- Writer, also producer
- 7 on Motif · 11 credits in all
What are Cindy Myers' films like?
Across their 7 Motif titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 6 · Stylized 0 · Heightened 0
A split, not a type: Gentle 3 · Charged 2 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Cindy Myers' films?
As of October 24, 2026, 4 of their 7 Motif titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Cindy Myers' titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
11 credits, 7 with a Motif page.
All Roads Lead to Rome(2015)
Midcredits score: 11th percentile of all films
The One That Got Away(2008)
Midcredits score: 18th percentile of all films
Livin' for Love: The Natalie Cole Story (not in the Motif catalog yet)(2000)
The Third Twin (not in the Motif catalog yet)(1997)
Whose Daughter is She? (not in the Motif catalog yet)(1995)
Midcredits score: 46th percentile of all shows
Someone Else's Child(1994)
Midcredits score: 45th percentile of all films
Incident in a Small Town(1994)
Midcredits score: 60th percentile of all films
When No One Would Listen(1992)
Midcredits score: 63rd percentile of all films
Bed & Breakfast (not in the Motif catalog yet)(1991)
Midcredits score: 26th percentile of all films (provisional, few ratings)
Career shape
A full career of 11 titles from 1990 to 2016.
Biggest box office
All Roads Lead to Rome (2015)
Highest rated
All Roads Lead to Rome (2015)
Most popular right now
A Woman of Independent Means (1995)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Cindy Myers' films land?
Their typical Motif film has a Midcredits score in the 36th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 50th to 74th2
- 25th to 49th3
- Below 25th2
Shape of the crowd
5 of their 7 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Mixed5
Reviewers score the dialogue 42/100 and the plot and story 37/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Cindy Myers work with?
People who share at least 2 of Cindy Myers' Motif titles, grouped by what they did on them; Robert Greenwald shares the most, 2.
Directors
- Robert GreenwaldShared titles: A Woman of Independent Means (1995), Forgotten Prisoners: The Amnesty Files (1990)See all 2 shared titles with Robert Greenwald
Cinematographers
- Steven ShawShared titles: A Woman of Independent Means (1995), Forgotten Prisoners: The Amnesty Files (1990)See all 2 shared titles with Steven Shaw
Producers
- Philip K. KleinbartShared titles: A Woman of Independent Means (1995), Forgotten Prisoners: The Amnesty Files (1990)See all 2 shared titles with Philip K. Kleinbart