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Kurt Neumann

Producer · Died November 23, 2019, aged 85 · Los Angeles, California, USA

Born
June 30, 1934
Died
November 23, 2019 (aged 85)
From
Los Angeles, California, USA
Works as
Producer
Titles
14 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 25% in 30 days

What are Kurt Neumann's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Self.

Themes

share of theme weight
Power
46%
Self
24%
Morality
24%
Bonds
7%
Self-worth2 titles, browse their movies with this themeCorruption2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Warm
2
Melancholic
2
Bittersweet
1
Dread
1
Other
4

How their films linger

Feel-good2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kurt Neumann's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Kurt Neumann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 14 with a MovieCove page.

  • The Last of the Finest(1990)

    Co-Producer

    Midcredits score: 32nd percentile of all films

  • Big Top Pee-wee(1988)

    Unit Production Manager

    Midcredits score: 17th percentile of all films

  • Less Than Zero(1987)

    Unit Production Manager

    Midcredits score: 59th percentile of all films

  • Hard to Hold (not in the MovieCove catalog yet)(1984)

    Associate Producer · Production Manager

  • The Star Chamber(1983)

    Associate Producer · Unit Production Manager

    Midcredits score: 53rd percentile of all films

  • Monsignor (not in the MovieCove catalog yet)(1982)

    Associate Producer · Production Manager

  • Cannery Row(1982)

    Associate Producer · Unit Production Manager

    Midcredits score: 59th percentile of all films

  • The Muppet Movie(1979)

    Production Manager

    Midcredits score: 95th percentile of all films

  • King Kong(1976)

    Assistant Director

    Midcredits score: 44th percentile of all films

  • The Stranger Within (not in the MovieCove catalog yet)(1974)

    Assistant Director · First Assistant Director · Unit Production Manager

  • Planet Earth(1974)

    Unit Production Manager

    Midcredits score: 50th percentile of all films

  • The Strangers in 7A(1972)

    Assistant Director

    Midcredits score: 29th percentile of all films

  • Goodnight, My Love (not in the MovieCove catalog yet)(1972)

    Assistant Director · Unit Production Manager

  • Haunts of the Very Rich(1972)

    Assistant Director

    Midcredits score: 54th percentile of all films

  • Me, Natalie(1969)

    Associate Producer

    Midcredits score: 63rd percentile of all films

  • Angels from Hell(1968)

    Producer

    Midcredits score: 15th percentile of all films

  • The Private Navy of Sgt. O'Farrell(1968)

    Assistant Director

    Midcredits score: 37th percentile of all films

  • Enter Laughing (not in the MovieCove catalog yet)(1967)

    Associate Producer

  • The Russians Are Coming the Russians Are Coming(1966)

    Assistant Director

    Midcredits score: 79th percentile of all films

Career shape

A full career of 19 titles from 1966 to 1990.

Biggest box office

The Star Chamber (1983)

$5.6M worldwide

Highest rated

Me, Natalie (1969)

Midcredits 63rd

Most popular right now

The Star Chamber (1983)

By role

only this rolewith another role
Producing8 of 19: 4 only producing, 4 with another role · typical Midcredits score53rdOther crew15 of 19: 11 only other crew, 4 with another role · typical Midcredits score53rd

19 titles, 4 with more than one role — other crew and producing overlap on 4 of them.

By decade

1960s5 · crew1970s7 · crew1980s6 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kurt Neumann's films land?

Their typical MovieCove film has a Midcredits score in the 52nd percentile, the median of all 14; across their 5 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 5

Approval · how many liked their films

49thpercentile
Typical film, the median of 5

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 5

Midcredits score across 14 titles, by percentile

  • 75th and up2
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

6 of their 14 titles are Mixed.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed6

Most divisive · producer

Angels from Hell (1968)

60th percentile spread · 38% rated it 4 or lower

Most loved · producer

Me, Natalie (1969)

Midcredits 63rd · 59% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kurt Neumann work with?

People who share at least 2 of Kurt Neumann's MovieCove titles; Jack Nitzsche shares the most, 2.