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Diane Nabatoff

Diane Nabatoff

Producer

Diane Nabatoff founded Tiara Blu Films in 2000. She produced the critically acclaimed Take the Lead and Narc and served as executive producer on The Brass Teapot and Gray Matters. Her television credits include executive producing Knights of the South Bronx for A&E, Racing for Time for Lifetime, and the series After Hours with Daniel for Ovation. She also co-executive produced the pilots Baseball Wives for HBO and Scent of the Missing for TNT. Before launching Tiara Blu Films, Nabatoff was a producer at Interscope Communications, where her credits include Very Bad Things, The Proposition, Operation Dumbo Drop, Separate Lives, Holy Matrimony, and Body Language. Earlier in her career, she held senior roles as Senior Vice President of Production at Henry Winkler’s Fair Dinkum Productions and Vice President at Vestron Pictures, where she executive produced Hider in the House and Fear. She began her career at The Feldman-Meeker Co. as Vice President, contributing to The Golden Child, and served as associate producer on The Kindred and Kathryn Bigelow’s Near Dark. Nabatoff holds a B.A. and an M.B.A. from Harvard University and is a member of the Academy of Motion Picture Arts and Sciences and the Producers Guild of America.

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Biography from TMDB.

Works as
Producer
Titles
16 on MovieCove · 20 credits in all
TMDB popularity, last 38 days to Oct 27Down 40% in 30 days

What are Diane Nabatoff's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 4 · Dark 7

Grounded 11 · Stylized 5 · Heightened 0

A split, not a type: Gentle 5 · Charged 4 · Intense 7

Steady 8 · Shifting 8 · Whiplash 0

Straight-faced 9 · Some laughs 7 · Funny 0

Slow burn 5 · Even-paced 11 · Relentless 0

A split, not a type: Casual 9 · Engaged 4 · Full focus 3

A split, not a type: Easy watch 7 · Affecting 3 · Heavy 6

Resolved 13 · Open-ended 2 · Ambiguous 1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Diane Nabatoff's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Diane Nabatoff's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 16 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • 999: The Forgotten Girls(2025)

    Executive Producer

    Midcredits score: 92nd percentile of all films (provisional, few ratings)
  • Dancing in Jaffa(2013)

    Producer

    Midcredits score: 77th percentile of all films
  • The Brass Teapot(2012)

    Producer

    Midcredits score: 54th percentile of all films
  • Racing for Time (not in the MovieCove catalog yet)(2008)

    Executive Producer

  • Gray Matters(2006)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Take the Lead(2006)

    Producer

    Midcredits score: 69th percentile of all films
  • Midcredits score: 72nd percentile of all films
  • Narc(2002)

    Producer

    Midcredits score: 84th percentile of all films
  • Very Bad Things(1998)

    Producer

    Midcredits score: 52nd percentile of all films
  • The Proposition(1998)

    Producer

    Midcredits score: 53rd percentile of all films
  • Separate Lives(1995)

    Producer

    Midcredits score: 13th percentile of all films
  • Operation Dumbo Drop(1995)

    Producer

    Midcredits score: 17th percentile of all films
  • Body Language (not in the MovieCove catalog yet)(1995)

    Producer

  • Holy Matrimony(1994)

    Producer

    Midcredits score: 16th percentile of all films
  • Fear(1990)

    Executive Producer

    Midcredits score: 39th percentile of all films
  • Hider in the House(1989)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • Near Dark(1987)

    Associate Producer

    Midcredits score: 78th percentile of all films
  • The Kindred(1987)

    Associate Producer

    Midcredits score: 34th percentile of all films
  • Molina (not in the MovieCove catalog yet)

    Producer

  • Nice Eggs (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 17 titles, 15 of them dated from 1987 to 2024.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score40th

By decade

1980s3 · crew1990s7 · crew2000s4 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Diane Nabatoff's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 16

Approval · how many liked their films

53rdpercentile
Typical film, the median of 16

Reach · how many have seen their films

73rdpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Diane Nabatoff's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 84 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 38 · moderateMedian of all films: 32
Profanity3 titlesmedian 94 · severeMedian of all films: 36
Alcohol & Drugs3 titlesmedian 87 · severeMedian of all films: 33
Frightening / Intense3 titlesmedian 82 · severeMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Diane Nabatoff work with?

People who share at least 2 of Diane Nabatoff's MovieCove titles, grouped by what they did on them; Ray Liotta shares the most, 3.

Writers

Actors

Composers and cinematographers

Producers