
Patricia Neal
Actor · Died August 8, 2010, aged 84 · Packard, Kentucky, USA
Patricia Neal (born Patsy Louise Neal; January 20, 1926 – August 8, 2010) was an American actress of stage and screen. She was best known for her roles as World War II widow Helen Benson in The Day the Earth Stood Still (1951), wealthy matron Emily Eustace Failenson in Breakfast at Tiffany's (1961), and middle-aged housekeeper Alma Brown in Hud (1963), for which she won the Academy Award for Best Actress.
Read moreShow less
Biography from TMDB.
- January 20, 1926
- August 8, 2010 (aged 84)
- Packard, Kentucky, USA
- Actor
- 38 on Motif · 64 credits in all
What are Patricia Neal's films like?
Across their 32 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 30
A split, not a type: Light 4 · Serious 11 · Dark 16
Grounded 23 · Stylized 8 · Heightened 0
Gentle 7 · Charged 18 · Intense 6
Steady 20 · Shifting 11 · Whiplash 0
Straight-faced 24 · Some laughs 4 · Funny 3
Slow burn 19 · Even-paced 12 · Relentless 0
Casual 11 · Engaged 17 · Full focus 3
Easy watch 4 · Affecting 15 · Heavy 12
Resolved 23 · Open-ended 7 · Ambiguous 1
Roles they play
Usually the Hero: 6 of 22 analyzed roles.
Show the 22 rolesHide the roles
- Shapeshifteras Sister Margaret in The Hasty Heart (1949)
- Shadowas Margaret Jane Singleton in Bright Leaf (1950)
- Allyas Helen Benson in The Day the Earth Stood Still (1951)
- Shapeshifteras Mary Stuart in Operation Pacific (1951)
- Shadowas Ann Challon in Raton Pass (1951)
- Heraldas Ann Challon in Raton Pass (1951)
- Heroas Jean Bowen in Week-End with Father (1951)
- Heroas Susan North in The Venusian (1954)
- Heroas Marcia Jeffries in A Face in the Crowd (1957)
- Heraldas Alma Brown in Hud (1963)
- Heroas Allison Crawford in Psyche 59 (1964)
- Allyas Maggie Haynes in In Harm's Way (1965)
- Allyas Nettie Cleary in The Subject Was Roses (1968)
- Mentoras Olivia Walton in The Homecoming: A Christmas Story (1971)
- Heroas Maura Prince in The Night Digger (1971)
- Shapeshifteras Cara Perry in Happy Mother's Day, Love George (1973)
- Heroas Peg Gerlach in Things in Their Season (1974)
- Threshold guardianas Mrs. Gehrig in A Love Affair: The Eleanor and Lou Gehrig Story (1977)
- Mentoras Sister Carmelita in Shattered Vows (1984)
- Threshold guardianas Miss Trollope in Caroline? (1990)
- Heraldas Grandmother in Heidi (1993)
- Heraldas Jewel Mae 'Cookie' Orcutt in Cookie's Fortune (1999)
Moods and endings
- Happy7
- Bittersweet16
- Tragic4
- Ambiguous4
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Patricia Neal's films?
As of October 24, 2026, 11 of their 38 Motif titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Patricia Neal's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
64 credits, 38 with a Motif page; 16 appearances as themselves are hidden until asked for.

Flying By (not in the Motif catalog yet)(2009)

Ian Fleming: The Secret Road to Paradise (not in the Motif catalog yet)(2008)

Bright Leaves(2003)
Midcredits score: 84th percentile of all films
The Face: Jesus in Art(2001)
Midcredits score: 82nd percentile of all films (provisional, few ratings)
Cookie's Fortune(1999)
Midcredits score: 74th percentile of all films
Midcredits score: 83rd percentile of all films
Heidi(1993)
Midcredits score: 54th percentile of all shows
A Mother's Right: The Elizabeth Morgan Story (not in the Motif catalog yet)(1992)

Caroline?(1990)
Midcredits score: 77th percentile of all films
An Unremarkable Life (not in the Motif catalog yet)(1989)

Shattered Vows(1984)
Midcredits score: 43rd percentile of all films
Midcredits score: 87th percentile of all films
Murder, She Wrote(1984)
Midcredits score: 67th percentile of all shows
Glitter (not in the Motif catalog yet)(1984)

Ghost Story(1981)
Midcredits score: 51st percentile of all films
The Patricia Neal Story(1981)
Midcredits score: 62nd percentile of all films
Midcredits score: 86th percentile of all films
The Passage(1979)
Midcredits score: 37th percentile of all films
The Bastard (not in the Motif catalog yet)(1978)
Midcredits score: 75th percentile of all films
Widows' Nest (not in the Motif catalog yet)(1977)

Tail Gunner Joe (not in the Motif catalog yet)(1977)
Midcredits score: 56th percentile of all films (provisional, few ratings)
Eric (not in the Motif catalog yet)(1975)

B. Must Die (not in the Motif catalog yet)(1975)

Things in Their Season(1974)
Midcredits score: 72nd percentile of all films (provisional, few ratings)
Midcredits score: 81st percentile of all shows
Midcredits score: 25th percentile of all films
Baxter! (not in the Motif catalog yet)(1973)

Kung Fu(1972)
Midcredits score: 80th percentile of all shows
Ghost Story (not in the Motif catalog yet)(1972)
Midcredits score: 95th percentile of all films
The Night Digger(1971)
Midcredits score: 57th percentile of all films
The Subject Was Roses(1968)
Midcredits score: 80th percentile of all films
In Harm's Way(1965)
Midcredits score: 86th percentile of all films
Psyche 59(1964)
Midcredits score: 41st percentile of all films
Espionage (not in the Motif catalog yet)(1963)

Hud(1963)
Midcredits score: 96th percentile of all films
Zero One (not in the Motif catalog yet)(1962)

Breakfast at Tiffany's(1961)
Midcredits score: 95th percentile of all films
Ben Casey (not in the Motif catalog yet)(1961)

Special for Women (not in the Motif catalog yet)(1960)

Checkmate (not in the Motif catalog yet)(1960)

The Playroom (not in the Motif catalog yet)(1957)

A Face in the Crowd(1957)
Midcredits score: 98th percentile of all films
The Venusian(1954)
Midcredits score: 20th percentile of all filmsLa tua donna (not in the Motif catalog yet)(1954)

Something for the Birds (not in the Motif catalog yet)(1952)

Washington Story (not in the Motif catalog yet)(1952)

Diplomatic Courier (not in the Motif catalog yet)(1952)

Hallmark Hall of Fame (not in the Motif catalog yet)(1951)

Week-End with Father(1951)
Midcredits score: 37th percentile of all films
Midcredits score: 95th percentile of all films
Raton Pass(1951)
Midcredits score: 38th percentile of all films
Operation Pacific(1951)
Midcredits score: 68th percentile of all films
Three Secrets (not in the Motif catalog yet)(1950)

The Breaking Point(1950)
Midcredits score: 94th percentile of all films
Bright Leaf(1950)
Midcredits score: 67th percentile of all films
Your Show of Shows (not in the Motif catalog yet)(1950)

The Hasty Heart(1949)
Midcredits score: 85th percentile of all films
It's a Great Feeling(1949)
Midcredits score: 53rd percentile of all films
The Fountainhead(1949)
Midcredits score: 78th percentile of all films
John Loves Mary(1949)
Midcredits score: 44th percentile of all films
Studio One (not in the Motif catalog yet)(1948)
Career shape
Star power in the 97th percentile of 239,109 people with a billed film role, over a full career of 63 titles from 1948 to 2009; peak year 1962.

Biggest box office
Ghost Story (1981)

Highest rated
A Face in the Crowd (1957)

Most popular right now
Breakfast at Tiffany's (1961)
Film career
Peak 1962 · fewer prominent film roles lately. Top draw in 6 Motif titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1949Screen debut· The Fountainhead
- 1951Breakout· The Day the Earth Stood Still
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Patricia Neal's films land?
Their typical Motif film has a Midcredits score in the 75th percentile, the median of all 34; across their 31 films with reception data, the typical film sits in the 76th percentile for acclaim.
- 75th and up19
- 50th to 74th11
- 25th to 49th7
- Below 25th1
Shape of the crowd
19 of their 38 titles are Crowd Pleasers.
- Universally Loved7
- Loved with Detractors1
- Divisive1
- Cult Classic1
- Crowd Pleaser19
- Broadly Agreed4
- Mixed5
Reviewers score the acting 74/100 in their films, across 30 reviewed titles; fans 81, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Patricia Neal's work okay for kids?
Across up to 8 Motif titles with content scores, alcohol & drugs runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Patricia Neal work with?
People who share at least 2 of Patricia Neal's Motif titles, grouped by what they did on them; Ranald MacDougall shares the most, 3.
Directors
- Delbert MannShared titles: Love Leads the Way: A True Story (1984), All Quiet on the Western Front (1979)See all 2 shared titles with Delbert Mann

- Fielder CookShared titles: A Love Affair: The Eleanor and Lou Gehrig Story (1977), The Homecoming: A Christmas Story (1971)See all 2 shared titles with Fielder Cook

- Michael CurtizShared titles: Bright Leaf (1950), The Breaking Point (1950)See all 2 shared titles with Michael Curtiz

Writers
- Ranald MacDougallShared titles: Bright Leaf (1950), The Breaking Point (1950), The Hasty Heart (1949)See all 3 shared titles with Ranald MacDougall
Actors
- Edward HerrmannShared titles: The Face: Jesus in Art (2001), A Love Affair: The Eleanor and Lou Gehrig Story (1977)See all 2 shared titles with Edward Herrmann

- Michael RennieShared titles: Theremin: An Electronic Odyssey (1993), The Day the Earth Stood Still (1951)See all 2 shared titles with Michael Rennie

- Ernest BorgnineShared titles: Love Leads the Way: A True Story (1984), All Quiet on the Western Front (1979)See all 2 shared titles with Ernest Borgnine

- Melvyn DouglasShared titles: Ghost Story (1981), Hud (1963)See all 2 shared titles with Melvyn Douglas

Composers and cinematographers
- Max SteinerShared titles: Operation Pacific (1951), Raton Pass (1951), The Breaking Point (1950)See all 3 shared titles with Max Steiner

- Lee HoldridgeShared titles: Heidi (1993), Shattered Vows (1984)See all 2 shared titles with Lee Holdridge

- Walter LassallyShared titles: Happy Mother's Day, Love George (1973), Psyche 59 (1964)See all 2 shared titles with Walter Lassally

- Bernard HerrmannShared titles: The Night Digger (1971), The Day the Earth Stood Still (1951)See all 2 shared titles with Bernard Herrmann

Producers
- Jerry WaldShared titles: The Breaking Point (1950), John Loves Mary (1949)See all 2 shared titles with Jerry Wald







