
Ikuko Môri
Actor · Born April 25, 1933 (93) · Sukumo, Kochi Prefecture, Japan
Ikuko Môri was born on 25 April 1933 in Kochi, Japan. She is an actress, known for The Tale of Zatoichi (1962), Tateshi Danpei (1962) and Zatoichi Challenged (1967).
Biography from IMDb.
- April 25, 1933 (93)
- Sukumo, Kochi Prefecture, Japan
- Actor
- 11 on Motif · 71 credits in all
Known for
What are Ikuko Môri's films like?
Across their 5 Motif titles with a thematic analysis, their films lean Morality and Society.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 4 · Dark 0
Grounded 1 · Stylized 3 · Heightened 1
Gentle 0 · Charged 5 · Intense 0
Steady 1 · Shifting 4 · Whiplash 0
Straight-faced 0 · Some laughs 5 · Funny 0
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Roles they play
- Heraldas Mieko in The Invisible Man vs. The Human Fly (1957)
Moods and endings
- Happy3
- Bittersweet2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ikuko Môri's films?
As of October 24, 2026, 9 of their 11 Motif titles stream on a subscription or free service, most on The Criterion Channel (6).
Subscription and free streaming for Ikuko Môri's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
71 credits, 11 with a Motif page.

Haunted Castle (not in the Motif catalog yet)(1969)

Prison Break (not in the Motif catalog yet)(1969)

The Curse of the Ghost (not in the Motif catalog yet)(1969)

Lefty Fencer (not in the Motif catalog yet)(1969)

Broken Swords (not in the Motif catalog yet)(1969)

The Great Yokai War(1968)
Midcredits score: 64th percentile of all films
Hoodlum Soldier: Looting and Pillaging (not in the Motif catalog yet)(1968)

Kanto Woman Yakuza (not in the Motif catalog yet)(1968)

The Two Bodyguards (not in the Motif catalog yet)(1968)

The Bride from Hades(1968)
Midcredits score: 83rd percentile of all films
Midcredits score: 61st percentile of all films
Zatoichi Challenged(1967)
Midcredits score: 90th percentile of all films
Zatoichi the Outlaw(1967)
Midcredits score: 81st percentile of all films
Sleepy Eyes of Death 9: Trail of Traps (not in the Motif catalog yet)(1967)

Tokyo Gambler (not in the Motif catalog yet)(1967)

Drunken Harbor (not in the Motif catalog yet)(1966)

Assignment Cloud (not in the Motif catalog yet)(1966)

The Betrayal (not in the Motif catalog yet)(1966)

Dianas of the Campus (not in the Motif catalog yet)(1966)

The Informer (not in the Motif catalog yet)(1965)

Hoodlum Soldier and the C.O. (not in the Motif catalog yet)(1965)

Rampaging Dog (not in the Motif catalog yet)(1965)

Bad Reputation: The Two Notorious Men Strike Again (not in the Motif catalog yet)(1965)

Adventures of Zatoichi(1964)
Midcredits score: 82nd percentile of all films
Showdown at Night's End (not in the Motif catalog yet)(1964)

Fight, Zatoichi, Fight(1964)
Midcredits score: 91st percentile of all films
Sleepy Eyes of Death 4: Sword of Seduction (not in the Motif catalog yet)(1964)
Midcredits score: 86th percentile of all films
Suruga Yūkyōden: Gambling Hall Robbery (not in the Motif catalog yet)(1964)

Sleepy Eyes of Death 3: Full Circle Killing (not in the Motif catalog yet)(1964)

Homeless Dog (not in the Motif catalog yet)(1964)

Bad Reputation: The Notorious Harbor (not in the Motif catalog yet)(1963)

Rabble Tactics (not in the Motif catalog yet)(1963)

A Samurai Never Tells a Lie (not in the Motif catalog yet)(1963)

Bad Reputation: Imposter's Paradise (not in the Motif catalog yet)(1963)

Cut the Shadow (not in the Motif catalog yet)(1963)

Shinsengumi Chronicles (not in the Motif catalog yet)(1963)

The Lightning Sword (not in the Motif catalog yet)(1962)

Diary of a Mad Old Man(1962)
Midcredits score: 59th percentile of all films
The Fencing Master (not in the Motif catalog yet)(1962)

Long Swords of the Loyal Forty-Seven (not in the Motif catalog yet)(1962)

Destiny's Son (not in the Motif catalog yet)(1962)

The Tale of Zatoichi(1962)
Midcredits score: 96th percentile of all films
Third Generation's Loyalty Offering (not in the Motif catalog yet)(1962)

Keshin (not in the Motif catalog yet)(1962)

The Actress and the Three Rascals (not in the Motif catalog yet)(1962)

Oniisan to oneesan (not in the Motif catalog yet)(1961)

The Radiant Prince (not in the Motif catalog yet)(1961)

Iro no Michi Oshiemasu: Yume San'ya (not in the Motif catalog yet)(1961)

Song of Sado (not in the Motif catalog yet)(1961)

Tabiwa Oiroke (not in the Motif catalog yet)(1961)

Uta wa tōge o koete (not in the Motif catalog yet)(1961)

Vagabonds from Badgerville (not in the Motif catalog yet)(1961)

Anchin and Kiyohime (not in the Motif catalog yet)(1960)
Jirocho Fuji 2: The Chivalrous (not in the Motif catalog yet)(1960)

Bonchi (not in the Motif catalog yet)(1960)

Utamaro, Painter of the Woman (not in the Motif catalog yet)(1959)

The Lord Pretends (not in the Motif catalog yet)(1959)

Jirocho Fuji (not in the Motif catalog yet)(1959)

Ojo-kichiza (not in the Motif catalog yet)(1959)

The Woman and the Pirate (not in the Motif catalog yet)(1959)

Blue Snake Bath (not in the Motif catalog yet)(1959)

Hey, Nakamura-kun (not in the Motif catalog yet)(1958)

Obsessive Snake (not in the Motif catalog yet)(1958)

The Women Divers (not in the Motif catalog yet)(1958)

White Snake Woman (not in the Motif catalog yet)(1958)

Love River (not in the Motif catalog yet)(1958)

Mother (not in the Motif catalog yet)(1958)

Shinkon nanatsu no tanoshimi (not in the Motif catalog yet)(1958)

Chūzaisho nikki (not in the Motif catalog yet)(1957)
Midcredits score: 25th percentile of all films
Career shape
Star power in the 83rd percentile of 239,109 people with a billed film role, over a full career of 71 titles from 1957 to 1969; peak year 1963.

Highest rated
Zatoichi's Flashing Sword (1964)

Most popular right now
Yokai Monsters: 100 Monsters (1968)
Film career
Peak 1963 · steadily prominent in film for years. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1962Screen debut· The Tale of Zatoichi
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Ikuko Môri's films land?
Their typical Motif film has a Midcredits score in the 82nd percentile, the median of all 11; across their 5 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up7
- 50th to 74th3
- 25th to 49th1
Shape of the crowd
None of their 11 titles divides audiences: 9 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser9
- Broadly Agreed1
Reviewers score the acting 63/100 in their films, across 5 reviewed titles; fans 69, detractors 50. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ikuko Môri work with?
People who share at least 2 of Ikuko Môri's Motif titles, grouped by what they did on them; Masaichi Nagata shares the most, 3.
Directors
- Kimiyoshi YasudaShared titles: Yokai Monsters: 100 Monsters (1968), Adventures of Zatoichi (1964)See all 2 shared titles with Kimiyoshi Yasuda

Writers
- Tetsurô YoshidaShared titles: The Great Yokai War (1968), Yokai Monsters: 100 Monsters (1968)See all 2 shared titles with Tetsurô Yoshida
- Kan ShimozawaShared titles: Adventures of Zatoichi (1964), Zatoichi's Flashing Sword (1964)See all 2 shared titles with Kan Shimozawa

- Shôzaburô AsaiShared titles: Adventures of Zatoichi (1964), Zatoichi's Flashing Sword (1964)See all 2 shared titles with Shôzaburô Asai
Actors
- Gen KimuraShared titles: The Great Yokai War (1968), Adventures of Zatoichi (1964)See all 2 shared titles with Gen Kimura

- Miwa TakadaShared titles: Yokai Monsters: 100 Monsters (1968), Adventures of Zatoichi (1964)See all 2 shared titles with Miwa Takada

- Ryûtarô GomiShared titles: Yokai Monsters: 100 Monsters (1968), Zatoichi's Flashing Sword (1964)See all 2 shared titles with Ryûtarô Gomi

- Takashi KandaShared titles: The Great Yokai War (1968), Yokai Monsters: 100 Monsters (1968)See all 2 shared titles with Takashi Kanda

Composers and cinematographers
- Sei IkenoShared titles: The Great Yokai War (1968), Zatoichi's Flashing Sword (1964)See all 2 shared titles with Sei Ikeno

- Yasukazu TakemuraShared titles: Yokai Monsters: 100 Monsters (1968), Zatoichi's Flashing Sword (1964)See all 2 shared titles with Yasukazu Takemura
Producers
- Masaichi NagataShared titles: The Great Yokai War (1968), Yokai Monsters: 100 Monsters (1968), Zatoichi's Flashing Sword (1964)See all 3 shared titles with Masaichi Nagata


