Gladys Nederlander
- Producer
- 6 on MovieCove
What are Gladys Nederlander's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
Light 0 · Serious 1 · Dark 5
Grounded 4 · Stylized 2 · Heightened 0
Gentle 0 · Charged 1 · Intense 5
A split, not a type: Steady 4 · Shifting 1 · Whiplash 1
Straight-faced 6 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
Easy watch 0 · Affecting 2 · Heavy 4
Resolved 5 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gladys Nederlander's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Gladys Nederlander's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.

Sahara(1995)
Midcredits score: 70th percentile of all films
Death and the Maiden(1994)
Midcredits score: 88th percentile of all films
Next Door(1994)
Midcredits score: 31st percentile of all films
Orpheus Descending(1990)
Midcredits score: 60th percentile of all films
Midcredits score: 13th percentile of all films
A Case of Libel(1983)
Midcredits score: 74th percentile of all films (provisional, few ratings)
Career shape
Across their 6 MovieCove titles from 1983 to 1995.
How do Gladys Nederlander's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th1
- Below 25th1
Shape of the crowd
4 of their 6 titles are Mixed.
- Crowd Pleaser2
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gladys Nederlander work with?
People who share at least 2 of Gladys Nederlander's MovieCove titles, grouped by what they did on them; Barney Cohen shares the most, 2.
Producers
- Barney CohenShared titles: Sahara (1995), Next Door (1994)See all 2 shared titles with Barney Cohen

- Marty TudorShared titles: Sahara (1995), Next Door (1994)See all 2 shared titles with Marty Tudor
- George ManasseShared titles: Orpheus Descending (1990), Vengeance: The Story of Tony Cimo (1986)See all 2 shared titles with George Manasse

