Kazue Nagatsuka

What are Kazue Nagatsuka's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kazue Nagatsuka's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (3).

• The Criterion Channel3 titles, browse their movies on this service
  • Youth of the Beast (1963) · cinematographer
  • Branded to Kill (1967) · cinematographer
  • Story of a Prostitute (1965) · cinematographer

Subscription and free streaming for Kazue Nagatsuka's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Kagero-za(1981)

  Cinematographer

  Midcredits score: 77th percentile of all films77^th
• 

  Branded to Kill(1967)

  Cinematographer

  Midcredits score: 88th percentile of all films88^th
• 

  Story of a Prostitute(1965)

  Cinematographer

  Midcredits score: 86th percentile of all films86^th
• 

  Youth of the Beast(1963)

  Cinematographer

  Midcredits score: 90th percentile of all films90^th

Career shape

Across a limited sample of 4 MovieCove titles from 1963 to 1981.

Highest rated

Youth of the Beast (1963)

Midcredits 90^th

Most popular right now

Branded to Kill (1967)

How do Kazue Nagatsuka's films land?

Their typical MovieCove film has a Midcredits score in the 87^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 86^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 4 are Crowd Pleasers.

4

• Crowd Pleaser4

Most loved · cinematographer

Youth of the Beast (1963)

Midcredits 90^th · 79% liked

Reviewers score the cinematography 90/100 in their films, across 4 reviewed titles; fans 92, detractors 72. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kazue Nagatsuka work with?

People who share at least 2 of Kazue Nagatsuka's MovieCove titles, grouped by what they did on them; Seijun Suzuki shares the most, 4.