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Ataru Oikawa

Ataru Oikawa

Director and writer · Born September 5, 1957 (69) · Tokyo, Japan

Ataru Oikawa is a Japanese film director and screenwriter. While working as an editor at Magazine House, he wrote screenplays, and made his debut as a screenwriter with his original scenario DOOR. Later, he quit Magazine House and became a film director.

Biography from TMDB.

Born
September 5, 1957 (69)
From
Tokyo, Japan
Works as
Director and writer
Titles
3 on MovieCove · 32 credits in all
TMDB popularity, last 37 days to Oct 26Up 32% in 30 days

What are Ataru Oikawa's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.

Themes

share of theme weight
Survival
51%
Self
27%
Power
11%
Society
11%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

A split, not a type: Grounded 2 · Stylized 0 · Heightened 1

Gentle 0 · Charged 1 · Intense 2

Steady 0 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

A split, not a type: Casual 0 · Engaged 2 · Full focus 1

A split, not a type: Resolved 0 · Open-ended 2 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Dread
3
Tense
2
Melancholic
1
Bittersweet
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ataru Oikawa's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Ataru Oikawa's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 3 with a MovieCove page.

  • Shojyo Senso (not in the MovieCove catalog yet)(2011)

    Director · Screenplay

  • Monster Magnitude: 9 (not in the MovieCove catalog yet)(2010)

    Show 3 episodes · Director

  • Maison Temptation (not in the MovieCove catalog yet)(2009)

    Director

  • Shrill Cries: Reshuffle (not in the MovieCove catalog yet)(2009)

    Director · Writer

  • 9 + 1 (not in the MovieCove catalog yet)(2008)

    Director · Screenplay

  • Shrill Cries of Summer (not in the MovieCove catalog yet)(2008)

    Director · Writer

  • Kissho Tennyo (not in the MovieCove catalog yet)(2007)

    Director · Writer

  • Apartment 1303 (not in the MovieCove catalog yet)(2007)

    Director · Writer

  • Menotto (not in the MovieCove catalog yet)(2005)

    Director · Screenplay

  • Tomie: Revenge (not in the MovieCove catalog yet)(2005)

    Director · Writer

  • Tomie: Beginning(2005)

    Director

    Midcredits score: 17th percentile of all films
  • Tokyo Psycho (not in the MovieCove catalog yet)(2004)

    Director · Screenplay

  • The Groaning Drain (not in the MovieCove catalog yet)(2004)

    Director

  • Neo Document Series ZONE (not in the MovieCove catalog yet)(2004)

    Director

  • Fight Girls (not in the MovieCove catalog yet)(2003)

    Director · Screenplay

  • Cutie Girl (not in the MovieCove catalog yet)(2003)

    Director

  • Lovers' Kiss (not in the MovieCove catalog yet)(2003)

    Director · Screenplay

  • Tamagawa Girl War (not in the MovieCove catalog yet)(2002)

    Director · Writer

  • Gang 2 (not in the MovieCove catalog yet)(2001)

    Director

  • Gang (not in the MovieCove catalog yet)(2001)

    Director

  • Samurai Girl 21 (not in the MovieCove catalog yet)(2001)

    Director

  • Dead Beat (not in the MovieCove catalog yet)(1999)

    Writer

  • Tomie(1998)

    Director · Writer

    Midcredits score: 24th percentile of all films
  • The New Metropolitan Police Branch 82 (not in the MovieCove catalog yet)(1998)

    Screenplay

  • Shibuya Night Wars (not in the MovieCove catalog yet)(1998)

    Director

  • Romantic Mania (not in the MovieCove catalog yet)(1997)

    Screenplay

  • The Boy Made in Japan (not in the MovieCove catalog yet)(1995)

    Director · Writer · Actor

  • The First Stage (not in the MovieCove catalog yet)(1991)

    Screenplay

  • Gappie, Wear a Tie this Summer (not in the MovieCove catalog yet)(1990)

    Screenplay

  • Octopus Army I Want to Meet You in Shibuya (not in the MovieCove catalog yet)(1990)

    Director · Screenplay

  • Dangerous Stories (not in the MovieCove catalog yet)(1989)

    Screenplay

  • Door(1988)

    Writer

    Midcredits score: 58th percentile of all films

Career shape

A full career of 32 titles from 1988 to 2011.

By role

only this rolewith another role
Acting1 of 32: 0 only acting, 1 with another roleDirecting25 of 32: 10 only directing, 15 with another roleWriting22 of 32: 7 only writing, 15 with another role

32 titles, 15 with more than one role — directing and writing overlap on 15 of them.

By decade

1980s2 · crew1990s9 · 1 acting · 9 crew2000s19 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ataru Oikawa's films land?

Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 3

Approval · how many liked their films

20thpercentile
Typical film, the median of 3

Reach · how many have seen their films

76thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • Below 25th2

Reviewers score the atmosphere 58/100 and the pacing 27/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ataru Oikawa work with?

People who share at least 2 of Ataru Oikawa's MovieCove titles, grouped by what they did on them; Junji Ito shares the most, 2.

Writers

Actors

Producers