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Motif

John Neschling

Composer · Born May 13, 1947 (79) · Rio de Janeiro, Rio de Janeiro, Brazil

Born
May 13, 1947 (79)
From
Rio de Janeiro, Rio de Janeiro, Brazil
Works as
Composer
Titles
3 on Motif · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 26% in 30 days

What are John Neschling's films like?

Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Power and Survival.

Themes

share of theme weight
Power
27%
Survival
25%
Bonds
16%
Morality
16%
Self
9%
Ideas
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 1 · Stylized 1 · Heightened 1

A split, not a type: Gentle 0 · Charged 2 · Intense 1

Steady 1 · Shifting 1 · Whiplash 1

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 0 · Heavy 3

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Melancholic
2
Contemplative
1
Dread
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Neschling's films?

As of October 24, 2026, 2 of their 3 Motif titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for John Neschling's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 3 with a Motif page.

  • Copland, Bernstein (not in the Motif catalog yet)(2014)

    Conductor · Actor

  • Desmundo (not in the Motif catalog yet)(2002)

    Composer

  • Os Maias (not in the Motif catalog yet)(2001)

    Show 42 episodes · Composer

  • Strauss: Der Rosenkavalier (not in the Motif catalog yet)(1998)

    Conductor

  • Midcredits score: 89th percentile of all films
  • Midcredits score: 49th percentile of all films
  • Family Album (not in the Motif catalog yet)(1981)

    Composer

  • Pixote(1980)

    Composer

    Midcredits score: 98th percentile of all films
  • Gaijin: A Brazilian Odyssey (not in the Motif catalog yet)(1980)

    Composer

  • O Cortiço (not in the Motif catalog yet)(1978)

    Composer

  • Lucio Flavio (not in the Motif catalog yet)(1977)

    Composer

  • Os Condenados (not in the Motif catalog yet)(1974)

    Composer

Career shape

A full career of 12 titles from 1974 to 2014.

By role

only this rolewith another role
Acting1 of 12: 0 only acting, 1 with another roleMusic10 of 12: 10 only music, 0 with another roleOther crew2 of 12: 1 only other crew, 1 with another role

By decade

1970s3 · crew1980s5 · crew1990s1 · crew2000s2 · crew2010s1 · 1 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do John Neschling's films land?

Their typical Motif film has a Midcredits score in the 89th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 88th percentile for acclaim.

Acclaim · how much people like their films

88thpercentile
Typical film, the median of 3

Approval · how many liked their films

87thpercentile
Typical film, the median of 3

Reach · how many have seen their films

88thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 25th to 49th1

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does John Neschling work with?

People who share at least 2 of John Neschling's Motif titles, grouped by what they did on them; Hector Babenco shares the most, 2.

Directors

Actors

Cinematographers

Producers