- Director and producer
- 6 on MovieCove · 12 credits in all
What are Timothy J. Nelson's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 3 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 2 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Timothy J. Nelson's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on The Roku Channel (3).
Subscription and free streaming for Timothy J. Nelson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
12 credits, 6 with a MovieCove page.

The Assignment (not in the MovieCove catalog yet)(2010)

Waiting for Forever (not in the MovieCove catalog yet)(2010)

Slow Moe(2010)
Midcredits score: 33rd percentile of all films (provisional, few ratings)
The Princess and the Pea Chronicles (not in the MovieCove catalog yet)(2003)

Jumping for Joy (not in the MovieCove catalog yet)(2002)

The Princess and the Pea(2002)
Midcredits score: 63rd percentile of all filmsThe Penny Promise (not in the MovieCove catalog yet)(2001)

Who Gets the House?(1999)
Midcredits score: 18th percentile of all films
No More Baths! (not in the MovieCove catalog yet)(1998)

Species II(1998)
Midcredits score: 6th percentile of all films
Touched by an Angel(1994)
Midcredits score: 28th percentile of all shows
Stranger on My Land(1988)
Midcredits score: 31st percentile of all films
Career shape
A full career of 11 titles from 1988 to 2010.
How do Timothy J. Nelson's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 5; across a limited sample of 3 films with reception data, the typical film sits in the 37th percentile for acclaim.
- 50th to 74th1
- 25th to 49th3
- Below 25th2
Shape of the crowd
3 of their 6 titles are Cult Classics.
- Cult Classic3
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Timothy J. Nelson work with?
People who share at least 2 of Timothy J. Nelson's MovieCove titles, grouped by what they did on them; Forrest S. Baker III shares the most, 3.
Composers and editors
- Stephen L. JohnsonShared titles: Slow Moe (2010), Who Gets the House? (1999)See all 2 shared titles with Stephen L. Johnson

- Alan WilliamsShared titles: The Princess and the Pea (2002), Who Gets the House? (1999)See all 2 shared titles with Alan Williams

Producers
- Forrest S. Baker IIIShared titles: Slow Moe (2010), The Princess and the Pea (2002), Who Gets the House? (1999)See all 3 shared titles with Forrest S. Baker III

