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Priscilla Nedd-Friendly

Priscilla Nedd-Friendly

Editor, also producer · Born January 1, 1955 (71) · USA

Priscilla Nedd-Friendly was born in 1955 in the USA. She is an editor and producer, known for Pretty Woman (1990), The Proposal (2009) and We Are Marshall (2006). She is married to David T. Friendly.

Biography from IMDb.

Born
January 1, 1955 (71)
From
USA
Works as
Editor, also producer
Titles
41 on MovieCove
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Up 12% in 30 days

What are Priscilla Nedd-Friendly's films like?

Across their 37 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy23 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 75th percentile, at or above their average across these genres
: browse their Drama movies
Action4 titlesTypical Midcredits score: 15th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 25th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
39%
Self
31%
Morality
13%
Society
6%
Survival
5%
Power
3%
Ideas
3%
Family bonds15 titles, browse their movies with this themeRomantic love12 titles, browse their movies with this themeIdentity8 titles, browse their movies with this themeSelf-worth10 titles, browse their movies with this themeFriendship7 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeCommunity5 titles, browse their movies with this themeAmbition4 titles, browse their movies with this theme

What they feel like to watch

their average across 37 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 27 · Serious 6 · Dark 4

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 20 · Stylized 16 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 22 · Charged 10 · Intense 5

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 25 · Shifting 10 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 15 · Funny 14

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 27 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 30 · Engaged 7 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 34 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
15
Romantic
13
Warm
13
Melancholic
13
Hopeful
13
Other
37

How their films linger

Feel-good22 titles, browse their movies with this aftertasteHopeful20 titles, browse their movies with this aftertasteFun11 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy21
  • Bittersweet14
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Priscilla Nedd-Friendly's films?

As of October 24, 2026, 28 of their 41 MovieCove titles stream on a subscription or free service, most on Tubi (11).

Also on these channels

Subscription and free streaming for Priscilla Nedd-Friendly's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

41 credits, 41 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Afraid(2024)

    Editor

    Midcredits score: 11th percentile of all films

  • True Lies(2023)

    Show 1 episode · Editor

    Midcredits score: 7th percentile of all shows

  • Love Hard(2021)

    Editor

    Midcredits score: 54th percentile of all films

  • Finding 'Ohana(2021)

    Editor

    Midcredits score: 49th percentile of all films

  • Tall Girl(2019)

    Editor

    Midcredits score: 25th percentile of all films

  • Book Club(2018)

    Editor

    Midcredits score: 47th percentile of all films

  • Forever My Girl(2018)

    Editor

    Midcredits score: 67th percentile of all films

  • In My Dreams(2014)

    Editor

    Midcredits score: 50th percentile of all films

  • Hot Pursuit(2015)

    Editor

    Midcredits score: 16th percentile of all films

  • Delivery Man(2013)

    Editor

    Midcredits score: 49th percentile of all films

  • The Guilt Trip(2012)

    Editor

    Midcredits score: 30th percentile of all films

  • Steel Magnolias(2012)

    Editor

    Midcredits score: 48th percentile of all films

  • The Darkest Hour(2011)

    Editor

    Midcredits score: 10th percentile of all films

  • Big Mommas: Like Father, Like Son(2011)

    Editor

    Midcredits score: 13th percentile of all films

  • The Back-up Plan(2010)

    Editor

    Midcredits score: 26th percentile of all films

  • The Proposal(2009)

    Editor

    Midcredits score: 74th percentile of all films

  • 27 Dresses(2008)

    Editor

    Midcredits score: 56th percentile of all films

  • We Are Marshall(2006)

    Editor

    Midcredits score: 80th percentile of all films

  • Big Momma's House 2(2006)

    Editor

    Midcredits score: 17th percentile of all films

  • The Haunted Mansion(2003)

    Editor

    Midcredits score: 23rd percentile of all films

  • Stuart Little 2(2002)

    Editor

    Midcredits score: 27th percentile of all films

  • Down to Earth(2001)

    Associate Producer · Editor

    Midcredits score: 21st percentile of all films

  • If These Walls Could Talk 2(2000)

    Editor

    Midcredits score: 78th percentile of all films

  • American Pie(1999)

    Editor

    Midcredits score: 77th percentile of all films

  • Rusty: A Dog's Tale(1998)

    Editor

    Midcredits score: 22nd percentile of all films

  • Sour Grapes(1998)

    Editor

    Midcredits score: 35th percentile of all films

  • The Evening Star(1996)

    Editor

    Midcredits score: 40th percentile of all films

  • Clean Slate(1994)

    Editor

    Midcredits score: 30th percentile of all films

  • Undercover Blues(1993)

    Editor

    Midcredits score: 48th percentile of all films

  • That Night(1992)

    Editor

    Midcredits score: 69th percentile of all films

  • Doc Hollywood(1991)

    Editor

    Midcredits score: 53rd percentile of all films

  • Guilty by Suspicion(1991)

    Editor

    Midcredits score: 63rd percentile of all films

  • Pretty Woman(1990)

    Editor

    Midcredits score: 87th percentile of all films

  • Tucker: The Man and His Dream(1988)

    Editor

    Midcredits score: 79th percentile of all films

  • Street Smart(1987)

    Editor

    Midcredits score: 55th percentile of all films

  • Lucas(1986)

    Editor

    Midcredits score: 78th percentile of all films

  • The Flamingo Kid(1984)

    Editor

    Midcredits score: 53rd percentile of all films

  • No Small Affair(1984)

    Editor

    Midcredits score: 26th percentile of all films

  • Eddie and the Cruisers(1983)

    Editor

    Midcredits score: 75th percentile of all films

  • An Officer and a Gentleman(1982)

    Associate Editor

    Midcredits score: 83rd percentile of all films

  • An Eye for an Eye(1981)

    Additional Editor

    Midcredits score: 26th percentile of all films

Career shape

A full career of 41 titles from 1981 to 2024.

Biggest box office

Pretty Woman (1990)

$463M worldwide

Highest rated

Pretty Woman (1990)

Midcredits 87th

Most popular right now

The Haunted Mansion (2003)

By role

only this rolewith another role
Producing1 of 41: 0 only producing, 1 with another roleEditing40 of 41: 39 only editing, 1 with another role · typical Midcredits score48thOther crew1 of 41: 1 only other crew, 0 with another role

By decade

1980s8 · crew1990s10 · crew2000s8 · crew2010s11 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Priscilla Nedd-Friendly's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 40; across their 37 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 37

Approval · how many liked their films

48thpercentile
Typical film, the median of 37

Reach · how many have seen their films

91stpercentile
Typical film, the median of 37

Midcredits score across 41 titles, by percentile

  • 75th and up8
  • 50th to 74th10
  • 25th to 49th14
  • Below 25th9

Shape of the crowd

21 of their 41 titles are Crowd Pleasers.

  • Cult Classic2
  • Crowd Pleaser21
  • Broadly Agreed3
  • Mixed15

Most divisive · editor

Steel Magnolias (2012)

89th percentile spread · 35% rated it 4 or lower

Most loved · editor

Pretty Woman (1990)

Midcredits 87th · 74% liked

Reviewers score the pacing 49/100 in their films, across 35 reviewed titles; fans 57, detractors 33. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Priscilla Nedd-Friendly's work okay for kids?

Across up to 28 MovieCove titles with content scores, violence & gore and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore20 titles2–47 · median 29 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity28 titles14–57 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity22 titles31–56 · median 41 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs20 titles10–44 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense17 titles8–57 · median 24 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Priscilla Nedd-Friendly work with?

People who share at least 2 of Priscilla Nedd-Friendly's MovieCove titles, grouped by what they did on them; Arnon Milchan shares the most, 6.

Directors

Writers

Actors

Composers and cinematographers

Producers