the Motif catalog yet)(2003)

    Executive Producer

  • Blow Dry(2001)

    First Assistant Director

    Midcredits score: 49th percentile of all films

  • Mary Shelley's Frankenstein(1994)

    Second Assistant Director

    Midcredits score: 53rd percentile of all films

  • The Line, the Cross & the Curve (not in the Motif catalog yet)(1994)

    Second Assistant Director

  • In the Name of the Father(1993)

    Assistant Director

    Midcredits score: 99th percentile of all films

  • The Remains of the Day(1993)

    Assistant Director

    Midcredits score: 97th percentile of all films

  • Orlando(1992)

    Second Assistant Director

    Midcredits score: 86th percentile of all films

  • Life Is Sweet(1990)

    Second Assistant Director

    Midcredits score: 92nd percentile of all films

  • The Krays(1990)

    Second Assistant Director

    Midcredits score: 67th percentile of all films

  • The Rachel Papers(1989)

    Third Assistant Director

    Midcredits score: 37th percentile of all films

  • Buster(1988)

    Third Assistant Director

    Midcredits score: 36th percentile of all films

  • Maurice(1987)

    Third Assistant Director

    Midcredits score: 95th percentile of all films

  • Prick Up Your Ears(1987)

    Floor Runner

    Midcredits score: 83rd percentile of all films

  • Caravaggio(1986)

    Second Assistant Director

    Midcredits score: 64th percentile of all films

  • A Room with a View(1986)

    Second Assistant Director

    Midcredits score: 89th percentile of all films

  • Traction (not in the Motif catalog yet)

    Producer

Career shape

A full career of 29 titles, 28 of them dated from 1986 to 2025.

Biggest box office

The Man Who Knew Infinity (2015)

$12M worldwide

Highest rated

The Man Who Knew Infinity (2015)

Midcredits 87th

Most popular right now

King the Land (2023)

By role

only this rolewith another role
Producing14 of 29: 13 only producing, 1 with another role · typical Midcredits score43rdOther crew16 of 29: 15 only other crew, 1 with another role · typical Midcredits score83rd

By decade

1980s6 · crew1990s7 · crew2000s7 · crew2010s6 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Simon Moseley's films land?

Their typical Motif film has a Midcredits score in the 53rd percentile, the median of all 27; across their 14 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 14

Approval · how many liked their films

34thpercentile
Typical film, the median of 14

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 14

Midcredits score across 32 titles, by percentile

  • 75th and up9
  • 50th to 74th6
  • 25th to 49th12
  • Below 25th5

Shape of the crowd

13 of their 32 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser13
  • Broadly Agreed3
  • Mixed10

Most divisive · producer

Travesuras de la Niña Mala (2022)

83rd percentile spread · 22% rated it 4 or lower

Most loved · producer

The Man Who Knew Infinity (2015)

Midcredits 87th · 80% liked

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Simon Moseley's work okay for kids?

Across up to 9 Motif titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles12–71 · median 43 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity9 titles2–63 · median 23 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles11–79 · median 54 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 31 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 32 · mildMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Simon Moseley work with?

People who share at least 2 of Simon Moseley's Motif titles, grouped by what they did on them; Hannah Leader shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles