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MovieCove

David Negrete

Producer

Works as
Producer
Titles
4 on MovieCove · 7 credits in all
TMDB popularity, last 38 days to Oct 27Down 32% in 30 days

What are David Negrete's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
35%
Bonds
27%
Society
16%
Survival
13%
Morality
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 1

Grounded 2 · Stylized 2 · Heightened 0

Gentle 2 · Charged 2 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Romantic
2
Joyful
1
Melancholic
1
Contemplative
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch David Negrete's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for David Negrete's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 4 with a MovieCove page.

  • Viajes de Esperanza (not in the MovieCove catalog yet)(2014)

    Actor

  • El rapto(1954)

    Producer

    Midcredits score: 71st percentile of all films
  • Reportaje(1953)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Two Careful Fellows(1953)

    Producer

    Midcredits score: 97th percentile of all films
  • The Straying Rooster (not in the MovieCove catalog yet)(1952)

    Producer

  • Siempre tuya(1952)

    Producer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)
  • It’s Not Enough to Be a Charro (not in the MovieCove catalog yet)(1946)

    as Manager

Career shape

A full career of 7 titles from 1946 to 2014.

By role

only this rolewith another role
Acting2 of 7: 2 only acting, 0 with another roleProducing5 of 7: 5 only producing, 0 with another role

By decade

1940s1 · acting1950s5 · crew2010s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do David Negrete's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71st percentile for acclaim.

Acclaim · how much people like their films

71stpercentile
Typical film, the median of 4

Approval · how many liked their films

78thpercentile
Typical film, the median of 4

Reach · how many have seen their films

15thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does David Negrete work with?

People who share at least 2 of David Negrete's MovieCove titles, grouped by what they did on them; Gloria Schoemann shares the most, 4.

Directors

Writers

Actors

Composers and editors