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Charles Mulvehill

Producer

Works as
Producer
Titles
27 on MovieCove · 28 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Charles Mulvehill's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy9 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Comedy movies
Crime5 titlesTypical Midcredits score: 59th percentile
: browse their Crime movies
Action3 titlesTypical Midcredits score: 48th percentile
: browse their Action movies
Biography3 titlesTypical Midcredits score: 85th percentile, at or above their average across these genres
: browse their Biography movies
Drama2 titlesTypical Midcredits score: 38th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
27%
Self
27%
Morality
18%
Society
10%
Survival
10%
Power
5%
Ideas
3%
Purpose7 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeRomantic love5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 7 · Dark 10

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 18 · Stylized 3 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 8 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 12 · Shifting 9 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 13 · Some laughs 9 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 13 · Even-paced 10 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 10 · Full focus 4

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 7 · Heavy 12

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 15 · Open-ended 7 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
11
Hopeful
7
Dread
5
Warm
5
Other
25

How their films linger

Bittersweet13 titles, browse their movies with this aftertasteThought-provoking7 titles, browse their movies with this aftertasteHopeful7 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy3
  • Bittersweet15
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Mulvehill's films?

As of October 24, 2026, 20 of their 27 MovieCove titles stream on a subscription or free service, most on Tubi (10).

Also on these channels

Subscription and free streaming for Charles Mulvehill's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 27 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • The Last Samurai(2003)

    Executive Producer · Unit Production Manager

    Midcredits score: 96th percentile of all films

  • Proof of Life(2000)

    Producer

    Midcredits score: 48th percentile of all films

  • Mickey Blue Eyes(1999)

    Producer

    Midcredits score: 35th percentile of all films

  • Red Corner(1997)

    Producer

    Midcredits score: 54th percentile of all films

  • City Hall(1996)

    Producer

    Midcredits score: 46th percentile of all films

  • Dolores Claiborne(1995)

    Producer

    Midcredits score: 92nd percentile of all films

  • Only You(1994)

    Producer

    Midcredits score: 68th percentile of all films

  • Malice(1993)

    Producer

    Midcredits score: 59th percentile of all films

  • Dracula(1992)

    Producer

    Midcredits score: 89th percentile of all films

  • Frankie and Johnny(1991)

    Executive Producer

    Midcredits score: 76th percentile of all films

  • The Godfather Part III(1990)

    Co-Producer

    Midcredits score: 91st percentile of all films

  • In Country(1989)

    Executive Producer

    Midcredits score: 36th percentile of all films

  • The Milagro Beanfield War(1988)

    Co-Producer

    Midcredits score: 75th percentile of all films

  • 8 Million Ways to Die(1986)

    Co-Producer · Unit Production Manager

    Midcredits score: 30th percentile of all films

  • Sweet Dreams(1985)

    Co-Producer · Unit Production Manager

    Midcredits score: 80th percentile of all films

  • Creator(1985)

    Associate Producer

    Midcredits score: 50th percentile of all films

  • Swing Shift(1984)

    Associate Producer · Unit Production Manager

    Midcredits score: 39th percentile of all films

  • Frances(1982)

    Associate Producer · Unit Production Manager

    Midcredits score: 85th percentile of all films

  • Second-Hand Hearts(1980)

    Associate Producer · Production Manager

    Midcredits score: 13th percentile of all films

  • The Postman Always Rings Twice(1981)

    Producer

    Midcredits score: 65th percentile of all films

  • Being There(1979)

    Associate Producer · Producer

    Midcredits score: 97th percentile of all films

  • Coming Home(1978)

    Production Manager

    Midcredits score: 87th percentile of all films

  • Bound for Glory(1976)

    Associate Producer · Production Manager

    Midcredits score: 86th percentile of all films

  • The Passenger(1975)

    as David Robertson (uncredited)

    Midcredits score: 92nd percentile of all films

  • Runaway on the Rogue River (not in the MovieCove catalog yet)(1974)

    Production Supervisor

  • The Last Detail(1973)

    Associate Producer

    Midcredits score: 94th percentile of all films

  • Harold and Maude(1971)

    Producer

    Midcredits score: 97th percentile of all films

  • How to Succeed in Business Without Really Trying(1967)

    Production Assistant

    Midcredits score: 86th percentile of all films

Career shape

A full career of 28 titles from 1967 to 2003.

Biggest box office

The Last Samurai (2003)

$455M worldwide

Highest rated

Being There (1979)

Midcredits 97th

Most popular right now

The Last Samurai (2003)

Film career

  • 1975Screen debut· The Passenger

By role

only this rolewith another role
Acting1 of 28: 1 only acting, 0 with another roleProducing24 of 28: 17 only producing, 7 with another role · typical Midcredits score72ndOther crew10 of 28: 3 only other crew, 7 with another role · typical Midcredits score85th

28 titles, 7 with more than one role — producing and other crew overlap on 7 of them.

By decade

1960s1 · crew1970s7 · 1 acting · 6 crew1980s9 · crew1990s9 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Charles Mulvehill's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 27; across their 23 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 23

Approval · how many liked their films

62ndpercentile
Typical film, the median of 23

Reach · how many have seen their films

91stpercentile
Typical film, the median of 23

Midcredits score across 27 titles, by percentile

  • 75th and up15
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

12 of their 27 titles are Crowd Pleasers.

  • Universally Loved7
  • Crowd Pleaser12
  • Broadly Agreed6
  • Mixed2

Most divisive · producer

Second-Hand Hearts (1980)

75th percentile spread · 48% rated it 4 or lower

Most loved · producer

Being There (1979)

Midcredits 97th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles Mulvehill's work okay for kids?

Across up to 15 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore13 titles15–83 · median 50 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity15 titles27–67 · median 52 · moderateheavier than most filmsMedian of all films: 32
Profanity12 titles35–86 · median 49 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles28–80 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles19–67 · median 50 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Charles Mulvehill work with?

People who share at least 2 of Charles Mulvehill's MovieCove titles, grouped by what they did on them; Hal Ashby shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles