David Negrete
- Producer
- 4 on MovieCove · 7 credits in all
What are David Negrete's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
Gentle 2 · Charged 2 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Negrete's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for David Negrete's titles on MovieCove; rent and buy are not counted.
Filmography
7 credits, 4 with a MovieCove page.

Viajes de Esperanza (not in the MovieCove catalog yet)(2014)

El rapto(1954)
Midcredits score: 71st percentile of all films
Reportaje(1953)
Midcredits score: 80th percentile of all films
Two Careful Fellows(1953)
Midcredits score: 97th percentile of all films
The Straying Rooster (not in the MovieCove catalog yet)(1952)

Siempre tuya(1952)
Midcredits score: 62nd percentile of all films (provisional, few ratings)
It’s Not Enough to Be a Charro (not in the MovieCove catalog yet)(1946)
Career shape
A full career of 7 titles from 1946 to 2014.
How do David Negrete's films land?
Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up2
- 50th to 74th2
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does David Negrete work with?
People who share at least 2 of David Negrete's MovieCove titles, grouped by what they did on them; Gloria Schoemann shares the most, 4.
Directors
- Emilio FernándezShared titles: El rapto (1954), Reportaje (1953), Siempre tuya (1952)See all 3 shared titles with Emilio Fernández

Writers
- Mauricio MagdalenoShared titles: El rapto (1954), Reportaje (1953), Siempre tuya (1952)See all 3 shared titles with Mauricio Magdaleno

Actors
- Jorge NegreteShared titles: El rapto (1954), Two Careful Fellows (1953), Siempre tuya (1952)See all 3 shared titles with Jorge Negrete

- José Elías MorenoShared titles: El rapto (1954), Two Careful Fellows (1953)See all 2 shared titles with José Elías Moreno

- Arturo Soto RangelShared titles: Two Careful Fellows (1953), Siempre tuya (1952)See all 2 shared titles with Arturo Soto Rangel

Composers and editors
- Gloria SchoemannShared titles: El rapto (1954), Reportaje (1953), Two Careful Fellows (1953), Siempre tuya (1952)See all 4 shared titles with Gloria Schoemann

- Manuel EsperónShared titles: El rapto (1954), Two Careful Fellows (1953)See all 2 shared titles with Manuel Esperón

- Antonio Díaz CondeShared titles: Reportaje (1953), Siempre tuya (1952)See all 2 shared titles with Antonio Díaz Conde