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Anna Rosa Napoli

Anna Rosa Napoli

Editor

Works as
Editor
Titles
8 on MovieCove · 56 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 10% in 30 days

What are Anna Rosa Napoli's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama2 titlesTypical Midcredits score: 30th percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 29th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
34%
Bonds
20%
Morality
19%
Survival
8%
Ideas
8%
Power
7%
Society
4%
Family bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 1 · Serious 2 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 2 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 2 · Charged 1 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 0 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 3 · Even-paced 4 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Tense
4
Contemplative
2
Dread
1
Warm
1
Other
3

How their films linger

Bittersweet5 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Rosa Napoli's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Anna Rosa Napoli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

56 credits, 8 with a MovieCove page.

  • Né con te né senza di te (not in the MovieCove catalog yet)(2012)

    Editor

  • Blood of the Losers (not in the MovieCove catalog yet)(2008)

    Editor

  • I Colpevoli (not in the MovieCove catalog yet)(2007)

    Editor

  • When Children Play in the Sky (not in the MovieCove catalog yet)(2006)

    Editor

  • The Goodbye Kiss (not in the MovieCove catalog yet)(2006)

    Editor

  • Operazione rosmarino (not in the MovieCove catalog yet)(2002)

    Editor

  • Uno bianca (not in the MovieCove catalog yet)(2001)

    Editor

  • White Uno (not in the MovieCove catalog yet)(2001)

    Show 2 episodes · Editor

  • Sleepless(2001)

    Editor

    Midcredits score: 51st percentile of all films

  • When a Man Loves a Woman (not in the MovieCove catalog yet)(2000)

    Editor

  • Scarlet Diva(2000)

    Editor

    Midcredits score: 21st percentile of all films

  • Mirka (not in the MovieCove catalog yet)(2000)

    Editor

  • Unruly(1999)

    Editor

    Midcredits score: 18th percentile of all films

  • The Phantom of the Opera(1998)

    Editor

    Midcredits score: 6th percentile of all films

  • Cronaca nera (not in the MovieCove catalog yet)(1998)

    Show 6 episodes · Editor

  • Kidnapping – Ein Vater schlägt zurück (not in the MovieCove catalog yet)(1998)

    Editor

  • Years of the Eagle (not in the MovieCove catalog yet)(1997)

    Editor

  • Cous Cous (not in the MovieCove catalog yet)(1996)

    Editor

  • Peggio di così si muore (not in the MovieCove catalog yet)(1995)

    Editor

  • Vrindavan Film Studios (not in the MovieCove catalog yet)(1995)

    Editor

  • Unknown Soldier (not in the MovieCove catalog yet)(1995)

    Editor

  • Lies to Live By: Babylon (not in the MovieCove catalog yet)(1994)

    Editor

  • Caccia alle mosche (not in the MovieCove catalog yet)(1993)

    Editor

  • Un Amore Rubato (not in the MovieCove catalog yet)(1993)

    Editor

  • Non più di uno (not in the MovieCove catalog yet)(1990)

    Editor

  • Saremo felici (not in the MovieCove catalog yet)(1989)

    Editor

  • Ballet(1989)

    Editor

    Midcredits score: 45th percentile of all films

  • Bangkok... One Way (not in the MovieCove catalog yet)(1989)

    Editor

  • Domino (not in the MovieCove catalog yet)(1988)

    Editor

  • Stesso sangue (not in the MovieCove catalog yet)(1988)

    Editor

  • High Frequency (not in the MovieCove catalog yet)(1988)

    Editor

  • 32 dicembre(1988)

    Editor

    Midcredits score: 82nd percentile of all films

  • Angela and Angela (not in the MovieCove catalog yet)(1988)

    Editor

  • Distant Lights (not in the MovieCove catalog yet)(1987)

    Editor

  • Tabloid Crime (not in the MovieCove catalog yet)(1987)

    Editor

  • Separati in casa (not in the MovieCove catalog yet)(1986)

    Editor

  • Little Flames (not in the MovieCove catalog yet)(1985)

    Editor

  • Il Mistero di Bellavista (not in the MovieCove catalog yet)(1985)

    Editor

  • Notti e nebbie (not in the MovieCove catalog yet)(1984)

    Editor

  • Thus Spoke Bellavista (not in the MovieCove catalog yet)(1984)

    Editor

  • FF.SS. cioè '...che mi hai portato a fare sopra a Posillipo se non mi vuoi più bene?' (not in the MovieCove catalog yet)(1983)

    Editor

  • Occhio nero, occhio biondo, occhio felino... (not in the MovieCove catalog yet)(1983)

    Editor

  • Il momento dell'avventura (not in the MovieCove catalog yet)(1983)

    Editor

  • Blow to the Heart (not in the MovieCove catalog yet)(1982)

    Editor

  • In the Pope's Eye (not in the MovieCove catalog yet)(1980)

    Assistant Editor

  • Vacation in Val Trebbia(1980)

    Editor

    Midcredits score: 39th percentile of all films (provisional, few ratings)

  • Con... fusione (not in the MovieCove catalog yet)(1980)

    Editor

  • A Leap in the Dark (not in the MovieCove catalog yet)(1980)

    Assistant Editor

  • Double Murder(1977)

    Assistant Editor

    Midcredits score: 20th percentile of all films

  • Lost Soul (not in the MovieCove catalog yet)(1977)

    Assistant Editor

  • The Career of a Chambermaid (not in the MovieCove catalog yet)(1976)

    Assistant Editor

  • L'ammazzatina (not in the MovieCove catalog yet)(1975)

    Assistant Editor

  • Jus primae noctis (not in the MovieCove catalog yet)(1972)

    Assistant Editor

  • H2S (not in the MovieCove catalog yet)(1969)

    Assistant Editor

  • Faustina (not in the MovieCove catalog yet)(1968)

    Editor

  • The Harem (not in the MovieCove catalog yet)(1967)

    Assistant Editor

Career shape

A full career of 55 titles from 1967 to 2012.

Biggest box office

Sleepless (2001)

$159K worldwide

Highest rated

32 dicembre (1988)

Midcredits 82nd

Most popular right now

The Phantom of the Opera (1998)

By role

only this rolewith another role
Editing46 of 55: 46 only editing, 0 with another role · typical Midcredits score42ndOther crew9 of 55: 9 only other crew, 0 with another role

By decade

1960s3 · crew1970s5 · crew1980s23 · crew1990s12 · crew2000s11 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Anna Rosa Napoli's films land?

Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 42nd percentile for acclaim.

Acclaim · how much people like their films

42ndpercentile
Typical film, the median of 7

Approval · how many liked their films

35thpercentile
Typical film, the median of 7

Reach · how many have seen their films

70thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th4

Shape of the crowd

6 of their 8 titles are Mixed.

  • Universally Panned1
  • Crowd Pleaser1
  • Mixed6

Most divisive · editor

Unruly (1999)

74th percentile spread · 37% rated it 4 or lower

Most loved · editor

32 dicembre (1988)

Midcredits 82nd · 73% liked

Reviewers score the pacing 35/100 in their films, across 4 reviewed titles; fans 46, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Anna Rosa Napoli's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 71 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Anna Rosa Napoli work with?

People who share at least 2 of Anna Rosa Napoli's MovieCove titles, grouped by what they did on them; Dario Argento shares the most, 3.

Directors

Writers

Actors

Cinematographers

Producers