- Director, writer, producer and actor
- 5 on MovieCove
What are Juan Orol's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 3 · Dark 1
Grounded 4 · Stylized 1 · Heightened 0
Gentle 1 · Charged 4 · Intense 0
Steady 2 · Shifting 2 · Whiplash 1
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 4 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Roles they play
- Allyas Valentín in Secretaria peligrosa (1958)
- Heroas Tony Florino in Organización criminal (1968)
Moods and endings
- Happy1
- Bittersweet1
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Juan Orol's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Juan Orol's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
El tren de la muerte(1979)
Midcredits score: 29th percentile of all films (provisional, few ratings)
Organización criminal(1968)
Secretaria peligrosa(1958)
Midcredits score: 39th percentile of all films (provisional, few ratings)
El amor de mi bohío(1947)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Career shape
Across their 5 MovieCove titles from 1947 to 1979.
How do Juan Orol's films land?
Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of the 3 of 5 with a score; across their 5 films with reception data, the typical film sits in the 26th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 3 titles are Mixed.
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Juan Orol work with?
People who share at least 2 of Juan Orol's MovieCove titles; Dinorah Judith shares the most, 2.
- Dinorah JudithShared titles: El tren de la muerte (1979), Organización criminal (1968)See all 2 shared titles with Dinorah Judith
- Juan José MarinoShared titles: La mesera del café del puerto (1950), El amor de mi bohío (1947)See all 2 shared titles with Juan José Marino